H1 - Revision history

Terez: adjustments

2021-06-27T05:55:38Z

adjustments

← Older revision		Revision as of 01:55, 27 June 2021
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	==Usage and Variations==		==Usage and Variations==
			{{further\|[[Dragon Ball Music]].}}
	Below is a table of every usage of H1 in ''[[Dragon Ball (anime)\|Dragon Ball]]''. The full track is never used.		Below is a table of every usage of H1 in ''[[Dragon Ball (anime)\|Dragon Ball]]''. The full track is never used.
	{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"
	~~!colspan=4\|H1 Usage and Variations~~
	\|-
	!scope=col; style="width: 30%"\|Scene		!scope=col; style="width: 30%"\|Scene
	!scope=col\|Length and Variations		!scope=col\|Length and Variations

Terez: suite title fix

2021-02-27T03:02:16Z

suite title fix

← Older revision		Revision as of 23:02, 26 February 2021
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	\| last = [[Dragon Ball Episode 22]]		\| last = [[Dragon Ball Episode 22]]
	\| release = [[Dragon Ball Ongakushū\|Ongakushū (1986 vinyl)]]<br>[[Dragon Ball & Dragon Ball Z Daizenshuu\|Daizenshuu (1994 CD)]]		\| release = [[Dragon Ball Ongakushū\|Ongakushū (1986 vinyl)]]<br>[[Dragon Ball & Dragon Ball Z Daizenshuu\|Daizenshuu (1994 CD)]]
	\| suite = [[A Great Wilderness]]		\| suite = [[The Great Wilderness]]
	}}		}}
	'''H1''' is the official catalogue number of a piece of background music (BGM) composed by [[Shunsuke Kikuchi]] for the ''[[Dragon Ball (anime)\|Dragon Ball]]'' anime in 1986. The full composition is only known from soundtrack releases, beginning with the ''[[Dragon Ball Ongakushū\|Dragon Ball Ongakushū]]'' record released on '''21 April 1986'''. The catalogue number is found in the liner notes of the ''[[Dragon Ball & Dragon Ball Z Daizenshuu]]'' compact disc release.		'''H1''' is the official catalogue number of a piece of background music (BGM) composed by [[Shunsuke Kikuchi]] for the ''[[Dragon Ball (anime)\|Dragon Ball]]'' anime in 1986. The full composition is only known from soundtrack releases, beginning with the ''[[Dragon Ball Ongakushū\|Dragon Ball Ongakushū]]'' record released on '''21 April 1986'''. The catalogue number is found in the liner notes of the ''[[Dragon Ball & Dragon Ball Z Daizenshuu]]'' compact disc release.
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	The arpeggiated harp that opens H1 is counted as the first BGM in ''Dragon Ball'', heard at the very beginning of [[Dragon Ball Episode 1\|Episode 1]], though it's just the arpeggio and it is quickly overtaken by [[H4]]. The harp has long been identified by fans as having orginated in H1,<ref name="kenisu">{{Cite web\|URL=https://web.archive.org/web/20201111170233/https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> but the same exact harp arpeggio can be heard in other works, such as on the downbeat of the third bar of [[B2-B]].		The arpeggiated harp that opens H1 is counted as the first BGM in ''Dragon Ball'', heard at the very beginning of [[Dragon Ball Episode 1\|Episode 1]], though it's just the arpeggio and it is quickly overtaken by [[H4]]. The harp has long been identified by fans as having orginated in H1,<ref name="kenisu">{{Cite web\|URL=https://web.archive.org/web/20201111170233/https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> but the same exact harp arpeggio can be heard in other works, such as on the downbeat of the third bar of [[B2-B]].

