B2-B - Revision history

Terez: adjustments

2021-06-27T05:58:43Z

adjustments

← Older revision		Revision as of 01:58, 27 June 2021
Line 52:		Line 52:

	==Usage and Variations==		==Usage and Variations==
			{{further\|[[Dragon Ball Music]].}}
	{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"
	~~!colspan=4\|B2-B Usage and Variations~~
	\|-
	!scope=col; style="width: 30%"\|Scene		!scope=col; style="width: 30%"\|Scene
	!scope=col\|Length and Variations		!scope=col\|Length and Variations

Terez: /* Compositional Analysis */ correx

2021-03-07T17:35:44Z

Compositional Analysis: correx

← Older revision		Revision as of 13:35, 7 March 2021
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	While "''[[Romantic Ageru Yo]]''" is written in E♭ Major, Kikuchi arranges B2-B and most other references to the tune in F Major to complement the F Minor setting tied to his arrangements of the opening, "[[Mystical Adventure!]]". Since most of this arc's BGM tracks are in either F Minor or F Major, a track ending on C<sup>7</sup> (the dominant of either) can easily serve as a prelude to most of the score's other tracks.		While "''[[Romantic Ageru Yo]]''" is written in E♭ Major, Kikuchi arranges B2-B and most other references to the tune in F Major to complement the F Minor setting tied to his arrangements of the opening, "[[Mystical Adventure!]]". Since most of this arc's BGM tracks are in either F Minor or F Major, a track ending on C<sup>7</sup> (the dominant of either) can easily serve as a prelude to most of the score's other tracks.
	[[File:B2-B_comparison.png\|none\|500px~~\|nowrap~~]]		[[File:B2-B_comparison.png\|none\|500px]]
	Kikuchi's twist on the "''Romantic Ageru Yo''" chorus is simple: he roots the first note of the melody—what would be the "ro" in "romantic"—on the downbeat of the first bar. By contrast, in the song's chorus, the beginning of the melody (over the syllables ''ro-ma-n-ti-k-ku a-'') serves as a [https://en.wikipedia.org/wiki/Anacrusis pickup] to the downbeat of the accompaniment, which falls on the ''ge'' in ''romantikku a'''ge'''ru yo''.		Kikuchi's twist on the "''Romantic Ageru Yo''" chorus is simple: he roots the first note of the melody—what would be the "ro" in "romantic"—on the downbeat of the first bar. By contrast, in the song's chorus, the beginning of the melody (over the syllables ''ro-ma-n-ti-k-ku a-'') serves as a [https://en.wikipedia.org/wiki/Anacrusis pickup] to the downbeat of the accompaniment, which falls on the ''ge'' in ''romantikku a'''ge'''ru yo''.

	Kikuchi modifies the note pattern in a way that does not interfere much with the tune's recognizability, and the rhythmic complications associated with the lyrics are dropped: 5-5-4-3-3-2-1-3 becomes 5-3-4-3-2-1-3. While the second phrase of the song's chorus changes to the relative minor (Dm), B2-B instead moves to the dominant (C<sup>7</sup>).		Kikuchi modifies the note pattern in a way that does not interfere much with the tune's recognizability, and the rhythmic complications associated with the lyrics are dropped: 5-5-4-3-3-2-1-3 becomes 5-3-4-3-2-1-3. While the second phrase of the song's chorus changes to the relative minor (Dm), B2-B instead moves to the dominant (C<sup>7</sup>).

	Kikuchi's modification gives B2-B a simpler character that is complemented by an airy instrumentation including flute, glockenspiel, and harp.		Kikuchi's modification gives B2-B a simpler character that is complemented by an airy instrumentation including flute, glockenspiel, and harp.

	==Usage and Variations==		==Usage and Variations==

Terez: infobox etc.

2021-03-05T11:05:27Z

infobox etc.

