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Production Guide

Dragon Ball Super Minor Staff Credits


作画監督補佐Assistant Animation Supervisor
The role of an assistant animation supervisor is to assist the episode’s animation supervisor with a variety of tasks in order to meet animation deadlines and budgets. The two positions work hand-in-hand, with the animation supervisor providing the managerial direction and the assistant animation supervisor providing any support needed. Often times if an episode contains a complex or crucial sequence, the animation supervisor will assign an assistant animation supervisor to directly oversee this section of animation, who in some instances will provide a portion of the key animation themselves.
舘 直樹/ Naoki Tate
12, 50, 66
石川 修/ Osamu Ishikawa
12
加野 晃/ Akira Kano
12
楠木智子/ Tomoko Kusunoki
17, 23, 60, 68
星野玲香/ Reika Hoshino
17
田中千皓/ Chihiro Tanaka
17, 23, 38, 44, 51, 60, 68
小林ゆかり/ Yukari Kobayashi
25
山下一男/ Kazuo Yamashita
25
小野 歩/ Ayumi Ono
37
佐藤友子/ Tomoko Satō
37
手塚江美/ Emi Tezuka
37
兼高里圭/ Rika Kanetaka
37
ミュウ/ Myū
37
袴田裕二/ Yūji Hakamada
39, 42-43
大西陽一/ Yōichi Ōnishi
39
島貫正弘/ Masahiro Shimanuki
50
眞部周一郎/ Shūichirō Manabe
57

演出助手Assistant Director
The assistant director is an extension of the episode director, attending to tasks that the director does not have time for. They will often run errands for the director and do whatever they can to make the director’s stressful job easier. Many assistant directors are also episode directors and switch between the two roles as needed.
川崎弘二/ Kōji Kawasaki
1, 4, 8, 10, 14, 18, 21, 24, 28, 31, 34, 37, 41, 43, 47, 49, 51, 55, 58, 61, 64, 67
石谷 恵/ Megumi Ishitani
2, 5, 7, 11, 15, 19, 22, 26, 29, 33, 36, 38, 42, 45, 50, 53, 56, 60, 66, 69
佐藤雅教/ Masanori Satō
3, 6, 9, 13, 17, 25, 32, 40, 46, 54, 62, 68
三上雅人/ Masato Mikami
2, 5, 7, 12
栗原ひとみ/ Hitomi Kurihara
12, 16, 20, 23, 27, 30
唐澤和也/ Kazuya Karasawa
30, 35, 44, 52, 59, 63, 70
中村亮太/ Ryōta Nakamura
39, 48, 57, 65

製作進行Production Progression
This staff member works directly under the production supervisor and can be thought of as an assistant. Since multiple episodes are typically worked on at the same time, the production supervisor assigns these assistants to specific episodes to help keep an eye on the production process of that episode and ensuring it is progressing at a reasonable rate to meet its deadline. As much of the animation and art work are outsourced to other companies besides Toei Animation, this internal position is critical in maintaining an episode’s production schedule.
小林克規/ Katsunori Kobayashi
1, 3, 7, 10, 13, 16, 18, 22, 25, 29, 32, 35, 38, 41, 58, 61, 64, 67, 70
難波 涼/ Ryō Nanba
2, 5, 9, 12, 17, 20, 24, 28, 31, 34, 37, 40, 43, 46, 49, 52, 54, 56, 59, 62, 65, 68
福田一夫/ Kazuo Fukuda
4, 8, 11, 15, 19, 23, 26, 30, 33, 36, 39, 42, 45, 48, 51, 53, 55, 57, 60, 63, 66, 69
平澤風人/ Fūto HirasawaA-Line
6, 14
杉谷勇樹/ Yūki Sugitani
16
瀬戸典子/ Noriko Seto
21, 27
奥村裕人/ Hiroto Okumura
25
樋口雄紀/ Yūki Higuchi
26
田中洋平/ Yōhei Tanaka
37, 45, 53
澤守 洸/ Takeshi Sawamori
44, 47, 50