	A substantial portion of H1 is not used until [[Dragon Ball Episode 22\|Episode 22]], and the full composition is never used. It was however released as part ''b'' of the suite entitled "[[A Great Wilderness]]", which is track #2 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.		A substantial portion of H1 is not used until [[Dragon Ball Episode 22\|Episode 22]], and the full composition is never used. It was however released as part ''b'' of the suite entitled "[[The Great Wilderness]]", which is track #2 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.
	{{Quotation\|H1 is a piece with the feeling of morning in the wilderness.\|[[Dragon Ball & Dragon Ball Z Daizenshuu]]}}		{{Quotation\|H1 is a piece with the feeling of morning in the wilderness.\|[[Dragon Ball & Dragon Ball Z Daizenshuu]]}}
	H1 is given the title "Morning" on ''The Suburbs of kenisu's Magicant'',<ref name="kenisu"/> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. The piece was assigned the [[Shunsuke Kikuchi catalogue\|Kanzenshuu catalogue number]] of K-1 based on its placement in the series.		H1 is given the title "Morning" on ''The Suburbs of kenisu's Magicant'',<ref name="kenisu"/> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. The piece was assigned the [[Shunsuke Kikuchi catalogue\|Kanzenshuu catalogue number]] of K-1 based on its placement in the series.

Terez: infobox

2021-02-27T02:44:45Z

infobox

← Older revision		Revision as of 22:44, 26 February 2021
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	}}		}}
	{{Infobox music		{{Infobox music
	\| name = H1		\| name = Ｈ１
	\| jpn_title = Ｈ１		\| jpn_title =
	\| rom_title = H1		\| rom_title =
	\| eng_title =		\| eng_title =
	\| image = [[File:K-1.png\|300px]]		\| image =
			{{tabber \|
			{{tab \| Setting \| [[File:K-1.png\|300px\|H1 (Setting)]]}}
			{{tab \| Score \| [[File:H1-Score.png\|320px\|H1 (Score)]]}}
			}}
	\| caption = [[Namu]] thinks of his village at the [[21st Tenka'ichi Budōkai]].		\| caption = [[Namu]] thinks of his village at the [[21st Tenka'ichi Budōkai]].
	\| key = F Major		\| key = F Major
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	==Compositional Analysis==		==Compositional Analysis==
	~~{{Infobox score~~
	~~\| name = H1 Score~~
	~~\| image = [[File:H1-Score.png\|320px\|H1]]~~
	~~\| caption = Approximate transcription of the track's main tonal elements.~~
	}}
	H1 is 8 bars in length. In the first bar, the harp arpeggiates an F Major chord in the first inversion while the violin sustains the third (A). The bassoon comes in on an internal root (F) at the second half of the bar. All of this accompaniment is sustained throughout the second bar, where the flute melody enters, accompanied by a short glockenspiel arpeggio.		H1 is 8 bars in length. In the first bar, the harp arpeggiates an F Major chord in the first inversion while the violin sustains the third (A). The bassoon comes in on an internal root (F) at the second half of the bar. All of this accompaniment is sustained throughout the second bar, where the flute melody enters, accompanied by a short glockenspiel arpeggio.

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	==References==		==References==
	{{reflist}}		{{reflist}}

	{{music}}		{{music}}
	[[Category:Music]]		[[Category:Music]]

Terez: addition

2021-01-27T23:13:29Z

addition

← Older revision		Revision as of 19:13, 27 January 2021
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	==Overview==		==Overview==
	The arpeggiated harp that opens H1 is counted as the first BGM in ''Dragon Ball'', heard at the very beginning of [[Dragon Ball Episode 1\|Episode 1]], though it's just the arpeggio. A substantial portion of H1 is not used until [[Dragon Ball Episode 22\|Episode 22]], and the full composition is never used. It was however released as part ''b'' of the suite entitled "[[A Great Wilderness]]", which is track #2 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.		The arpeggiated harp that opens H1 is counted as the first BGM in ''Dragon Ball'', heard at the very beginning of [[Dragon Ball Episode 1\|Episode 1]], though it's just the arpeggio and it is quickly overtaken by [[H4]]. The harp has long been identified by fans as having orginated in H1,<ref name="kenisu">{{Cite web\|URL=https://web.archive.org/web/20201111170233/https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> but the same exact harp arpeggio can be heard in other works, such as on the downbeat of the third bar of [[B2-B]].

