emperior wrote: ↑Mon Mar 02, 2020 3:11 pm
I would leave Minus out, as writing a story in the span of a single chapter was a bad idea in the first place.
Drawing a manga by himself, week by week (or even month by month) would be a different thing. First of all, his panelling and art has always been incredibly good so it would be of higher quality than Toyotaro’s manga.
Second, as the author he could surely bend the story more on a week by week basis. While the Super setup of writing everything in advance may not be the most suitable for Toriyama’s writing ways.
Of course we can’t really know what a 100% Toriyama-made DBS could be, but I would say it’s a fair bet to believe it would have been better than the two versions we got.
I'm not giving Toriyama a pass for Minus. He wanted to give a backstory, and you can damn I will judge him for what he intended to do.
I never doubted Toriyama's artistic abilities. His artstyle, panelling, and fight choreography is still top notch.
It's just some of his plot points in Super have been... questionable to, say the very least. I think more than anything Toriyama needs an adviser.
Miracles wrote: ↑Mon Mar 02, 2020 4:59 pm
TOEI is too random with Toriyama's story. Having Goku stack KK, a body straining technique to an already power draining form on top of Blue is plot conflicting. They even did this with SSJ in the Heaven's tournament against Pikkon with Goku. Yet we never see Toriyama add it in the main intrigue. At least Toyotaro kept Toriyama in mind when he pointed out the foolishness of damaging the body with adding KK with Blue in the manga's plot against Jiren.
TOEI's Vegetto was a travesty. He was struggling with a fusion, made with weaker components in Zamas. It made no sense at all. This is exactly why Toriyama's way of writing keeps in line with heart of DB. Goku and Vegeta were suppose to be able to handle Zamas separately. With Zamas immortality being a factor in survival. It just makes story sense.
This is why the movies BoG, RoF and Broly are more quality than anything TOEI andToyotaro has produced.
I may be in the minority, but I actually liked that Kiaoken making a return. It's always bugged me how Goku essentially mastered that technique during the Freeza arc and never bothered using it again when it would be so useful. The justification of Goku using Kiaoken with SSJB was a bit strange, but to Toei's credit, it fucked up Goku's body after he used it the first time, so it's no as if there weren't any consequences. And it took dozens of episodes before Goku could use it in combat more frequently.
Vegetto returning in general was a bad idea. I blame Toyotaro for this. Goku and Vegeta fusing lead to nothing changing in the plot and because of Toyotaro convincing Toriyama to write Vegetto in the plot outline, Toriyama the decided the change of the condition of the Potara to give it a one hour time limit. I could hardly give a shit about how Vegetto appeared in the fight, because it didn't matter in the end.
Battle Of Gods is awesome, but a good chunk of that praise should go to Toei more than Toriyama. That's not say Toriyama wasn't an important factor in adding the quality of the final product (i.e. changing the design of Super Saiyan God and Beerus and making the film more lighthearted and nostalgic), but the script -- which is the greatest attribute of the film by far -- was still mostly Toei.
Resurrection F is a bad Dragon Ball film. Terrible script, that wasn't helped at all by the mediocre and sterile direction of a way past his prime Yamamuro, dragged that film into the abyss.
DBS Broly had an average and basic script that was immensely elevated by the hard work of the production team. The director, storyboard artists and key animators brought their "A" game and took that movie from a 5 to a 9.