← Older revision		Revision as of 07:05, 5 March 2021
Line 5:		Line 5:
	}}		}}
	{{Infobox music		{{Infobox music
	\| name = ~~B2-B~~		\| name = Ｂ２ーＢ
	\| jpn_title = ~~Ｂ２ーＢ~~		\| jpn_title =
	\| rom_title = ~~B2-B~~		\| rom_title =
	\| eng_title =		\| eng_title =
	\| image = [[File:K-5.png\|300px]]		\| image = [[File:K-5.png\|300px]]
Line 43:		Line 43:
	BGM tracks ending on the dominant can be used as preludes to scenes with no music, as B2-B is in the scene where [[Bulma]] is introduced in [[Dragon Ball Episode 1\|episode 1]], or as preludes to other tracks, as it is in the "[[Sexy Gal Bulma]]" suite on the ''Ongakushū'' and ''Daizenshuu'' albums, preluding [[B2-A]].		BGM tracks ending on the dominant can be used as preludes to scenes with no music, as B2-B is in the scene where [[Bulma]] is introduced in [[Dragon Ball Episode 1\|episode 1]], or as preludes to other tracks, as it is in the "[[Sexy Gal Bulma]]" suite on the ''Ongakushū'' and ''Daizenshuu'' albums, preluding [[B2-A]].

	While "''Romantic Ageru Yo''" is written in E♭ Major, Kikuchi arranges B2-B and most other references to the tune in F Major to complement the F Minor setting tied to his arrangements of the opening, "[[Mystical Adventure!]]". Since most of this arc's BGM tracks are in either F Minor or F Major, a track ending on C<sup>7</sup> (the dominant of either) can easily serve as a prelude to most of the score's other tracks.		While "''[[Romantic Ageru Yo]]''" is written in E♭ Major, Kikuchi arranges B2-B and most other references to the tune in F Major to complement the F Minor setting tied to his arrangements of the opening, "[[Mystical Adventure!]]". Since most of this arc's BGM tracks are in either F Minor or F Major, a track ending on C<sup>7</sup> (the dominant of either) can easily serve as a prelude to most of the score's other tracks.
			[[File:B2-B_comparison.png\|none\|500px\|nowrap]]
	Kikuchi's twist on the "''Romantic Ageru Yo''" chorus is simple: he roots the first note of the melody—what would be the "ro" in "romantic"—on the downbeat of the first bar. By contrast, in the song's chorus, the beginning of the melody (over the syllables ''ro-ma-n-ti-k-ku a-'') serves as a [https://en.wikipedia.org/wiki/Anacrusis pickup] to the downbeat of the accompaniment, which falls on the ''ge'' in ''romantikku ~~ageru~~ yo''.		Kikuchi's twist on the "''Romantic Ageru Yo''" chorus is simple: he roots the first note of the melody—what would be the "ro" in "romantic"—on the downbeat of the first bar. By contrast, in the song's chorus, the beginning of the melody (over the syllables ''ro-ma-n-ti-k-ku a-'') serves as a [https://en.wikipedia.org/wiki/Anacrusis pickup] to the downbeat of the accompaniment, which falls on the ''ge'' in ''romantikku a'''ge'''ru yo''.

	Kikuchi modifies the note pattern in a way that does not interfere much with the tune's recognizability, and the rhythmic complications associated with the lyrics are dropped: 5-5-4-3-3-2-1-3 becomes 5-3-4-3-2-1-3. While the second phrase of the song's chorus changes to the relative minor (Dm), B2-B instead moves to the dominant (C<sup>7</sup>).		Kikuchi modifies the note pattern in a way that does not interfere much with the tune's recognizability, and the rhythmic complications associated with the lyrics are dropped: 5-5-4-3-3-2-1-3 becomes 5-3-4-3-2-1-3. While the second phrase of the song's chorus changes to the relative minor (Dm), B2-B instead moves to the dominant (C<sup>7</sup>).

Terez: correction

2021-01-28T03:38:10Z

correction

← Older revision		Revision as of 23:38, 27 January 2021
Line 53:		Line 53:
	==Usage and Variations==		==Usage and Variations==
	{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"
	!colspan=4\|K-4 Usage and Variations		!colspan=4\|B2-B Usage and Variations
	\|-		\|-
	!scope=col; style="width: 30%"\|Scene		!scope=col; style="width: 30%"\|Scene
Line 81:		Line 81:
	==References==		==References==
	{{reflist}}		{{reflist}}

	{{music}}		{{music}}
	[[Category:Music]]		[[Category:Music]]

Terez: corrections

2021-01-27T23:42:47Z

corrections

← Older revision		Revision as of 19:42, 27 January 2021
Line 75:		Line 75:
	\|[[File:K-5 Safety.png\|250px]]		\|[[File:K-5 Safety.png\|250px]]
	\|}		\|}

			==Notes==
			{{notelist}}

	==References==		==References==
	{{reflist}}		{{reflist}}
			{{music}}
	[[Category:Music]]		[[Category:Music]]

Terez: usage table, etc.