			A substantial portion of H1 is not used until [[Dragon Ball Episode 22\|Episode 22]], and the full composition is never used. It was however released as part ''b'' of the suite entitled "[[A Great Wilderness]]", which is track #2 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.
	{{Quotation\|H1 is a piece with the feeling of morning in the wilderness.\|[[Dragon Ball & Dragon Ball Z Daizenshuu]]}}		{{Quotation\|H1 is a piece with the feeling of morning in the wilderness.\|[[Dragon Ball & Dragon Ball Z Daizenshuu]]}}
	H1 is given the title "Morning" on ''The Suburbs of kenisu's Magicant'',<ref~~>{{Cite web\|URL~~=~~https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of~~ kenisu~~'s Magicant\|Title=~~"~~The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}<~~/~~ref~~> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. The piece was assigned the [[Shunsuke Kikuchi catalogue\|Kanzenshuu catalogue number]] of K-1 based on its placement in the series.		H1 is given the title "Morning" on ''The Suburbs of kenisu's Magicant'',<ref name="kenisu"/> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. The piece was assigned the [[Shunsuke Kikuchi catalogue\|Kanzenshuu catalogue number]] of K-1 based on its placement in the series.

	==Compositional Analysis==		==Compositional Analysis==

Terez: correction

2021-01-27T07:57:23Z

correction

← Older revision		Revision as of 03:57, 27 January 2021
Line 1:		Line 1:
	{{incomplete}}		{{incomplete}}
			{{PrevNext
			\| previous = None
			\| next = K-2
			}}
	{{Infobox music		{{Infobox music
	\| name = H1		\| name = H1

Terez: corrections

2021-01-27T07:56:25Z

corrections

← Older revision		Revision as of 03:56, 27 January 2021
Line 1:		Line 1:
	{{incomplete~~\|needs=score}}~~		{{incomplete}}
	~~{{PrevNext~~
	~~\| previous = Shunsuke Kikuchi catalogue~~
	~~\| next = K-2~~
	}}
	{{Infobox music		{{Infobox music
	\| name = H1		\| name = H1
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	==Overview==		==Overview==
	The arpeggiated harp that opens H1 is counted as the first BGM in ''Dragon Ball'', heard at the very beginning of [[Dragon Ball Episode 1\|~~episode~~ 1]], though it's just the arpeggio. ~~The~~ full composition is part ''b'' of the suite entitled "[[A Great Wilderness]]", which is track #2 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.		The arpeggiated harp that opens H1 is counted as the first BGM in ''Dragon Ball'', heard at the very beginning of [[Dragon Ball Episode 1\|Episode 1]], though it's just the arpeggio. A substantial portion of H1 is not used until [[Dragon Ball Episode 22\|Episode 22]], and the full composition is never used. It was however released as part ''b'' of the suite entitled "[[A Great Wilderness]]", which is track #2 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.
	{{Quotation\|H1 is a piece with the feeling of morning in the wilderness.\|[[Dragon Ball & Dragon Ball Z Daizenshuu]]}}		{{Quotation\|H1 is a piece with the feeling of morning in the wilderness.\|[[Dragon Ball & Dragon Ball Z Daizenshuu]]}}
	H1 is given the title "Morning" on ''The Suburbs of kenisu's Magicant'',<ref>{{Cite web\|URL=https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. The piece was assigned the [[Shunsuke Kikuchi catalogue\|Kanzenshuu catalogue number]] of K-1 based on its placement in the series.		H1 is given the title "Morning" on ''The Suburbs of kenisu's Magicant'',<ref>{{Cite web\|URL=https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. The piece was assigned the [[Shunsuke Kikuchi catalogue\|Kanzenshuu catalogue number]] of K-1 based on its placement in the series.
Line 49:		Line 45:

	==Usage and Variations==		==Usage and Variations==
	Below is a table of every usage of H3 in ''[[Dragon Ball (anime)\|Dragon Ball]]''. The full track is never used.		Below is a table of every usage of H1 in ''[[Dragon Ball (anime)\|Dragon Ball]]''. The full track is never used.
	{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"
	!colspan=4\|H3 Usage and Variations		!colspan=4\|H1 Usage and Variations
	\|-		\|-
	!scope=col; style="width: 30%"\|Scene		!scope=col; style="width: 30%"\|Scene

