K-27 - Revision history

Terez: /* Form and Analysis */

2021-03-07T23:25:28Z

Form and Analysis

← Older revision		Revision as of 19:25, 7 March 2021
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	==Form and Analysis==		==Form and Analysis==
	K-27 is in 4 at approximately 66 beats per minute. The tonality features a major third and a minor sixth over an open fifth drone, giving the piece a minor-key feel despite its major third, a common feature of music that is intended to be vaguely Oriental.		K-27 is in 4 at approximately 66 beats per minute. The tonality features a major third and a minor sixth over an open fifth drone, giving the piece a minor-key feel despite its major third, a common feature of music that is intended to be vaguely Oriental.

	{\| class="wikitable" align="center" style="max-width:70%; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="max-width:70%; margin: 1em auto 1em auto;"
	\|-		\|-
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	\|style="text-align:left"\|A is repeated but the drone holds in the 2nd bar; slight ''ritardando''		\|style="text-align:left"\|A is repeated but the drone holds in the 2nd bar; slight ''ritardando''
	\|}		\|}
	The drone is layered with several instruments, some of which are synthesized and might have been recorded separately to add gentle thiccness.{{efn\|"Gentle thiccness" is a very legit musicological term coined by Jonny Stewart.<ref>{{Cite web\|URL=https://www.tiktok.com/@jonnystewartbass/video/6913909783548431618\|Website=TikTok\|Title=@jonnystewartbass\|Date=07 March 2021}}</ref>}} During the first two bars of the flute portion (B), the top trombone that usually plays the 5th alternates between 5 and 6.		The drone is layered with several instruments, some of which are synthesized and might have been recorded separately to add gentle thiccness.{{efn\|"Gentle thiccness" is a very legit musicological term coined by Jonny Stewart.<ref>{{Cite web\|URL=https://www.tiktok.com/@jonnystewartbass/video/6913909783548431618\|Website=TikTok\|Title=@jonnystewartbass\|Date=07 March 2021}}</ref>}} During the first two bars of the flute portion (B), the top trombone that usually plays the 5th alternates between 5 and 6.

	==Usage and Variations==		==Usage and Variations==

Terez: /* Form and Analysis */ correction

2021-03-07T23:24:55Z

Form and Analysis: correction

← Older revision		Revision as of 19:24, 7 March 2021
Line 43:		Line 43:

	==Form and Analysis==		==Form and Analysis==
	K-27 is in 4 at approximately 66 beats per minute. The tonality features a major third and a minor sixth over an open fifth drone, giving the piece a minor-key feel despite its major third, a common feature of music that is intended to be vaguely Oriental. The drone is layered with several instruments, some of which are synthesized and might have been recorded separately to add gentle thiccness.{{efn\|"Gentle thiccness" is a very legit musicological term coined by Jonny Stewart.<ref>{{Cite web\|URL=https://www.tiktok.com/@jonnystewartbass/video/6913909783548431618\|Website=TikTok\|Title=@jonnystewartbass\|Date=07 March 2021}}</ref>}}		K-27 is in 4 at approximately 66 beats per minute. The tonality features a major third and a minor sixth over an open fifth drone, giving the piece a minor-key feel despite its major third, a common feature of music that is intended to be vaguely Oriental.
	{\| class="wikitable" align="center" style="max-width:70%; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="max-width:70%; margin: 1em auto 1em auto;"
	\|-		\|-
Line 66:		Line 66:
	\|style="text-align:left"\|A is repeated but the drone holds in the 2nd bar; slight ''ritardando''		\|style="text-align:left"\|A is repeated but the drone holds in the 2nd bar; slight ''ritardando''
	\|}		\|}
	The ~~open-fifth~~ drone is ~~played by trombones~~ and a ~~synth or string sound~~. During the first two bars of the flute portion (B), the top trombone that usually plays the 5th alternates between 5 and 6.		The drone is layered with several instruments, some of which are synthesized and might have been recorded separately to add gentle thiccness.{{efn\|"Gentle thiccness" is a very legit musicological term coined by Jonny Stewart.<ref>{{Cite web\|URL=https://www.tiktok.com/@jonnystewartbass/video/6913909783548431618\|Website=TikTok\|Title=@jonnystewartbass\|Date=07 March 2021}}</ref>}} During the first two bars of the flute portion (B), the top trombone that usually plays the 5th alternates between 5 and 6.

