08 September 2016 by VegettoEX
30 June 2016 by VegettoEX
24 June 2016 by VegettoEX
10 June 2016 by Hujio
Following up on our translation of the Akira Toriyama and Masakazu Katsura discussion from Young Jump in 2010, our latest translation for the archives jumps back in time a bit to 2008 with the release of Sachie-chan GOOD!! in Jump SQ. Whereas 2010’s Jiya continued the story of the Galactic Patrol (later to be heavily expanded upon in 2013’s Jaco the Galactic Patrolman), it was Sachie-chan GOOD!! that established the loosely-connected series.
In this discussion, printed alongside the one-shot in the May 2008 issue of Jump SQ in Japan (released 02 April 2008), the two discuss their “ultimate collaboration” with Toriyama providing the story and Katsura providing the artwork, along with all the trials and tribulations that come along with such an arrangement.
Since way back, I’ve enjoyed doing the storyboard, but really hated inking. So, I was simply glad to get just the good part.
Although I was quite the nag.
You were a nag, all right. (laughs) You read the storyboard and said, “There’s no content.” I like stuff without any content. But he really wants to put some actual content in. Things like “human themes”. I hate that kind of stuff. (laughs)
With this job, I can now confidently say that Toriyama-san actually aims to draw things devoid of content. So for me, this storyboard was my archenemy. He deliberately does it so as not to put in anything that invites emotion. Plus, Toriyama-san’s stories progress with high energy the whole time.
Even I only realized that part after you told me the other day.
So, to put it badly, you could say the tale has no climax…. But that’s Toriyama-san‘s touch, so whether I should keep that in, or change it up… I still haven’t come to an answer.
A few correlations are drawn to Dragon Ball throughout the discussion, such as Toriyama’s designs (seen below) feeling as if they could be right at home there, while Katsura and Toriyama also discuss their differing attitudes on risqué inclusions.
|READ THE FULL INTERVIEW TRANSLATION|
At this point in 2008, the Dragon Ball franchise was in a bit of a holding-pattern: the Jump Super Anime Tour Special would not debut until later that year, and both the American live-action film Dragon Ball Evolution and the 20th anniversary “refresh” series Dragon Ball Kai were still about a year off. To see the beginnings of the Galactic Patrol combined with Toriyama’s outlook on content development is fascinating to put in historical context.
Retailer listings showcase four versions of Batten Showjo Tai’s “Yoka-Yoka Dance” (“Easy-Going Dance”) CD single set for release this September, the upcoming fifth ending theme for the Dragon Ball Super TV series:
The “Join Hands Edition” will contain the following tracks:
The “Together with Dragon Ball Edition” will contain “Easy-Going Dance” and its instrumental version, along with an as-of-yet untitled cover song still to-be-determined.
The “Listen Edition” will combine and add to the content of the above editions and contain the following tracks:
Finally, the “Look Edition” will contain “Easy-Going Dance” and its instrumental version, “Fri! Fri! Friends!” and its instrumental version, and a bonus DVD with video footage still to-be-determined.
All four editions will be released 19 September 2016. “Yoka-Yoka Dance” is set to take over as the new ending theme for Dragon Ball Super this July.
Four editions of a CD single are the largest amount for a Dragon Ball song since 2010, when eleven different versions of the second Dragon Ball Kai ending theme song — “Wings of the Heart” by Team Dragon of AKB48 — were released.
The chapter features the original Japanese sound effects with accompanying translations. “Hercule” remains as the edited name for Mr. Satan in the otherwise faithful translation.
While the Dragon Ball Super television series has been licensed for certain international territories, no announcement has been made for North America.
The Dragon Ball Super manga began in June 2015 as a promotional tie-in for the television series. The manga runs monthly in Shueisha’s V-Jump magazine, with the series’ thirteenth chapter running this week in the magazine’s August 2016 issue. Illustrated by “Toyotarō” (in all likelihood, a second pen-name used by Dragon Ball AF fan manga author and illustrator “Toyble”), the Dragon Ball Super manga covered the Battle of Gods re-telling, skipped the Resurrection ‘F’ re-telling, and “charged ahead” to the Champa arc to act as further promotion for the television series. The first collected volume, covering the first nine chapters and one bonus chapter, was released this past April.
UPDATE: Four days after posting the chapter, a blog entry on Viz’s shonenjump.com website announced a new initiative to post various manga chapters online for free, including said first chapter of Dragon Ball Super.
Special thanks to Donald Kirby for the heads-up!
