K-6 - Revision history

Terez: adjustments

2021-06-27T05:59:22Z

adjustments

← Older revision		Revision as of 01:59, 27 June 2021
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	==Usage and Variations==		==Usage and Variations==
			{{further\|[[Dragon Ball Music]].}}
	Below is a table of every usage of K-6 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.		Below is a table of every usage of K-6 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.
	{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"
	~~!colspan=4\|K-6 Usage and Variations~~
	\|-
	!scope=col; style="width: 30%"\|Scene		!scope=col; style="width: 30%"\|Scene
	!scope=col\|Length and Variations		!scope=col\|Length and Variations

Terez: infobox etc.

2021-03-05T11:20:54Z

infobox etc.

← Older revision		Revision as of 07:20, 5 March 2021
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	\| name =		\| name =
	\| jpn_title =		\| jpn_title =
	\| rom_title = ~~Unreleased~~		\| rom_title =
	\| eng_title =		\| eng_title =
	\| image = [[File:K-6.png\|300px]]		\| image = [[File:K-6.png\|300px]]
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	==References==		==References==
	{{reflist}}		{{reflist}}

	{{music}}		{{music}}
	[[Category:Music]]		[[Category:Music]]

Terez: corrections

2021-01-28T01:51:14Z

corrections

← Older revision		Revision as of 21:51, 27 January 2021
Line 36:		Line 36:
	K-6 is part of a [[Dragon Balls#Music\|group of BGM]], each piece of which is used in more than one episode when [[Dragon Balls]] are glowing on screen. [[K-14]] is a more defined and developed presentation of the themes in K-6, and [[K-44]] is a short four-chime musical sound effect.		K-6 is part of a [[Dragon Balls#Music\|group of BGM]], each piece of which is used in more than one episode when [[Dragon Balls]] are glowing on screen. [[K-14]] is a more defined and developed presentation of the themes in K-6, and [[K-44]] is a short four-chime musical sound effect.

	K-6 is given the title "The DBs Are Glowing" on ''The Suburbs of kenisu's Magicant'',<ref>{{Cite web\|URL=https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. However, kenisu did not identify the track's first usage in [[Dragon Ball Episode 1\|episode 1]], which is before Goku meets Bulma. Instead, kenisu marked its debut to the scene where Bulma first enters the room with the [[Four-Star Ball]], and Goku notices it is glowing. In that scene, there is only a sound effect from the [[Hidenori Arai]] sound library, which kenisu called "A DragonBall!" (with an implicit attribution to Kikuchi). Then Bulma notices the Dragon Ball, and K-6 returns. This second instance of the piece was labeled as the first by kenisu. When Bulma pushes Goku aside and grabs the ball, a distinct second version of this theme debuts: [[K-14]].		K-6 is given the title "The DBs Are Glowing" on ''The Suburbs of kenisu's Magicant'',<ref>{{Cite web\|URL=https://web.archive.org/web/20201111170233/https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. However, kenisu did not identify the track's first usage in [[Dragon Ball Episode 1\|episode 1]], which is before Goku meets Bulma. Instead, kenisu marked its debut to the scene where Bulma first enters the room with the [[Four-Star Ball]], and Goku notices it is glowing. In that scene, there is only a sound effect from the [[Hidenori Arai]] sound library, which kenisu called "A DragonBall!" (with an implicit attribution to Kikuchi). Then Bulma notices the Dragon Ball, and K-6 returns. This second instance of the piece was labeled as the first by kenisu. When Bulma pushes Goku aside and grabs the ball, a distinct second version of this theme debuts: [[K-14]].

	==Compositional Analysis==		==Compositional Analysis==
Line 47:		Line 47:
	In A', the first chime returns, now followed by a low C in the vibraphone, which is followed by the violins softly playing the ascending 1-4-6-3 pattern in the background. This moves directly into the ending: a more stacked chime spelling out the full C+ triad which is also arpeggiated on the vibraphone.		In A', the first chime returns, now followed by a low C in the vibraphone, which is followed by the violins softly playing the ascending 1-4-6-3 pattern in the background. This moves directly into the ending: a more stacked chime spelling out the full C+ triad which is also arpeggiated on the vibraphone.