2021-01-27T23:38:35Z

usage table, etc.

← Older revision		Revision as of 19:38, 27 January 2021
Line 17:		Line 17:
	\| bgm_arr = [[Shunsuke Kikuchi]]		\| bgm_arr = [[Shunsuke Kikuchi]]
	\| bgm_perf =		\| bgm_perf =
	\| groups =		\| groups = [[Bulma#Music\|Bulma]]
	\| variation = [[I'll Give You Romance]]		\| variation = [[I'll Give You Romance]]
	\| vocals =		\| vocals =
Line 34:		Line 34:

	==Overview==		==Overview==
	B2-B is arranged as a reference to the chorus of "[[I'll Give You Romance]]", the ''[[Dragon Ball (anime)\|Dragon Ball]]'' ending theme composed by [[Takeshi Ike]]. The full composition is part ''a'' of the suite entitled "[[Sexy Gal Bulma]]", which is track #4 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.		B2-B is arranged as a reference to the chorus of "[[I'll Give You Romance]]", the ''[[Dragon Ball (anime)\|Dragon Ball]]'' ending theme (ED) composed by [[Takeshi Ike]]. The ED is used as a [[Bulma#Music\|Bulma leitmotif]] throughout ''Dragon Ball''. The full composition is part ''a'' of the suite entitled "[[Sexy Gal Bulma]]", which is track #4 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.

	"I'~~ll Give You Romance~~" ~~is used as a~~ [[~~Bulma~~]] ~~leitmotif throughout ''Dragon Ball'~~'.		B2-B is given the title "Bulma's First Appearance" on ''The Suburbs of kenisu's Magicant'',<ref>{{Cite web\|URL=https://web.archive.org/web/20201111170233/https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. The piece was assigned the [[Shunsuke Kikuchi catalogue\|Kanzenshuu catalogue number]] of K-5 based on its placement in the series.

	==Compositional Analysis==		==Compositional Analysis==
	B2-B is five bars of [https://en.wikipedia.org/wiki/Alla_breve cut time] in F Major, a two-phrase melody of four bars resolving on the dominant (C7) in a [https://www.britannica.com/art/half-cadence half-cadence,] giving the piece a sense of open-endedness. The dominant is repeated in a fifth bar, emphasizing that effect.		B2-B is five bars of [https://en.wikipedia.org/wiki/Alla_breve cut time] in F Major, a two-phrase melody of four bars resolving on the dominant (C<sup>7</sup>) in a [https://www.britannica.com/art/half-cadence half-cadence,] giving the piece a sense of open-endedness. The dominant is repeated in a fifth bar, emphasizing that effect.

	BGM tracks ending on the dominant can be used as preludes to scenes with no music, as B2-B is in the scene where [[Bulma]] is introduced in [[Dragon Ball Episode 1\|episode 1]], or as preludes to other tracks, as it is in the "[[Sexy Gal Bulma]]" suite on the ''Ongakushū'' and ''Daizenshuu'' albums, preluding [[B2-A]].		BGM tracks ending on the dominant can be used as preludes to scenes with no music, as B2-B is in the scene where [[Bulma]] is introduced in [[Dragon Ball Episode 1\|episode 1]], or as preludes to other tracks, as it is in the "[[Sexy Gal Bulma]]" suite on the ''Ongakushū'' and ''Daizenshuu'' albums, preluding [[B2-A]].

	While "''Romantic Ageru Yo''" is written in E♭ Major, Kikuchi arranges B2-B and most other references to the tune in F Major to complement the F Minor setting tied to his arrangements of the opening, "[[Mystical Adventure!]]". Since most of this arc's BGM tracks are in either F Minor or F Major, a track ending on C7 (the dominant of either) can easily serve as a prelude to most of the score's other tracks.		While "''Romantic Ageru Yo''" is written in E♭ Major, Kikuchi arranges B2-B and most other references to the tune in F Major to complement the F Minor setting tied to his arrangements of the opening, "[[Mystical Adventure!]]". Since most of this arc's BGM tracks are in either F Minor or F Major, a track ending on C<sup>7</sup> (the dominant of either) can easily serve as a prelude to most of the score's other tracks.