Terez: usage table, score

2021-01-27T07:25:17Z

usage table, score

← Older revision		Revision as of 03:25, 27 January 2021
Line 33:		Line 33:
	'''H1''' is the official catalogue number of a piece of background music (BGM) composed by [[Shunsuke Kikuchi]] for the ''[[Dragon Ball (anime)\|Dragon Ball]]'' anime in 1986. The full composition is only known from soundtrack releases, beginning with the ''[[Dragon Ball Ongakushū\|Dragon Ball Ongakushū]]'' record released on '''21 April 1986'''. The catalogue number is found in the liner notes of the ''[[Dragon Ball & Dragon Ball Z Daizenshuu]]'' compact disc release.		'''H1''' is the official catalogue number of a piece of background music (BGM) composed by [[Shunsuke Kikuchi]] for the ''[[Dragon Ball (anime)\|Dragon Ball]]'' anime in 1986. The full composition is only known from soundtrack releases, beginning with the ''[[Dragon Ball Ongakushū\|Dragon Ball Ongakushū]]'' record released on '''21 April 1986'''. The catalogue number is found in the liner notes of the ''[[Dragon Ball & Dragon Ball Z Daizenshuu]]'' compact disc release.

	==~~Usage and Variations~~==		==Overview==
	The arpeggiated harp that opens H1 is the first BGM in ''Dragon Ball'', heard at the very beginning of [[Dragon Ball Episode 1\|episode 1]], ~~but the violin studio track is removed. Instead,~~ the ~~harp~~ arpeggio ~~overlaps with the dissonant strings and piano at the beginning of [[H4]] ([[Shunsuke Kikuchi catalogue\|K-2]]), and that is the end of H1 in episode 1.~~		The arpeggiated harp that opens H1 is counted as the first BGM in ''Dragon Ball'', heard at the very beginning of [[Dragon Ball Episode 1\|episode 1]], though it's just the arpeggio. The full composition is part ''b'' of the suite entitled "[[A Great Wilderness]]", which is track #2 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.
			{{Quotation\|H1 is a piece with the feeling of morning in the wilderness.\|[[Dragon Ball & Dragon Ball Z Daizenshuu]]}}
	The most substantial usage of H1 in ''Dragon Ball'' is the second and the last, in [[Dragon Ball Episode 22]] as [[Namu]] thinks of his village while [[Goku]] and [[Giran]] eat. The track is cut short after the antecedent phrase of the flute melody.		H1 is given the title "Morning" on ''The Suburbs of kenisu's Magicant'',<ref>{{Cite web\|URL=https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. The piece was assigned the [[Shunsuke Kikuchi catalogue\|Kanzenshuu catalogue number]] of K-1 based on its placement in the series.

	The full composition is part ''b'' of the suite entitled "[[A Great Wilderness]]", which is track #2 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.

	==Compositional Analysis==		==Compositional Analysis==
			{{Infobox score
			\| name = H1 Score
			\| image = [[File:H1-Score.png\|320px\|H1]]
			\| caption = Approximate transcription of the track's main tonal elements.
			}}
	H1 is 8 bars in length. In the first bar, the harp arpeggiates an F Major chord in the first inversion while the violin sustains the third (A). The bassoon comes in on an internal root (F) at the second half of the bar. All of this accompaniment is sustained throughout the second bar, where the flute melody enters, accompanied by a short glockenspiel arpeggio.		H1 is 8 bars in length. In the first bar, the harp arpeggiates an F Major chord in the first inversion while the violin sustains the third (A). The bassoon comes in on an internal root (F) at the second half of the bar. All of this accompaniment is sustained throughout the second bar, where the flute melody enters, accompanied by a short glockenspiel arpeggio.

