G7 - Revision history

Terez: infobox etc.

2021-03-11T13:10:18Z

infobox etc.

← Older revision		Revision as of 09:10, 11 March 2021
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	}}		}}
	{{Infobox music		{{Infobox music
	\| name = G7		\| name = Ｇ７
	\| jpn_title = Ｇ７		\| jpn_title =
	\| rom_title = G7		\| rom_title =
	\| eng_title =		\| eng_title =
	\| image = [[File:K-60.png\|300px]]		\| image = [[File:K-60.png\|300px]]
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	The full composition is part ''a'' of the suite entitled "[[Strong Ambition]]", which is track #09 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.		The full composition is part ''a'' of the suite entitled "[[Strong Ambition]]", which is track #09 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.

	G7 is given the title "Daydreaming" on ''kenisu's Magicant'',<ref>{{Cite web\|URL=https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. The piece was assigned the [[Shunsuke Kikuchi catalogue\|Kanzenshuu catalogue number]] of K-60 based on its placement in the series.		G7 is given the title "Daydreaming" on ''The Suburbs of kenisu's Magicant'',<ref>{{Cite web\|URL=https://web.archive.org/web/20201111170233/https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. The piece was assigned the [[Shunsuke Kikuchi catalogue\|Kanzenshuu catalogue number]] of K-60 based on its placement in the series.

	==~~Compositional~~ Analysis==		==Form and Analysis==
	G7's setting in F Major is chromatic, and the piece actually ends on E Major. The form is ABAB, where A centers on F Major, and B centers on E Major. The chord progressions are [https://en.wikipedia.org/wiki/Parallel_harmony parallel] rather than [https://piano-music-theory.com/2016/06/15/major-scale-diatonic-chords/ diatonic].		G7's setting in F Major is chromatic, and the piece actually ends on E Major. The form is ABAB, where A centers on F Major, and B centers on E Major. The chord progressions are [https://en.wikipedia.org/wiki/Parallel_harmony parallel] rather than [https://piano-music-theory.com/2016/06/15/major-scale-diatonic-chords/ diatonic].

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	B2 repeats B1 exactly, but after the final F Major chord, the pieces ends on an E Major chord with no glockenspiel arpeggiation.		B2 repeats B1 exactly, but after the final F Major chord, the pieces ends on an E Major chord with no glockenspiel arpeggiation.

	==Usage==		==Usage and Variations==

			==Notes==
			{{notelist}}

	==References==		==References==
	{{reflist}}		{{reflist}}

	{{music}}		{{music}}
	[[Category:Music]]		[[Category:Music]]

Terez: Terez moved page K-60 to G7

2020-08-21T11:49:26Z

Terez moved page K-60 to G7

← Older revision	Revision as of 07:49, 21 August 2020
(No difference)

Terez: more corrections

2020-08-21T11:49:09Z

more corrections

← Older revision		Revision as of 07:49, 21 August 2020
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	}}		}}
	{{Infobox music		{{Infobox music
	\| name = ~~K-60~~		\| name = G7
	\| jpn_title =		\| jpn_title = Ｇ７
	\| rom_title = ~~Unreleased~~		\| rom_title = G7
	\| eng_title =		\| eng_title =
	\| image = [[File:K-60.png\|300px]]		\| image = [[File:K-60.png\|300px]]
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	\| also =		\| also =
	\| last =		\| last =
	\| release = ~~Unreleased~~		\| release = [[Dragon Ball Ongakushū\|Ongakushū (1986 vinyl)]]<br>[[Dragon Ball & Dragon Ball Z Daizenshuu\|Daizenshuu (1994 CD)]]
	\| suite =		\| suite = [[Strong Ambition]]
	}}		}}
	'''~~K-60~~''' is the ~~[[Shunsuke Kikuchi catalogue\|Kanzenshuu~~ catalogue number~~]] assigned to an unreleased~~ piece of background music (BGM) composed by [[Shunsuke Kikuchi]] for the ''[[Dragon Ball (anime)\|Dragon Ball]]'' anime in 1986. The piece debuted in [[Dragon Ball Episode 5]] which was broadcast on '''26 March 1986'''.		'''G7''' is the official catalogue number of piece of background music (BGM) composed by [[Shunsuke Kikuchi]] for the ''[[Dragon Ball (anime)\|Dragon Ball]]'' anime in 1986. The piece debuted in [[Dragon Ball Episode 5]] which was broadcast on '''26 March 1986'''.