	Kikuchi's twist on the "''Romantic Ageru Yo''" chorus is simple: he roots the first note of the melody—what would be the "ro" in "romantic"—on the downbeat of the first bar. By contrast, in the song's chorus, the beginning of the melody (over the syllables ''ro-ma-n-ti-k-ku a-'') serves as a [https://en.wikipedia.org/wiki/Anacrusis pickup] to the downbeat of the accompaniment, which falls on the ''ge'' in ''romantikku ageru yo''.		Kikuchi's twist on the "''Romantic Ageru Yo''" chorus is simple: he roots the first note of the melody—what would be the "ro" in "romantic"—on the downbeat of the first bar. By contrast, in the song's chorus, the beginning of the melody (over the syllables ''ro-ma-n-ti-k-ku a-'') serves as a [https://en.wikipedia.org/wiki/Anacrusis pickup] to the downbeat of the accompaniment, which falls on the ''ge'' in ''romantikku ageru yo''.

	Kikuchi modifies the note pattern in a way that does not interfere much with the tune's recognizability, and the rhythmic complications associated with the lyrics are dropped: 5-5-4-3-3-2-1-3 becomes 5-3-4-3-2-1-3. While the second phrase of the song's chorus changes to the relative minor (Dm), B2-B instead moves to the dominant (C7).		Kikuchi modifies the note pattern in a way that does not interfere much with the tune's recognizability, and the rhythmic complications associated with the lyrics are dropped: 5-5-4-3-3-2-1-3 becomes 5-3-4-3-2-1-3. While the second phrase of the song's chorus changes to the relative minor (Dm), B2-B instead moves to the dominant (C<sup>7</sup>).

	Kikuchi's modification gives B2-B a simpler character that is complemented by an airy instrumentation including flute, glockenspiel, and harp.		Kikuchi's modification gives B2-B a simpler character that is complemented by an airy instrumentation including flute, glockenspiel, and harp.

	==Usage and Variations==		==Usage and Variations==
			{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"
	==~~Identification~~==		!colspan=4\|K-4 Usage and Variations
	B2-~~B is given the title~~ "~~Bulma~~'~~s First Appearance" on~~ ''~~kenisu~~'~~s Magicant~~'',<~~ref~~>~~{{Cite web~~\|~~URL~~=~~https~~:~~//kenisu~~.~~webs~~.~~com/dragonballbgm.htm~~\|~~Website~~=~~The Suburbs of kenisu~~'~~s Magicant~~\|~~Title~~="~~The DragonBall BGM Daizenshuu~~"\|~~Date~~=~~11 June 2008~~\|~~AccessDate=30 June 2019}}~~<~~/ref~~> ~~the most common source for~~ fan ~~titles of~~ [[~~Shunsuke Kikuchi\|Kikuchi~~]]'~~s compositions~~. ~~The piece was assigned the~~ [[~~Shunsuke Kikuchi catalogue~~\|~~Kanzenshuu catalogue number~~]] of K-5 ~~based on its placement in the series~~.		\|-
			!scope=col; style="width: 30%"\|Scene
			!scope=col\|Length and Variations
			!scope=col\|Setting
			\|-
			\|style="text-align:left"\|'''[[Dragon Ball Episode 1]]'''<br><br>[[Bulma]] gets out of her car to stretch and checks her [[Dragon Radar]].
			\|style="text-align:left"\|'''0:06''': After the first two bars, the track cuts to the final bar.
			\|[[File:K-5 001.png\|250px]]
			\|-
			\|style="text-align:left"\|'''[[Dragon Ball Episode 4]]'''<br><br>Bulma falls for [[Oolong]].
			\|style="text-align:left"\|'''0:10''': Full track.
			\|[[File:K-5 004.png\|250px]]
			\|-
			\|style="text-align:left"\|'''[[Dragon Ball Episode 44]]'''<br><br>Bulma is annoyed because [[Yamcha]] has a fan club and they're making a racket outside [[Capsule Corp.]]
			\|style="text-align:left"\|'''0:06''': Begins on the third bar.
			\|[[File:K-5 044.png\|250px]]
			\|-
			\|style="text-align:left"\|'''[[Dragon Ball Safety Special 1]]'''<br>'''[[Dragon Ball Safety Special 2]]'''<br><br>[[Toei Animation]] logo.
			\|style="text-align:left"\|'''0:06''': After the first beat of the third bar, skips to the final chord.
			\|[[File:K-5 Safety.png\|250px]]
			\|}

