Discussion regarding the entirety of the franchise in a general (meta) sense, including such aspects as: production, trends, merchandise, fan culture, and more.
I think this is New Day's second DB reference as they did the fusion dance once.
Thoughts?
UPDATE
Interview Xavier Woods did with IGN about the suits.
"That was my idea. I don't have have a problem taking credit for that one! But Kofi does like Dragon Ball Z. [Big] E wasn't really an anime guy...he's more of a old-school hip-hop head. But we showed him a picture of the stuff that what we wanted to wear, and he was all in. And it's nice because there are people that caught the attention to detail. So like, their suits didn't have tails and mine did. So you could tell that if there was a full moon, then we wouldn't have had a problem winning the match. Or if I turned into a great ape it would have been all good. Essentially, mixing my love for cosplay into my love of wrestling and have it not be outlandish...it's cool that people appreciate it."
Last edited by successoroffate on Thu Apr 07, 2016 9:42 pm, edited 4 times in total.
Big Green: Do whateveryoulike, Ghos
Broly: haha He calls me a goohst, but IMMMD DA DEVVVVAAALLL! RAHAHAHAHA!
-----
Trunks: "Dhe computer selffishy intesnafiy dosuementos."
Android 13: Yum Boy
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Vegeta: The Legendary Warrior of SpaZe.
I can't see the image, but I saw it live and I marked out like a motherfucker.
Spoiler:
Akira Toriyama wrote:My policy is to try and forget things once they’re over. Since if I don’t discard the old and focus on what’s new, I’ll overload my brain capacity. I still haven’t lived down going, “Who the heck is Tao Pai-pai?” that one time I was talking with Ei’ichiro Oda-kun. But the fact that there are still people reading the series after all this time… All I can say is; “thank you.” Really, that’s all.
Akira Toriyama wrote:Drawing Dragon Ball again reminded me of two things--how much I love it, and how much I never want to do it again.
Kunzait_83 wrote:And if you're upset because all this new material completely invalidates the tabletop RPG rulebook-sized statistical system and flowchart for the characters' "canonical Power Levels" that you'd been working on painstakingly for the last bunch of years now... well I don't think there's a kind, non-blunt way of saying this, but that's 100% entirely your own misguided fault for buying so deeply into all this nonsensical garbage in the first place. And that you also have IMMENSELY skewed and comically backwards priorities in what you think is most important and needed to make a good Dragon Ball story.
Zephyr wrote:Goodness, they wrote idiotic drivel in a children's cartoon meant to advertise toys!? Again!? For the ninetieth episode in a row!? Somebody stop the presses! We have to voice our concern over these Super important issues!
Kamiccolo9 wrote:Fair enough, I concede. Sean Schemmel probably has some kind of hidden talent. Maybe he is an expert at Minesweeper. You're right; calling him "talentless" wasn't fair.
Michsi wrote: ↑Mon Jul 04, 2022 11:29 amIn Super Piccolo got yelled off the stage by Vegeta in the U6 Tournament arc and lost to Jiminy Cricket in the ToP , he deserved 15 new transformations with his theme song played by Metallica in the background.
I immediately started watching when I heard. It's amazing. NEW DAY ROCKS! UPUPDOWNDOWN FTW! I can not believe they came out as saiyans.......but they lost which sucks.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
Clearly next year Cena will gather the fans' energy and fire a Spirit Bomb, for another case of #CENAWINSLOL
Yamcha: Do you remember the spell to release him - do you know all the words? Bulma: Of course! I'm not gonna pull a Frieza and screw it up! Master Roshi: Bulma, I think Frieza failed because he wore too many clothes! Cold World (Fanfic) "It ain't never too late to stop bein' a bitch." - Chad Lamont Butler
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
If Mike/VegettoEX or Heath/Hujio see this, that will be my day.
While they come out of the Booty-Os box, The New Day's additional gimmick is also based on Xavier Woods character AFAIK but still paying homage to Freeza. Eventually, they were disposed by The League of Nations before Mick Foley, SCSA, and HBK made the save.
I guess Roman Reigns won the WWE World Heavyweight Championship in the end.
Jelo Gutierrez Cantos(Dr. Fresh) I'M GONNA BREAK YOU, LIKE A KIT-KAT BAR!! - TFS Goku. (have a Break, have a Kit Kat Freeza!)
I can say I was marking out when they came out of the Booty-O's box.