	==Usage==		==Usage and Variations==
	Below is a table of every usage of K-6 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.		Below is a table of every usage of K-6 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.
	{\| class="wikitable" align="center" style="max-width:~~80%~~; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"
	!colspan=4\|K-6 Usage and Variations		!colspan=4\|K-6 Usage and Variations
	\|-		\|-

Terez: corrections

2021-01-26T01:04:36Z

corrections

← Older revision		Revision as of 21:04, 25 January 2021
Line 17:		Line 17:
	\| bgm_arr =		\| bgm_arr =
	\| bgm_perf =		\| bgm_perf =
	\| groups = [[~~Glowing~~ Dragon Balls]]		\| groups = [[Dragon Balls#Music\|Dragon Balls]]
	\| variation =		\| variation =
	\| vocals =		\| vocals =
Line 34:		Line 34:

	==Overview==		==Overview==
	K-6 is part of a [[~~Glowing~~ Dragon Balls\|group of BGM]], each piece of which is used in more than one episode when [[Dragon Balls]] are glowing on screen. [[K-14]] is a more defined and developed presentation of the themes in K-6, and [[K-44]] is a short four-chime musical sound effect.		K-6 is part of a [[Dragon Balls#Music\|group of BGM]], each piece of which is used in more than one episode when [[Dragon Balls]] are glowing on screen. [[K-14]] is a more defined and developed presentation of the themes in K-6, and [[K-44]] is a short four-chime musical sound effect.

	The opening chime of K-6 is sometimes used as a sound effect on its own; it is the best source out of the three known BGM in this group for the long chime with C as the dominant tone. The instance in K-44 is too short.		K-6 is given the title "The DBs Are Glowing" on ''The Suburbs of kenisu's Magicant'',<ref>{{Cite web\|URL=https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. However, kenisu did not identify the track's first usage in [[Dragon Ball Episode 1\|episode 1]], which is before Goku meets Bulma. Instead, kenisu marked its debut to the scene where Bulma first enters the room with the [[Four-Star Ball]], and Goku notices it is glowing. In that scene, there is only a sound effect from the [[Hidenori Arai]] sound library, which kenisu called "A DragonBall!" (with an implicit attribution to Kikuchi). Then Bulma notices the Dragon Ball, and K-6 returns. This second instance of the piece was labeled as the first by kenisu. When Bulma pushes Goku aside and grabs the ball, a distinct second version of this theme debuts: [[K-14]].

	K-6 is given the title "The DBs Are Glowing" on ''kenisu's Magicant'',<ref>{{Cite web\|URL=https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. However, kenisu did not identify the track's first usage in [[Dragon Ball Episode 1\|episode 1]], which is before Goku meets Bulma. Instead, kenisu marked its debut to the scene where Bulma first enters the room with the [[Four-Star Ball]], and Goku notices it is glowing. In that scene, there is only a sound effect from the [[Hidenori Arai]] sound library, which kenisu called "A DragonBall!" (with an implicit attribution to Kikuchi). Then Bulma notices the Dragon Ball, and K-6 returns. This second instance of the piece was labeled as the first by kenisu. When Bulma pushes Goku aside and grabs the ball, a distinct second version of this theme debuts: [[K-14]].

	==Compositional Analysis==		==Compositional Analysis==

Terez: /* Compositional Analysis */ elaboration

2020-08-02T15:02:34Z

Compositional Analysis: elaboration

← Older revision		Revision as of 11:02, 2 August 2020
Line 45:		Line 45:
	The antecedent phrase (Part A) is an ascending 1-4-6-3 chime progression. The dominant tones of the chimes are C-F♯-A♯-E, but there is a more distorted chime simultaneously striking D-G♯-C-F♯ (2-5-1-4), a strictly parallel dissonance. The third chime (A♯ clear, C distorted) is followed by a vibraphone strike on C, and the fourth chime is followed by a strike on F♯.		The antecedent phrase (Part A) is an ascending 1-4-6-3 chime progression. The dominant tones of the chimes are C-F♯-A♯-E, but there is a more distorted chime simultaneously striking D-G♯-C-F♯ (2-5-1-4), a strictly parallel dissonance. The third chime (A♯ clear, C distorted) is followed by a vibraphone strike on C, and the fourth chime is followed by a strike on F♯.

	The consequent phrase (Part B) introduces the violins over the resonance of the last chime, switching to a [https://en.wikipedia.org/wiki/Diatonic_scale diatonic] pattern with a descending progression of three major chords: B-flat major (A♯/B♭-D-F), A-flat major (G♯/A♭-C-E♭), D major (D-F♯-A). As you can see, the root of each of these chords is a tone found in the C whole-tone scale. (Each chord has one tone that is not in that scale.) The violin's chords are mirrored by what seems to be a plucked or percussive string instrument. In this section, Kikuchi uses [https://en.wikipedia.org/wiki/Mark_tree mark tree chimes] as background color.		The consequent phrase (Part B) introduces the violins over the resonance of the last chime, switching to a [https://en.wikipedia.org/wiki/Diatonic_scale diatonic] pattern with a descending progression of three major chords in the first inversion: B-flat major (A♯/B♭-D-F), A-flat major (G♯/A♭-C-E♭), D major (D-F♯-A). As you can see, the root of each of these chords is a tone found in the C whole-tone scale. (Each chord has one tone that is not in that scale.) The violin's chords are mirrored by what seems to be a plucked or percussive string instrument. In this section, Kikuchi uses [https://en.wikipedia.org/wiki/Mark_tree mark tree chimes] as background color.