While our primary goal here at Kanzenshuu is to document Dragon Ball information, this occasionally does extend to tangential material. This includes “pre-Dragon Ball” interviews with Akira Toriyama, which help explain where Dragon Ball came from and how Dr. Slump would ultimately shape his storytelling. As Toriyama’s career extends into and beyond Dragon Ball, our coverage may also include material during Dragon Ball‘s downtime. Our latest interview translation is one of these pieces!
Toriyama’s friendship with manga author Masakazu Katsura (DNA², Video Girl Ai, I”s, Zetman, etc.) spans decades, and this friendship has seeped into Dragon Ball itself in subtle ways: it was Katsura himself who supposedly came up with the idea of fusion, for example.
The duo’s friendship and collaboration continued through two specific works of interest as they relate to our latest translation: Sachie-chan GOOD!! in 2008, and JIYA in 2010. While Dragon Ball fans may know the Galactic Patrol by way of Jaco, the space organization actually began with these two prior one-shots.
Immediately after wrapping up JIYA‘s serialization, the 2010 #7 issue of Weekly Young Jump published a special behind-the-scenes interview with the duo. Toriyama and Katsura talk about their collaboration process, while Toriyama goes more in-depth about writing for a slightly-older audience; meanwhile, Katsura provides a few jabs at his friend’s expense:
This is the first time you’ve let the “dere” part of a “tsundere” come out, isn’t it? I mean, even when Bulma hooked up with that prematurely-balding guy, she wasn’t all over him.
Vegeta is not balding! How dare you show such disrespect…!
So the fact that this time, Kaede, a bit unlike Bulma, shows something of a romantic side…
Look, that’s because this is a seinen magazine. (laughs)
Perhaps most relevant to Dragon Ball is a previously-unpublished storyboard page for an entirely different version of the series. Over 40 pages were apparently drawn of this alternate take, where both the alien character and the man he encounters are completely different from in JIYA.
The dialog in this one particular storyboard page — referencing a downed-spaceship, a “Super-Elite,” super-strength, and more — may sound oddly familiar some six years later, even beyond the Galactic Patrol setup in JIYA itself. It would seem that Toriyama took these unfinished ideas and adapted them almost directly into Jaco the Galactic Patrolman in 2013!
|READ THE FULL INTERVIEW TRANSLATION|
This week’s August 2016 issue of Shueisha’s V-Jump magazine in Japan contains a brief update on Bandai Namco’s upcoming console video game, Dragon Ball XENOVERSE 2.
The game will be set in Age 852, two years after the “Demigra Incident” (i.e., the first game) in Age 850. The time patrol has since expanded, and players will take on the role of a new recruit. History is changing again, with Tullece (from Dragon Ball Z Movie 3) and Coola (from Dragon Ball Z Movie 5) appearing on Namek, the Ginyu Force powering up from Shinsei-ju fruit, etc. This time the player will not merely fix history, but will “infiltrate” it as well, such as going undercover to join Freeza’s army.
The original Dragon Ball XENOVERSE, developed by Dimps for Bandai Namco, was announced in May 2014 and launched in February 2015 for the PlayStation 3, PlayStation 4, Xbox 360, Xbox One, and PC (via Steam) internationally. The game saw a user-created character teaming up with Trunks and the Kaiōshin of Time to correct anomalies and disruptions to the timeline caused by the villains Mira, Towa, and Demigra. As of February 2016, the game had shipped over three million copies worldwide.
The bundle pack for Bandai Namco’s upcoming Dragon Ball Fusions video game for the Nintendo 3DS will come packaged with a bonus downloadable game from the franchise’s Nintendo Famicom days: 1990’s Dragon Ball Z: Kyōshū! Saiya-jin (“Assault! The Saiyans”).
Kyōshū! Saiya-jin follows the events of the Saiyan arc along with the first Dragon Ball Z film. The game was later adjusted and combined with its follow-up, 1991’s Dragon Ball Z: Gekishin Furīza!! (“Fierce God Freeza!!”), to create the 1992 Super Famicom game, Dragon Ball Z: Super Saiya Densetsu (“Super Saiya Legend”).
Kyōshū! Saiya-jin was recently included within the 2013 Nintendo 3DS compilation package J Legend Retsuden (“Jump Legend History”). Another of the compilation’s inclusions, Super Butōden 2, was included as a pre-order/first-pressing bonus with 2015’s Dragon Ball Z: Extreme Butōden, also on the Nintendo 3DS.