	The flute melody consists of a two-bar antecedent phrase and a two-bar consequent phrase followed by a two-bar transitional phrase leading to the climax and resolution at the final bar. The antecedent phrase is a one-bar motive over F Major tonality which is repeated over A minor in the second bar of the phrase. The consequent phrase is a developmental melody over D minor, resolving to B-flat Major. The transitional phrase moves from B-flat Major to the mediant (A Major); on the mediant, the harp arpeggiates 1-2-3-5 (A-B-C♯-E) while the glockenspiel articulates 1-3-5-7 (A-C♯-E-G), and then the piece ends on a root-position tonic (F Major) chord, with the harp again articulating 1-2-3-5 (F-G-A-C) in an extended arpeggio.		The flute melody consists of a two-bar antecedent phrase and a two-bar consequent phrase followed by a two-bar transitional phrase leading to the climax and resolution at the final bar. The antecedent phrase is a one-bar motive over F Major tonality which is repeated over A minor in the second bar of the phrase. The consequent phrase is a developmental melody over D minor, resolving to B-flat Major. The transitional phrase moves from B-flat Major to the mediant (A Major); on the mediant, the harp arpeggiates 1-2-3-5 (A-B-C♯-E) while the glockenspiel articulates 1-3-5-7 (A-C♯-E-G), and then the piece ends on a root-position tonic (F Major) chord, with the harp again articulating 1-2-3-5 (F-G-A-C) in an extended arpeggio.

	==~~Identification~~==		==Usage and Variations==
	H1 is ~~given the title~~ "~~Morning~~" on ''~~kenisu~~'~~s Magicant~~'',<~~ref~~>~~{{Cite web~~\|~~URL~~=~~https~~:~~//kenisu~~.~~webs~~.~~com/dragonballbgm.htm~~\|~~Website=The Suburbs of kenisu's Magicant~~\|~~Title~~="~~The DragonBall BGM Daizenshuu~~"\|~~Date=11 June 2008\|AccessDate=30 June 2019}}~~<~~/ref~~> ~~the most common source for fan titles~~ of [[~~Shunsuke Kikuchi\|Kikuchi~~]]'~~s compositions.~~ The ~~piece was assigned~~ the [[~~Shunsuke Kikuchi catalogue\|Kanzenshuu catalogue number]] of~~ K-1 ~~based on its placement in the series~~.		Below is a table of every usage of H3 in ''[[Dragon Ball (anime)\|Dragon Ball]]''. The full track is never used.
			{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"
			!colspan=4\|H3 Usage and Variations
			\|-
			!scope=col; style="width: 30%"\|Scene
			!scope=col\|Length and Variations
			!scope=col\|Setting
			\|-
			\|style="text-align:left"\|'''[[Dragon Ball Episode 1]]:'''<br>''Dragon Ball'' begins.
			\|style="text-align:left"\|'''0:02''': The arpeggio overlaps with the dissonant strings and piano at the beginning of [[H4]], but the violin studio track is removed.
			\|[[File:K-2.png\|250px]]
			\|-
			\|style="text-align:left"\|'''[[Dragon Ball Episode 1]]:'''<br>[[Namu]] thinks of his village while [[Goku]] and [[Giran]] eat.
			\|style="text-align:left"\|'''0:13''': The track is cut short after the antecedent phrase of the flute melody.
			\|[[File:K-1.png\|250px]]
			\|}

	==References==		==References==
	{{reflist}}		{{reflist}}
			{{music}}
	[[Category:Music]]		[[Category:Music]]

Terez: /* Compositional Analysis */ correx

2020-07-24T12:31:45Z

Compositional Analysis: correx

← Older revision		Revision as of 08:31, 24 July 2020
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	H1 is 8 bars in length. In the first bar, the harp arpeggiates an F Major chord in the first inversion while the violin sustains the third (A). The bassoon comes in on an internal root (F) at the second half of the bar. All of this accompaniment is sustained throughout the second bar, where the flute melody enters, accompanied by a short glockenspiel arpeggio.		H1 is 8 bars in length. In the first bar, the harp arpeggiates an F Major chord in the first inversion while the violin sustains the third (A). The bassoon comes in on an internal root (F) at the second half of the bar. All of this accompaniment is sustained throughout the second bar, where the flute melody enters, accompanied by a short glockenspiel arpeggio.