	In A', the first chime returns, now followed by a low C in the vibraphone, which is followed by the violins softly playing the ascending 1-4-6-3 pattern in the background. This moves directly into the ending: a more stacked chime spelling out the full C+ triad which is also arpeggiated on the vibraphone.		In A', the first chime returns, now followed by a low C in the vibraphone, which is followed by the violins softly playing the ascending 1-4-6-3 pattern in the background. This moves directly into the ending: a more stacked chime spelling out the full C+ triad which is also arpeggiated on the vibraphone.

Terez: rearrangement

2020-08-02T14:56:47Z

rearrangement

← Older revision		Revision as of 10:56, 2 August 2020
Line 37:		Line 37:

	The opening chime of K-6 is sometimes used as a sound effect on its own; it is the best source out of the three known BGM in this group for the long chime with C as the dominant tone. The instance in K-44 is too short.		The opening chime of K-6 is sometimes used as a sound effect on its own; it is the best source out of the three known BGM in this group for the long chime with C as the dominant tone. The instance in K-44 is too short.

			K-6 is given the title "The DBs Are Glowing" on ''kenisu's Magicant'',<ref>{{Cite web\|URL=https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. However, kenisu did not identify the track's first usage in [[Dragon Ball Episode 1\|episode 1]], which is before Goku meets Bulma. Instead, kenisu marked its debut to the scene where Bulma first enters the room with the [[Four-Star Ball]], and Goku notices it is glowing. In that scene, there is only a sound effect from the [[Hidenori Arai]] sound library, which kenisu called "A DragonBall!" (with an implicit attribution to Kikuchi). Then Bulma notices the Dragon Ball, and K-6 returns. This second instance of the piece was labeled as the first by kenisu. When Bulma pushes Goku aside and grabs the ball, a distinct second version of this theme debuts: [[K-14]].

	==Compositional Analysis==		==Compositional Analysis==
Line 88:		Line 90:
	\|[[File:K-6_11b.png\|250px]]		\|[[File:K-6_11b.png\|250px]]
	\|}		\|}

	~~==Identification==~~
	K-6 is given the title "The DBs Are Glowing" on ''kenisu's Magicant'',<ref>{{Cite web\|URL=https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. However, kenisu did not identify the track's first usage in [[Dragon Ball Episode 1\|episode 1]], which is before Goku meets Bulma. Instead, kenisu marked its debut to the scene where Bulma first enters the room with the [[Four-Star Ball]], and Goku notices it is glowing. In that scene, there is only a sound effect from the [[Hidenori Arai]] sound library, which kenisu called "A DragonBall!" (with an implicit attribution to Kikuchi). Then Bulma notices the Dragon Ball, and K-6 returns. This second instance of the piece was labeled as the first by kenisu. When Bulma pushes Goku aside and grabs the ball, a distinct second version of this theme debuts: [[K-14]].

	==References==		==References==

Terez: /* Compositional Analysis */ clarification

2020-08-02T14:53:15Z

Compositional Analysis: clarification

← Older revision		Revision as of 10:53, 2 August 2020
Line 43:		Line 43:
	The antecedent phrase (Part A) is an ascending 1-4-6-3 chime progression. The dominant tones of the chimes are C-F♯-A♯-E, but there is a more distorted chime simultaneously striking D-G♯-C-F♯ (2-5-1-4), a strictly parallel dissonance. The third chime (A♯ clear, C distorted) is followed by a vibraphone strike on C, and the fourth chime is followed by a strike on F♯.		The antecedent phrase (Part A) is an ascending 1-4-6-3 chime progression. The dominant tones of the chimes are C-F♯-A♯-E, but there is a more distorted chime simultaneously striking D-G♯-C-F♯ (2-5-1-4), a strictly parallel dissonance. The third chime (A♯ clear, C distorted) is followed by a vibraphone strike on C, and the fourth chime is followed by a strike on F♯.

	The consequent phrase (Part B) introduces the violins over the resonance of the last chime, switching to a [https://en.wikipedia.org/wiki/Diatonic_scale diatonic] pattern with a descending progression of three major chords: B-flat major (A♯/B♭-D-F), A-flat major (G♯/A♭-C-E♭), D major (D-F♯-A). As you can see, the root of each of these chords is a tone found in the C whole-tone scale. The violin's chords are mirrored by what seems to be a plucked or percussive string instrument. In this section, Kikuchi uses [https://en.wikipedia.org/wiki/Mark_tree mark tree chimes] as background color.		The consequent phrase (Part B) introduces the violins over the resonance of the last chime, switching to a [https://en.wikipedia.org/wiki/Diatonic_scale diatonic] pattern with a descending progression of three major chords: B-flat major (A♯/B♭-D-F), A-flat major (G♯/A♭-C-E♭), D major (D-F♯-A). As you can see, the root of each of these chords is a tone found in the C whole-tone scale. (Each chord has one tone that is not in that scale.) The violin's chords are mirrored by what seems to be a plucked or percussive string instrument. In this section, Kikuchi uses [https://en.wikipedia.org/wiki/Mark_tree mark tree chimes] as background color.