Dragon Ball Fusions (originally revealed as “Project Fusion”) is currently under development by Ganbarion for a 04 August 2016 release by Bandai Namco on the Nintendo 3DS in Japan. No international localization has been announced as-of-yet.
Thanks to Vitas Varnas for the heads-up.
Once upon a time, you could sarcastically respond to a simple or obvious question with, “Is the sky blue?” Nowadays, red is blue, and apparently purple is also blue. What is a Dragon Ball fan supposed to believe?! Join us for yet another podcast discussion about hair color!
Episode #0407! Mike and Meri discuss the “change” of Trunks’ hair color from lavender to blue for the “Dragon Ball Super” TV series. What has Akira Toriyama said about these kinds of changes in the past, and what circumstances might have led to this situation? Is this lack of consistency even a worthwhile conversation to have, or is it yet another overblown production nugget?
Japanese band Batten Shōjo-Tai (“X-Mark Girl Squad”, stylized as “Batten Showjo Tai”) has announced that their upcoming single “Yoka-Yoka Dance” (“Easy-Going Dance”) will take over as the fifth ending theme song for the Dragon Ball Super TV series beginning in July.
According to the group’s official website, “Yoka-Yoka Dance” will begin airing in July 2016 with a CD single release following 14 September 2016.
The song was written by Takemasa Ono of KEYTALK, who performed the series’ second closing theme, “Starring Star“. Additionally, Narasaki (known as the producer of Momoiro Clover Z, who contributed “Pledge of ‘Z’ as the closing theme for the 2015 theatrical film Resurrection ‘F’) was involved in the editing and production of the new song.
Takemasa Ono provided a comment about the song alongside its announcement:
It’s a song about how even when things are rough, you can smile and overcome it! I’ll be glad if it gets people excited during live concerts! By the way, I wrote it while dancing (^O^) Yoka-Yoka Dance! Heh!!!
Batten Shōjo-Tai was formed in June 2015 by Star Dust Promotion Fukuoka. The idol group’s members average 14 years of age. The group aims… “to be popular not only in Fukuoka but also all of Kyushu and the entire country.” The group’s major debut was with the song “Osshoi!” from Victor Entertainment Colorful Records in April 2016.
CD singles for the show’s first four ending themes — “Hello Hello Hello” by Good Morning America, “Starring Star” by KEYTALK, “Light Pink” by LACCO TOWER, and “Forever Dreaming” by Czecho no Republic — have been released. A CD single for the show’s opening theme — “Chōzetsu ☆ Dynamic!” by Kazuya Yoshii — was released 07 October 2015.
Thanks to @nemurenatta for the clarification on “Osshio!”, previously reported incorrectly as a debut album rather than individual song and CD single.
Next week’s upcoming August 2016 issue of Shueisha’s V-Jump magazine in Japan (set for release 21 June 2016) teases a new character for the Dragon Ball Super TV series, “Zamasu” (ザマス), with a character design by original manga author Akira Toriyama:
A mystery man who appears in the new part added in to the TV anime’s opening!! What is his true identity…!?
These clothes… don’t tell me he’s a Kaiōshin?!
The issue goes on to confirm that “Zamasu” will be played by Shin’ichirō Miki, a veteran voice actor who has worked on series such as Full Metal Alchemist and Pokemon as well as video games such as the Virtua Fighters series.
“Zamasu” was first shown in the opening animation change during last week’s 47th episode of Dragon Ball Super, and has yet to appear in the series-proper:
Dragon Ball Super airs Sunday mornings at 9:00 a.m. on Fuji TV in Japan. The “Future Trunks Arc” began last week with the series’ 47th episode.
Shueisha has released the cover artwork for the upcoming fifth volume (“Legend 5”) of the Dragon Ball manga’s new “Digest Edition” (Sōshūhen):
These editions are touted as allowing the reader to “enjoy Dragon Ball the same way as when it was serialized in Jump“, and are the same size as the original Weekly Shōnen Jump serialization (JIS B5; 18.2 × 25.7 cm). The volumes feature an exclusive large foldout poster, the original color pages and titles, promotional slogans, text and logos, and next issue previews at the end of each chapter.
“Legend 5” picks up with Chapter 113, will run 366 pages, and is set for release 24 June 2016 for ¥500 plus tax, with the second and fourth Friday of each subsequent month seeing one new volume apiece (“Legend 6” is due out 08 July 2016 with “Legend 7” following 22 July 2016). “Legend 5” is available for pre-order via Amazon Japan.