Cold Skin wrote:A little wallpaper I made for myself, but I might as well share it for those who like Toriyama's style while enjoying the most recent updates of the story.
You should have all the necessary space to put your icons on the left for the widescreen version, and you have phone versions just in case (with or without the title).
Phone versions (more vertical, moving the characters closer to fit them all):
[spoiler][/spoiler]
I really like it! Although you forgot to fully outline Ultra Instinct Goku's eyes, but he looks great this way too.
I didn't want to temper too much with Toriyama's art aside from the colors, I don't have the skills for that.
I guess even if I had outlined Ultra Instinct Goku's eyes, they would still be too big, so I might as well just leave the usual "relaxed eyes" form intact rather than inventing some kind of mix between the wide not-outlines "relaxed" eyes and the narrow outlines "serious" eyes.
Yeah, fully outlining the eyes would probably make them look weird.
About the colors, couldn't you switch the Super Saiyan and Super Saiyan Blue Gokus? Blue shirt Goku would probably look better if you kept the original color as the yellow hair also fits better with the angry SSJ Goku from Namek, while the Goku on the right with sparks looks calmer, serious and relaxed so I think it would fit him more if you made him Super Saiyan Blue.
悟 “Vincit qui se vincit”
What I consider canonical
Spoiler:
Dragon Ball Manga
Jaco: The Galactic Patrolman
Yo! Son Goku and friends return
Battle of Gods and Resurrection “F”
Dragon Ball Super Manga + Movies
Lore from Toriyama
Dragon Ball DAIMA
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
--- ADMIN NOTE: THIS SIGNATURE IS FAR TOO LONG. PLEASE REDUCE IN SIZE. --- “Let it Bloom. Let it Ring. The Song of Love & Victory!” Brianne De Chateau/Ribrianne! My #1 in DB!
emperior wrote:
Yeah, fully outlining the eyes would probably make them look weird.
About the colors, couldn't you switch the Super Saiyan and Super Saiyan Blue Gokus? Blue shirt Goku would probably look better if you kept the original color as the yellow hair also fits better with the angry SSJ Goku from Namek, while the Goku on the right with sparks looks calmer, serious and relaxed so I think it would fit him more if you made him Super Saiyan Blue.
Then, one last effort for you: have some of this!!
emperior wrote:
Yeah, fully outlining the eyes would probably make them look weird.
About the colors, couldn't you switch the Super Saiyan and Super Saiyan Blue Gokus? Blue shirt Goku would probably look better if you kept the original color as the yellow hair also fits better with the angry SSJ Goku from Namek, while the Goku on the right with sparks looks calmer, serious and relaxed so I think it would fit him more if you made him Super Saiyan Blue.
Then, one last effort for you: have some of this!!
This looks better in my opinion, thank you!
悟 “Vincit qui se vincit”
What I consider canonical
Spoiler:
Dragon Ball Manga
Jaco: The Galactic Patrolman
Yo! Son Goku and friends return
Battle of Gods and Resurrection “F”
Dragon Ball Super Manga + Movies
Lore from Toriyama
Dragon Ball DAIMA
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
Akira Toriyama wrote:My policy is to try and forget things once they’re over. Since if I don’t discard the old and focus on what’s new, I’ll overload my brain capacity. I still haven’t lived down going, “Who the heck is Tao Pai-pai?” that one time I was talking with Ei’ichiro Oda-kun. But the fact that there are still people reading the series after all this time… All I can say is; “thank you.” Really, that’s all.
Akira Toriyama wrote:Drawing Dragon Ball again reminded me of two things--how much I love it, and how much I never want to do it again.
Kunzait_83 wrote:And if you're upset because all this new material completely invalidates the tabletop RPG rulebook-sized statistical system and flowchart for the characters' "canonical Power Levels" that you'd been working on painstakingly for the last bunch of years now... well I don't think there's a kind, non-blunt way of saying this, but that's 100% entirely your own misguided fault for buying so deeply into all this nonsensical garbage in the first place. And that you also have IMMENSELY skewed and comically backwards priorities in what you think is most important and needed to make a good Dragon Ball story.
Zephyr wrote:Goodness, they wrote idiotic drivel in a children's cartoon meant to advertise toys!? Again!? For the ninetieth episode in a row!? Somebody stop the presses! We have to voice our concern over these Super important issues!
Kamiccolo9 wrote:Fair enough, I concede. Sean Schemmel probably has some kind of hidden talent. Maybe he is an expert at Minesweeper. You're right; calling him "talentless" wasn't fair.
Michsi wrote: ↑Mon Jul 04, 2022 11:29 amIn Super Piccolo got yelled off the stage by Vegeta in the U6 Tournament arc and lost to Jiminy Cricket in the ToP , he deserved 15 new transformations with his theme song played by Metallica in the background.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
I'm going to draw the female warriors of universe 2 with the pose of the Ginyu Forces and the Sailor Moon suits.
You can check the sketches in my Instagram account.