	The flute melody consists of a two-bar antecedent phrase and a two-bar consequent phrase followed by a two-bar transitional phrase leading to the climax and resolution at the final bar. The antecedent phrase is a one-bar motive over F Major tonality which is repeated over A minor in the second bar of the phrase. The consequent phrase is a developmental melody over D minor, resolving to B-flat Major. The transitional phrase moves from B-flat Major to the ~~dominant~~ (A Major); on the ~~dominant~~, the harp ~~articulates~~ 1-2-3-5 (A-B-C♯-E) while the glockenspiel articulates 1-3-5-7 (A-C♯-E-G), and then the piece ends on a root-position tonic (F Major) chord, with the harp again articulating 1-2-3-5 (F-G-A-C) in an extended arpeggio.		The flute melody consists of a two-bar antecedent phrase and a two-bar consequent phrase followed by a two-bar transitional phrase leading to the climax and resolution at the final bar. The antecedent phrase is a one-bar motive over F Major tonality which is repeated over A minor in the second bar of the phrase. The consequent phrase is a developmental melody over D minor, resolving to B-flat Major. The transitional phrase moves from B-flat Major to the mediant (A Major); on the mediant, the harp arpeggiates 1-2-3-5 (A-B-C♯-E) while the glockenspiel articulates 1-3-5-7 (A-C♯-E-G), and then the piece ends on a root-position tonic (F Major) chord, with the harp again articulating 1-2-3-5 (F-G-A-C) in an extended arpeggio.

	==Identification==		==Identification==

Terez: prev/next

2020-07-24T08:09:48Z

prev/next

← Older revision		Revision as of 04:09, 24 July 2020
Line 1:		Line 1:
	{{incomplete\|needs=score}}		{{incomplete\|needs=score}}
			{{PrevNext
			\| previous = Shunsuke Kikuchi catalogue
			\| next = K-2
			}}
	{{Infobox music		{{Infobox music
	\| name = H1		\| name = H1

Terez at 02:56, 24 July 2020

2020-07-24T02:56:47Z

← Older revision		Revision as of 22:56, 23 July 2020
Line 30:		Line 30:

	==Usage and Variations==		==Usage and Variations==

	The arpeggiated harp that opens H1 is the first BGM in ''Dragon Ball'', heard at the very beginning of [[Dragon Ball Episode 1\|episode 1]], but the violin studio track is removed. Instead, the harp arpeggio overlaps with the dissonant strings and piano at the beginning of [[H4]] ([[Shunsuke Kikuchi catalogue\|K-2]]), and that is the end of H1 in episode 1.		The arpeggiated harp that opens H1 is the first BGM in ''Dragon Ball'', heard at the very beginning of [[Dragon Ball Episode 1\|episode 1]], but the violin studio track is removed. Instead, the harp arpeggio overlaps with the dissonant strings and piano at the beginning of [[H4]] ([[Shunsuke Kikuchi catalogue\|K-2]]), and that is the end of H1 in episode 1.

Line 43:		Line 42:

	==Identification==		==Identification==
	H1 is given the title "Morning" on ''kenisu's Magicant'',<ref>{{Cite web\|URL=https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions.		H1 is given the title "Morning" on ''kenisu's Magicant'',<ref>{{Cite web\|URL=https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. The piece was assigned the [[Shunsuke Kikuchi catalogue\|Kanzenshuu catalogue number]] of K-1 based on its placement in the series.

	==References==		==References==
	{{reflist}}		{{reflist}}
	[[Category:Music]]		[[Category:Music]]

← Older revision		Revision as of 01:55, 27 June 2021
Line 50:		Line 50:

	==Usage and Variations==		==Usage and Variations==
			{{further\|[[Dragon Ball Music]].}}
	Below is a table of every usage of H1 in ''[[Dragon Ball (anime)\|Dragon Ball]]''. The full track is never used.		Below is a table of every usage of H1 in ''[[Dragon Ball (anime)\|Dragon Ball]]''. The full track is never used.
	{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"
	~~!colspan=4\|H1 Usage and Variations~~
	\|-
	!scope=col; style="width: 30%"\|Scene		!scope=col; style="width: 30%"\|Scene
	!scope=col\|Length and Variations		!scope=col\|Length and Variations