Kanzenshuu

It's a TV show where you want a cast of characters that are different. Then make 'em different from the get-go. Besides it's Goku's story. It's been 100% Goku's story up until he defeated Piccolo Jr. and about 80% his story until he beat Freeza. However, we saw very little of him in the next two ma...

If you own all Hit Song Collection CD's and the DB Final Bout, Ultimate Battle 22, Super Botouden, DBZ Legends soundtracks, would that mean you've got every vocal song recorded for DBZ? (disregarding post-2002 material like the Budokai games.)

provided piccolo didn't fuse with kami... wait... OH SH**! WHY DIDN'T HE DO THAT!? *sigh* another discussion perhaps? That could easily be chalked up to the fact that present Piccolo had a stronger incentive to merge with Kami and it had everything to do with Future Trunks being right there in fron...

Yes, he's a lot like Goku, but we've already got a Goku. And that's exactly where Toriyama/ Toei have messed up. Brushing Goten aside because you can't have him growing up with Goku's personality and hairstyle is criminal. Picture this: you're a 7 year old kid with a father and older brother who've...

Does New Namek really exist in the future timeline, though? This'll sound a little far-fetched, but if Cell had arrived in the present a year before Future Trunks, it would mean Cell's egg was on earth before Goku's fight with Freeza on Namek. Considering that Cell had changed the present history ev...

GT's promise evaporated because of GOTEN?! Not all promise, but some. Now bear with me as I go slightly off topic with regards to Goten. Whether it's Gohan or Goten, it's becoming increasingly easy to forget that they're Son Goku 's children. Look at it this way, before Goten's lousy image in DBGT ...

The buildup to Goku and Vegeta fusing against Super Boo was amazing. Vegetto vs. Super Boo, however, was a real letdown. This would be a good idea executed badly. The opposite would be DBGT: lots of promise in the first two episodes, but it all evaporated the instant Pan hit the takeoff button and l...

He doesn't get lazy with the amount of compositions. It's Toei cutting back on costs and primarily relying on reusing cues from his various movie scores instead of having him compose new tracks regularly for the show. Using music from movie scores is perfectly normal. Detective Conan does that too....

That Bulma had earned her spotlight in Super just because she got the ball rolling in DB is weak reasoning. Roshi had taught Goku the Kamehameha, kept track of his progress in two Tenkaichi Budokais by entering himself, and had remained extremely relevant up until the Piccolo Daimao arc., but they s...

Also, another thing the Japanese music does better is that it has insert songs with vocals for certain moments, such as when Gohan goes Super Saiyan 2 against Cell, which adds a little bit of variety to the soundtrack. I actually wanted to start a new topic about insert songs but it I'll just ask t...

There's no question about Bulma always being relevant. In Super, however, it's not just about her being relevant, useful, or ever-present. Try to think of all the instances (they could amount to 20 or more) where a whole set of characters are watching a fight. Somehow, Bulma is always the one with s...

Has anyone noticed that Bulma is everywhere in Super? She somewhat reminds me of the useless amount of screen time Pan had received in DBGT. I mean, Bulma is always there, and unlike the latter half of DB and all of DBZ, she always seems to have a point to make in Super. Aside from her logical invol...

All joking aside, you should try not to fall into the gutter that is trying to call something fake music. Fake music isn't a thing. If there's a melody, it's music, and I'm fairly certain there's no Faulconer track that lacks a melody. Unfortunately, people who define "real music" as song...

Which do you prefer and which do you advise me to watch for the Rest of the Series ? I'm a fan of the original score despite pointing out its many flaws in other threads. Most of us here would probably tell you to go for the Japanese soundtrack, but it depends entirely on what sort of experience yo...

Which do you prefer and which do you advise me to watch for the Rest of the Series ? I'm a fan of the original score despite pointing out its many flaws in other threads. Most of us here would probably tell you to go for the Japanese soundtrack, but it really depends entirely on what sort of experi...

A little, but not much. There are many tracks that I felt could've been utilized that came from the movies, but I felt that a lot of em were placed just fine 80% of the time. As for decisions with placing Kikuchi's stuff, I'd have to disagree. Majority of the time, I thought they made some pretty g...

Is anybody else bothered by the fact that bgm from the movies took forever to debut in the Anime series? For example, the piece played when Goku finishes off Broly in movie 8 really had a "main theme" kind of potential, and yet we had to wait until Goku vs. Majin Vegeta to hear it in the T...

I agree that it comes down to what era the series was produced in. Alternative Rock/ Nu Metal didn't pervade Anime soundtracks until early 2000, so technically anything produced before then would sound awkward. FUNimation was simply the last one to drunkenly stumble on the bandwagon, by which point...

Still the Kikuchi's Z Music is far superior to Super's or Kai music and specially Faulconer's music which many people who only watched the dub think is the best but in my opinion its worse along with that repetitive GT dub score Super's ost is basically following what's in these last couple of year...

I agree that it comes down to what era the series was produced in. Alternative Rock/ Nu Metal didn't pervade Anime soundtracks until early 2000, so technically anything produced before then would sound awkward.