	==References==		==References==
	{{reflist}}		{{reflist}}
	[[Category:Music]]		[[Category:Music]]

Terez: analysis draft

2020-07-24T12:51:36Z

analysis draft

← Older revision		Revision as of 08:51, 24 July 2020
Line 34:		Line 34:

	==Overview==		==Overview==
	B2-B is ~~an arrangement~~ of "[[I'll Give You Romance]]", the ''[[Dragon Ball (anime)\|Dragon Ball]]'' ending theme composed by [[Takeshi Ike]]. The full composition is part ''a'' of the suite entitled "[[Sexy Gal Bulma]]", which is track #4 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.		B2-B is arranged as a reference to the chorus of "[[I'll Give You Romance]]", the ''[[Dragon Ball (anime)\|Dragon Ball]]'' ending theme composed by [[Takeshi Ike]]. The full composition is part ''a'' of the suite entitled "[[Sexy Gal Bulma]]", which is track #4 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.

	"I'll Give You Romance" is used as a [[Bulma]] leitmotif throughout ''Dragon Ball''.		"I'll Give You Romance" is used as a [[Bulma]] leitmotif throughout ''Dragon Ball''.

			==Compositional Analysis==
			B2-B is five bars of [https://en.wikipedia.org/wiki/Alla_breve cut time] in F Major, a two-phrase melody of four bars resolving on the dominant (C7) in a [https://www.britannica.com/art/half-cadence half-cadence,] giving the piece a sense of open-endedness. The dominant is repeated in a fifth bar, emphasizing that effect.

			BGM tracks ending on the dominant can be used as preludes to scenes with no music, as B2-B is in the scene where [[Bulma]] is introduced in [[Dragon Ball Episode 1\|episode 1]], or as preludes to other tracks, as it is in the "[[Sexy Gal Bulma]]" suite on the ''Ongakushū'' and ''Daizenshuu'' albums, preluding [[B2-A]].

			While "''Romantic Ageru Yo''" is written in E♭ Major, Kikuchi arranges B2-B and most other references to the tune in F Major to complement the F Minor setting tied to his arrangements of the opening, "[[Mystical Adventure!]]". Since most of this arc's BGM tracks are in either F Minor or F Major, a track ending on C7 (the dominant of either) can easily serve as a prelude to most of the score's other tracks.

			Kikuchi's twist on the "''Romantic Ageru Yo''" chorus is simple: he roots the first note of the melody—what would be the "ro" in "romantic"—on the downbeat of the first bar. By contrast, in the song's chorus, the beginning of the melody (over the syllables ''ro-ma-n-ti-k-ku a-'') serves as a [https://en.wikipedia.org/wiki/Anacrusis pickup] to the downbeat of the accompaniment, which falls on the ''ge'' in ''romantikku ageru yo''.

			Kikuchi modifies the note pattern in a way that does not interfere much with the tune's recognizability, and the rhythmic complications associated with the lyrics are dropped: 5-5-4-3-3-2-1-3 becomes 5-3-4-3-2-1-3. While the second phrase of the song's chorus changes to the relative minor (Dm), B2-B instead moves to the dominant (C7).

			Kikuchi's modification gives B2-B a simpler character that is complemented by an airy instrumentation including flute, glockenspiel, and harp.