	==Usage and Variations==		==Usage and Variations==

Terez: infobox, form table, usage table

2021-03-07T23:22:46Z

infobox, form table, usage table

@@ Line 7: / Line 7: @@
 | name          = K-27
 | jpn_title     =
-| rom_title     = Official Catalogue Lost
+| rom_title     =
 | eng_title     =
-| image         = [[File:K-27.png|300px]]
+| image         =
-| caption       = Pilaf's desert palace.
+{{tabber |
 | key           = F Major
 | length        = 0:29
@@ Line 34: / Line 38: @@
 ==Overview==
-K-27 is written to sound vaguely Oriental. The full composition is part ''b'' of the suite entitled "[[The Mystery of the Dragon Balls]]", which is track #05 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''. No official catalogue was given in the liner notes.
+K-27 was not given an official catalogue number; it was assigned this [[Shunsuke Kikuchi catalogue|Kanzenshuu catalogue number]] based on its placement in the series. The full composition is part ''b'' of the suite entitled "[[The Mystery of the Dragon Balls]]", which is track #05 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''.
-K-27 is given the title "Pilaf's Desert Palace" on ''kenisu's Magicant'',<ref>{{Cite web|URL=https://kenisu.webs.com/dragonballbgm.htm|Website=The Suburbs of kenisu's Magicant|Title="The DragonBall BGM Daizenshuu"|Date=11 June 2008|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi|Kikuchi]]'s compositions. The piece was assigned the [[Shunsuke Kikuchi catalogue|Kanzenshuu catalogue number]] of K-27 based on its placement in the series.
+==Form and Analysis==
-==Compositional Analysis==
+==Usage and Variations==
-The tonality features a major third and a minor sixth over an open fifth drone, giving the piece a minor-key feel despite its major third, a common feature of vaguely Oriental music.
+Below is a table of every instance where K-27 is used in ''[[Dragon Ball (anime)|Dragon Ball]]''. It is not used in ''[[Dragon Ball Z]]''.
 ==References==
 {{reflist}}
 {{music}}
 [[Category:Music]]

Terez: base page

2020-08-05T17:27:20Z

base page

New page

{{incomplete|needs=}}
{{PrevNext
| previous = K-26
| next = K-28
}}
{{Infobox music
| name = K-27
| jpn_title =
| rom_title = Official Catalogue Lost
| eng_title =
| image = [[File:K-27.png|300px]]
| caption = Pilaf's desert palace.
| key = F Major
| length = 0:29
| catalog = [[Shunsuke Kikuchi catalogue|K-27]]
| bgm_comp = [[Shunsuke Kikuchi]]
| bgm_arr =
| bgm_perf =
| groups =
| variation =
| vocals =
| song_perf =
| lyrics =
| song_comp =
| song_arr =
| year = 1986
| first = [[Dragon Ball Episode 2]]
| also =
| last =
| release = [[Dragon Ball Ongakushū|Ongakushū (1986 vinyl)]]<br>[[Dragon Ball & Dragon Ball Z Daizenshuu|Daizenshuu (1994 CD)]]
| suite = [[The Mystery of the Dragon Balls]]
}}
'''K-27''' is the [[Shunsuke Kikuchi catalogue|Kanzenshuu catalogue number]] assigned to a piece of background music (BGM) composed by [[Shunsuke Kikuchi]] for the ''[[Dragon Ball (anime)|Dragon Ball]]'' anime in 1986. The piece debuted in [[Dragon Ball Episode 2]] which was broadcast on '''05 March 1986'''.

==Overview==
K-27 is written to sound vaguely Oriental. The full composition is part ''b'' of the suite entitled "[[The Mystery of the Dragon Balls]]", which is track #05 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''. No official catalogue was given in the liner notes.

K-27 is given the title "Pilaf's Desert Palace" on ''kenisu's Magicant'',<ref>{{Cite web|URL=https://kenisu.webs.com/dragonballbgm.htm|Website=The Suburbs of kenisu's Magicant|Title="The DragonBall BGM Daizenshuu"|Date=11 June 2008|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi|Kikuchi]]'s compositions. The piece was assigned the [[Shunsuke Kikuchi catalogue|Kanzenshuu catalogue number]] of K-27 based on its placement in the series.

==Compositional Analysis==
The tonality features a major third and a minor sixth over an open fifth drone, giving the piece a minor-key feel despite its major third, a common feature of vaguely Oriental music.
==Usage==

==References==
{{reflist}}
{{music}}
[[Category:Music]]