	==Overview==		==Overview==
	~~K-60~~ is given the title "Daydreaming" on ''kenisu's Magicant'',<ref>{{Cite web\|URL=https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions.		The full composition is part ''a'' of the suite entitled "[[Strong Ambition]]", which is track #09 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.

			G7 is given the title "Daydreaming" on ''kenisu's Magicant'',<ref>{{Cite web\|URL=https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. The piece was assigned the [[Shunsuke Kikuchi catalogue\|Kanzenshuu catalogue number]] of K-60 based on its placement in the series.

	==Compositional Analysis==		==Compositional Analysis==
	~~K-60~~'s setting in F Major is chromatic, and the piece actually ends on E Major. The form is ABAB, where A centers on F Major, and B centers on E Major. The chord progressions are [https://en.wikipedia.org/wiki/Parallel_harmony parallel] rather than [https://piano-music-theory.com/2016/06/15/major-scale-diatonic-chords/ diatonic].		G7's setting in F Major is chromatic, and the piece actually ends on E Major. The form is ABAB, where A centers on F Major, and B centers on E Major. The chord progressions are [https://en.wikipedia.org/wiki/Parallel_harmony parallel] rather than [https://piano-music-theory.com/2016/06/15/major-scale-diatonic-chords/ diatonic].

	In A1, the bass pattern is F-F♯—G-F♯—F-F♯—G-F♯—F, while the melodic voices including flute spell the root and third of successive chromatic triads: F-A-F♯-A♯—G-B-A♯—F-A-F♯-A♯—G-B-A♯—A-G♯-G-F♯-F-F-F—C-F—C-F. This pattern takes four bars (assuming the melodic voices go to 16th notes in 4).		In A1, the bass pattern is F-F♯—G-F♯—F-F♯—G-F♯—F, while the melodic voices including flute spell the root and third of successive chromatic triads: F-A-F♯-A♯—G-B-A♯—F-A-F♯-A♯—G-B-A♯—A-G♯-G-F♯-F-F-F—C-F—C-F. This pattern takes four bars (assuming the melodic voices go to 16th notes in 4).

Terez: clarifications

2020-08-21T11:39:34Z

clarifications

← Older revision		Revision as of 07:39, 21 August 2020
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	==Compositional Analysis==		==Compositional Analysis==
	K-60's setting in F Major is ~~highly~~ chromatic, and the piece actually ends on E Major. The form is ABAB, where A centers on F Major, and B centers on E Major. The chord progressions are [https://en.wikipedia.org/wiki/Parallel_harmony parallel] rather than [https://piano-music-theory.com/2016/06/15/major-scale-diatonic-chords/ diatonic].		K-60's setting in F Major is chromatic, and the piece actually ends on E Major. The form is ABAB, where A centers on F Major, and B centers on E Major. The chord progressions are [https://en.wikipedia.org/wiki/Parallel_harmony parallel] rather than [https://piano-music-theory.com/2016/06/15/major-scale-diatonic-chords/ diatonic].

	In A1, the bass pattern is F-~~F♯ G~~-~~F♯ F~~-~~F♯ G~~-~~F♯ F~~, while the ~~top~~ voices including flute spell the root and third of successive chromatic triads: F-A-F♯-~~A♯ G~~-B-~~A♯ F~~-A-F♯-~~A♯ G~~-B-~~A♯ A~~-G♯-G-F♯-F-F-~~F C~~-~~F C~~-F.		In A1, the bass pattern is F-F♯—G-F♯—F-F♯—G-F♯—F, while the melodic voices including flute spell the root and third of successive chromatic triads: F-A-F♯-A♯—G-B-A♯—F-A-F♯-A♯—G-B-A♯—A-G♯-G-F♯-F-F-F—C-F—C-F. This pattern takes four bars (assuming the melodic voices go to 16th notes in 4).