	In A', the first chime returns, now followed by a low C in the vibraphone, which is followed by the violins softly playing the ascending 1-4-6-3 pattern in the background. This moves directly into the ending: a more stacked chime spelling out the full C+ triad which is also arpeggiated on the vibraphone.		In A', the first chime returns, now followed by a low C in the vibraphone, which is followed by the violins softly playing the ascending 1-4-6-3 pattern in the background. This moves directly into the ending: a more stacked chime spelling out the full C+ triad which is also arpeggiated on the vibraphone.

Terez: /* Compositional Analysis */

2020-08-02T14:45:57Z

Compositional Analysis

← Older revision		Revision as of 10:45, 2 August 2020
Line 45:		Line 45:
	The consequent phrase (Part B) introduces the violins over the resonance of the last chime, switching to a [https://en.wikipedia.org/wiki/Diatonic_scale diatonic] pattern with a descending progression of three major chords: B-flat major (A♯/B♭-D-F), A-flat major (G♯/A♭-C-E♭), D major (D-F♯-A). As you can see, the root of each of these chords is a tone found in the C whole-tone scale. The violin's chords are mirrored by what seems to be a plucked or percussive string instrument. In this section, Kikuchi uses [https://en.wikipedia.org/wiki/Mark_tree mark tree chimes] as background color.		The consequent phrase (Part B) introduces the violins over the resonance of the last chime, switching to a [https://en.wikipedia.org/wiki/Diatonic_scale diatonic] pattern with a descending progression of three major chords: B-flat major (A♯/B♭-D-F), A-flat major (G♯/A♭-C-E♭), D major (D-F♯-A). As you can see, the root of each of these chords is a tone found in the C whole-tone scale. The violin's chords are mirrored by what seems to be a plucked or percussive string instrument. In this section, Kikuchi uses [https://en.wikipedia.org/wiki/Mark_tree mark tree chimes] as background color.

	In A', the first chime returns, now followed by a low C in the vibraphone, which is followed by the violins softly playing the ascending 1-4-6-3 pattern in the background. This ~~movies~~ directly into the ending: a more stacked chime spelling out the full C+ triad which is also arpeggiated on the vibraphone.		In A', the first chime returns, now followed by a low C in the vibraphone, which is followed by the violins softly playing the ascending 1-4-6-3 pattern in the background. This moves directly into the ending: a more stacked chime spelling out the full C+ triad which is also arpeggiated on the vibraphone.

	==Usage==		==Usage==

Terez: usage through DB 11

2020-08-02T14:43:31Z

usage through DB 11

@@ Line 10: / Line 10: @@
 | eng_title     =
 | image         = [[File:K-6.png|300px]]
-| caption       = The Dragon Ball glows.
+| caption       = Grandpa is glowing...?!
 | key           = C+
 | length        = 0:34
@@ Line 34: / Line 34: @@
 ==Overview==
-==Usage and Variations==
+The opening chime of K-6 is sometimes used as a sound effect on its own; it is the best source out of the three known BGM in this group for the long chime with C as the dominant tone. The instance in K-44 is too short.
 ==Compositional Analysis==
 ==Identification==
@@ Line 44: / Line 94: @@
 ==References==
 {{reflist}}
 [[Category:Music]]

Terez at 08:21, 26 July 2020

2020-07-26T08:21:25Z

← Older revision		Revision as of 04:21, 26 July 2020
Line 17:		Line 17:
	\| bgm_arr =		\| bgm_arr =
	\| bgm_perf =		\| bgm_perf =
	\| groups =		\| groups = [[Glowing Dragon Balls]]
	\| variation =		\| variation =
	\| vocals =		\| vocals =

← Older revision		Revision as of 01:59, 27 June 2021
Line 48:		Line 48:

	==Usage and Variations==		==Usage and Variations==
			{{further\|[[Dragon Ball Music]].}}
	Below is a table of every usage of K-6 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.		Below is a table of every usage of K-6 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.
	{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="max-width:750px; margin: 1em auto 1em auto;"
	~~!colspan=4\|K-6 Usage and Variations~~
	\|-
	!scope=col; style="width: 30%"\|Scene		!scope=col; style="width: 30%"\|Scene
	!scope=col\|Length and Variations		!scope=col\|Length and Variations