Also, did anyone else notice the TeamFourStar logo when New Day was walking down the ramp?
Does Kaiser know about it?
You saw Batman v Superman? Is it the Ultimate Edition? No? Then you haven't seen Batman v Superman. Also, the Snyder Cut is the greatest, non-deconstructionist ensemble comic book film ever made.
Can't wait for the next episode of Mark Remark now. Hopefully we can get someone to guest star when LittleKuriboh starts talking about New Day and their costumes.
Oh this was good! I'm glad I tuned into wrestlemania this year with a couple friends. We lost it when this happened, New Day always knows how to please a crowd.
Going on hiatus. Too much stuff in RL to deal with for me to keep up with posts here for now. Was fun, hope you all have a nice day and future! Volt signing off.
With the many years on the net I've spent...I've learned being polite takes you much further then being a dick. So...lesson here is! Don't be a dick!
"Fill up your stomach and your happiness! " - Cure Honey
Big Green: Do whateveryoulike, Ghos
Broly: haha He calls me a goohst, but IMMMD DA DEVVVVAAALLL! RAHAHAHAHA!
-----
Trunks: "Dhe computer selffishy intesnafiy dosuementos."
Android 13: Yum Boy
-----
Vegeta: The Legendary Warrior of SpaZe.
voltlunok wrote:Oh this was good! I'm glad I tuned into wrestlemania this year with a couple friends. We lost it when this happened, New Day always knows how to please a crowd.
Too bad they fucking lost.
Spoiler:
Akira Toriyama wrote:My policy is to try and forget things once they’re over. Since if I don’t discard the old and focus on what’s new, I’ll overload my brain capacity. I still haven’t lived down going, “Who the heck is Tao Pai-pai?” that one time I was talking with Ei’ichiro Oda-kun. But the fact that there are still people reading the series after all this time… All I can say is; “thank you.” Really, that’s all.
Akira Toriyama wrote:Drawing Dragon Ball again reminded me of two things--how much I love it, and how much I never want to do it again.
Kunzait_83 wrote:And if you're upset because all this new material completely invalidates the tabletop RPG rulebook-sized statistical system and flowchart for the characters' "canonical Power Levels" that you'd been working on painstakingly for the last bunch of years now... well I don't think there's a kind, non-blunt way of saying this, but that's 100% entirely your own misguided fault for buying so deeply into all this nonsensical garbage in the first place. And that you also have IMMENSELY skewed and comically backwards priorities in what you think is most important and needed to make a good Dragon Ball story.
Zephyr wrote:Goodness, they wrote idiotic drivel in a children's cartoon meant to advertise toys!? Again!? For the ninetieth episode in a row!? Somebody stop the presses! We have to voice our concern over these Super important issues!
Kamiccolo9 wrote:Fair enough, I concede. Sean Schemmel probably has some kind of hidden talent. Maybe he is an expert at Minesweeper. You're right; calling him "talentless" wasn't fair.
Michsi wrote: ↑Mon Jul 04, 2022 11:29 amIn Super Piccolo got yelled off the stage by Vegeta in the U6 Tournament arc and lost to Jiminy Cricket in the ToP , he deserved 15 new transformations with his theme song played by Metallica in the background.
voltlunok wrote:Oh this was good! I'm glad I tuned into wrestlemania this year with a couple friends. We lost it when this happened, New Day always knows how to please a crowd.
Too bad they fucking lost.
Yeah but at least Stone Cold Steve Austin and his crew came in and avenged them. I think that's a fair trade!
Going on hiatus. Too much stuff in RL to deal with for me to keep up with posts here for now. Was fun, hope you all have a nice day and future! Volt signing off.
With the many years on the net I've spent...I've learned being polite takes you much further then being a dick. So...lesson here is! Don't be a dick!
"Fill up your stomach and your happiness! " - Cure Honey
voltlunok wrote:Oh this was good! I'm glad I tuned into wrestlemania this year with a couple friends. We lost it when this happened, New Day always knows how to please a crowd.
Too bad they fucking lost.
Yeah but at least Stone Cold Steve Austin and his crew came in and avenged them. I think that's a fair trade!
And intern the new talent is buried. Old guys are awesome, our current generation is lame.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
dbzfan7 wrote:
And intern the new talent is buried. Old guys are awesome, our current generation is lame.
Fits the DBZ bill perfectly
The sad thing is you are right.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
. Also Ryder, just Ryder.