	In B1, centering on E Major, the prominent voices spell out a succession of triads. The most prominent voices play root-position chords on the beat with the root also on top (including violin), and a glockenspiel arpeggiates each chord up an octave: E Major (E-G♯-B-E)~~, C~~ Major (C-E-G-C)~~, E Major, F~~ Major (F-A-C-F), E Major~~, C Major, E Major, F Major~~.		In B1, centering on E Major, the prominent voices spell out a succession of major triads. The most prominent voices play root-position chords on the beat with the root also in the top voices (including violin), and a glockenspiel arpeggiates each chord up an octave: E Major (E-G♯-B-E)—C Major (C-E-G-C)—E Major—F Major (F-A-C-F), E Major—C Major—E Major—F Major. This pattern takes two bars.

	A2 begins immediately after the final F Major chord of B1 and centers on F Major again. A1 is repeated exactly.		A2 begins immediately after the final F Major chord of B1 and centers on F Major again. A1 is repeated exactly.

Terez: base page

2020-08-21T11:17:21Z

base page

New page

{{incomplete|needs=}}
{{PrevNext
| previous = K-59
| next = K-61
}}
{{Infobox music
| name = K-60
| jpn_title =
| rom_title = Unreleased
| eng_title =
| image = [[File:K-60.png|300px]]
| caption = [[Oolong]] hoped [[Bulma]] would don him, but he just got decked.
| key = F Major
| length = 0:30
| catalog = [[Shunsuke Kikuchi catalogue|K-60]]
| bgm_comp = [[Shunsuke Kikuchi]]
| bgm_arr =
| bgm_perf =
| groups =
| variation =
| vocals =
| song_perf =
| lyrics =
| song_comp =
| song_arr =
| year = 1986
| first = [[Dragon Ball Episode 5]]
| also =
| last =
| release = Unreleased
| suite =
}}
'''K-60''' is the [[Shunsuke Kikuchi catalogue|Kanzenshuu catalogue number]] assigned to an unreleased piece of background music (BGM) composed by [[Shunsuke Kikuchi]] for the ''[[Dragon Ball (anime)|Dragon Ball]]'' anime in 1986. The piece debuted in [[Dragon Ball Episode 5]] which was broadcast on '''26 March 1986'''.

==Overview==
K-60 is given the title "Daydreaming" on ''kenisu's Magicant'',<ref>{{Cite web|URL=https://kenisu.webs.com/dragonballbgm.htm|Website=The Suburbs of kenisu's Magicant|Title="The DragonBall BGM Daizenshuu"|Date=11 June 2008|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi|Kikuchi]]'s compositions.

==Compositional Analysis==
K-60's setting in F Major is highly chromatic, and the piece actually ends on E Major. The form is ABAB, where A centers on F Major, and B centers on E Major. The chord progressions are [https://en.wikipedia.org/wiki/Parallel_harmony parallel] rather than [https://piano-music-theory.com/2016/06/15/major-scale-diatonic-chords/ diatonic].

In A1, the bass pattern is F-F♯ G-F♯ F-F♯ G-F♯ F, while the top voices including flute spell the root and third of successive chromatic triads: F-A-F♯-A♯ G-B-A♯ F-A-F♯-A♯ G-B-A♯ A-G♯-G-F♯-F-F-F C-F C-F.

In B1, centering on E Major, the prominent voices spell out a succession of triads. The most prominent voices play root-position chords on the beat with the root also on top (including violin), and a glockenspiel arpeggiates each chord up an octave: E Major (E-G♯-B-E), C Major (C-E-G-C), E Major, F Major (F-A-C-F), E Major, C Major, E Major, F Major.

A2 begins immediately after the final F Major chord of B1 and centers on F Major again. A1 is repeated exactly.

B2 repeats B1 exactly, but after the final F Major chord, the pieces ends on an E Major chord with no glockenspiel arpeggiation.

==Usage==

==References==
{{reflist}}
{{music}}
[[Category:Music]]