	==Usage and Variations==		==Usage and Variations==

	~~==Compositional Analysis==~~

	==Identification==		==Identification==

Terez: corrections, elaborations

2020-07-24T09:33:09Z

corrections, elaborations

← Older revision		Revision as of 05:33, 24 July 2020
Line 10:		Line 10:
	\| eng_title =		\| eng_title =
	\| image = [[File:K-5.png\|300px]]		\| image = [[File:K-5.png\|300px]]
	\| caption = [[Bulma]]'s debut appearance in ''[[Dragon Ball (anime)\|Dragon Ball]]''.		\| caption = [[Bulma]]'s debut appearance in ''[[Dragon Ball (anime)\|Dragon Ball]]'', legs first!
	\| key = F Major		\| key = F Major
	\| length = 0:10		\| length = 0:10
	\| catalog = [[Shunsuke Kikuchi catalogue\|K-5]]		\| catalog = [[Shunsuke Kikuchi catalogue\|K-5]]
	\| bgm_comp = [[~~Shunsuke Kikuchi~~]]		\| bgm_comp = [[Takeshi Ike]]
	\| bgm_arr =		\| bgm_arr = [[Shunsuke Kikuchi]]
	\| bgm_perf =		\| bgm_perf =
	\| groups =		\| groups =
Line 31:		Line 31:
	\| suite =		\| suite =
	}}		}}
	'''B2-B''' is the official catalogue number of a piece of background music (BGM) ~~composed~~ by [[Shunsuke Kikuchi]] for the ''[[Dragon Ball (anime)\|Dragon Ball]]'' anime in 1986. The piece debuted in [[Dragon Ball Episode 1]] which was broadcast on '''26 February 1986'''.		'''B2-B''' is the official catalogue number of a piece of background music (BGM) arranged by [[Shunsuke Kikuchi]] for the ''[[Dragon Ball (anime)\|Dragon Ball]]'' anime in 1986. The piece debuted in [[Dragon Ball Episode 1]] which was broadcast on '''26 February 1986'''.

	==Overview==		==Overview==
	The full composition is part ''a'' of the suite entitled "[[Sexy Gal Bulma]]", which is track #4 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.		B2-B is an arrangement of "[[I'll Give You Romance]]", the ''[[Dragon Ball (anime)\|Dragon Ball]]'' ending theme composed by [[Takeshi Ike]]. The full composition is part ''a'' of the suite entitled "[[Sexy Gal Bulma]]", which is track #4 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.

			"I'll Give You Romance" is used as a [[Bulma]] leitmotif throughout ''Dragon Ball''.

	==Usage and Variations==		==Usage and Variations==

Terez: base page

2020-07-24T08:25:54Z

base page

New page

{{incomplete|needs=}}
{{PrevNext
| previous = K-4
| next = K-6
}}
{{Infobox music
| name = B2-B
| jpn_title = Ｂ２ーＢ
| rom_title = B2-B
| eng_title =
| image = [[File:K-5.png|300px]]
| caption = [[Bulma]]'s debut appearance in ''[[Dragon Ball (anime)|Dragon Ball]]''.
| key = F Major
| length = 0:10
| catalog = [[Shunsuke Kikuchi catalogue|K-5]]
| bgm_comp = [[Shunsuke Kikuchi]]
| bgm_arr =
| bgm_perf =
| groups =
| variation = [[I'll Give You Romance]]
| vocals =
| song_perf =
| lyrics =
| song_comp =
| song_arr =
| year = 1986
| first = [[Dragon Ball Episode 1]]
| also =
| last = [[Goku's Fire Fighting Regiment]]
| release = [[Dragon Ball Ongakushū|Ongakushū (1986 vinyl)]]<br>[[Dragon Ball & Dragon Ball Z Daizenshuu|Daizenshuu (1994 CD)]]
| suite =
}}
'''B2-B''' is the official catalogue number of a piece of background music (BGM) composed by [[Shunsuke Kikuchi]] for the ''[[Dragon Ball (anime)|Dragon Ball]]'' anime in 1986. The piece debuted in [[Dragon Ball Episode 1]] which was broadcast on '''26 February 1986'''.

==Overview==
The full composition is part ''a'' of the suite entitled "[[Sexy Gal Bulma]]", which is track #4 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.

==Usage and Variations==

==Compositional Analysis==

==Identification==
B2-B is given the title "Bulma's First Appearance" on ''kenisu's Magicant'',<ref>{{Cite web|URL=https://kenisu.webs.com/dragonballbgm.htm|Website=The Suburbs of kenisu's Magicant|Title="The DragonBall BGM Daizenshuu"|Date=11 June 2008|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi|Kikuchi]]'s compositions. The piece was assigned the [[Shunsuke Kikuchi catalogue|Kanzenshuu catalogue number]] of K-5 based on its placement in the series.

==References==
{{reflist}}
[[Category:Music]]

← Older revision		Revision as of 01:58, 27 June 2021
Line 52:		Line 52:

	==Usage and Variations==		==Usage and Variations==
			{{further\|[[Dragon Ball Music]].}}
	{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"
	~~!colspan=4\|B2-B Usage and Variations~~
	\|-
	!scope=col; style="width: 30%"\|Scene		!scope=col; style="width: 30%"\|Scene
	!scope=col\|Length and Variations		!scope=col\|Length and Variations