K-8 - Revision history

Terez: adjustments

2021-06-27T06:00:28Z

adjustments

← Older revision		Revision as of 02:00, 27 June 2021
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	==Usage and Variations==		==Usage and Variations==
			{{further\|[[Dragon Ball Music]].}}
	Below is a table of every usage of K-8 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.		Below is a table of every usage of K-8 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.
	{\| class="wikitable" align="center" style="max-width:80%; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="max-width:80%; margin: 1em auto 1em auto;"
	\|-
	!scope=col; style="width: 30%"\|Scene		!scope=col; style="width: 30%"\|Scene
	!scope=col\|Length and Variations		!scope=col\|Length and Variations

Terez: infobox etc.

2021-03-05T11:31:50Z

infobox etc.

← Older revision		Revision as of 07:31, 5 March 2021
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	\| name = K-8		\| name = K-8
	\| jpn_title =		\| jpn_title =
	\| rom_title = ~~Unreleased~~		\| rom_title =
	\| eng_title =		\| eng_title =
	\| image = [[File:K-8.png\|300px]]		\| image = [[File:K-8.png\|300px]]
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	==Overview==		==Overview==
	In its debut scene in episode 1, K-8 is used as an introduction to [[K-9]]. It is possible that they were written as a single piece, but they are never used together again, and they were not recorded with an overlap as heard in episode 1. This is demonstrated by the clean beginning of the [[Dragon Ball Episode 38\|episode 38]] usage of K-9.		In its debut scene in episode 1, K-8 is used as an introduction to [[K-9]]. It is possible that they were written as a single piece, but they are never used together again, and they were not recorded with an overlap as heard in episode 1. This is demonstrated by the clean beginning of the [[Dragon Ball Episode 38\|episode 38]] usage of K-9.

			K-8 is given the title "Attack Of The Sabre-Tiger" on ''kenisu's Magicant'',<ref>{{Cite web\|URL=https://web.archive.org/web/20201111170233/https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. There is a misattribution (in parentheses with question marks) on [[Dragon Ball Episode 56\|episode 56]] in kenisu's table; this track is not K-8.

	==Compositional Analysis==		==Compositional Analysis==
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	Below is a table of every usage of K-8 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.		Below is a table of every usage of K-8 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.
	{\| class="wikitable" align="center" style="max-width:80%; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="max-width:80%; margin: 1em auto 1em auto;"
	~~!colspan=4\|K-8 Usage and Variations~~
	\|-		\|-
	!scope=col; style="width: 30%"\|Scene		!scope=col; style="width: 30%"\|Scene
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	\|[[File:K-8_71.png\|250px]]		\|[[File:K-8_71.png\|250px]]
	\|}		\|}

	~~==Identification==~~
	K-8 is given the title "Attack Of The Sabre-Tiger" on ''kenisu's Magicant'',<ref>{{Cite web\|URL=https://kenisu.webs.com/dragonballbgm.htm\|Website=The Suburbs of kenisu's Magicant\|Title="The DragonBall BGM Daizenshuu"\|Date=11 June 2008\|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi\|Kikuchi]]'s compositions. There is a misattribution (in parentheses with question marks) on [[Dragon Ball Episode 56\|episode 56]] in kenisu's table; this track is not K-8.

	==References==		==References==
	{{reflist}}		{{reflist}}

			{{music}}
	[[Category:Music]]		[[Category:Music]]
	~~{{music}}~~

Terez at 08:33, 28 July 2020

2020-07-28T08:33:16Z

← Older revision		Revision as of 04:33, 28 July 2020
Line 48:		Line 48:
	In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭-major triad alternating with a C-major triad, proceeding to a B-major triad alternating with a B♭-major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced in root position (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭). Therefore both K-8 and K-42 would be spelled as C˚7 in this instance.		In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭-major triad alternating with a C-major triad, proceeding to a B-major triad alternating with a B♭-major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced in root position (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭). Therefore both K-8 and K-42 would be spelled as C˚7 in this instance.

	In [[Dragon Ball Episode 66\|episode 66]], K-8 is followed by the end of K-42, but this time K-42 is followed by [[M16]], which is in D Minor. In this case, the A-C-E♭-G♭ spelling is appropriate: A remains, now as the 5th in D Minor; C resolves stepwise up to D (the root); E♭ resolves down to D; G♭ resolves down to F, the third. ~~In this case,~~ the tonality of both K-8 and K-42 is A˚7.		In [[Dragon Ball Episode 66\|episode 66]], K-8 is followed by the end of K-42, but this time K-42 is followed by [[M16]], which is in D Minor. In this case, the A-C-E♭-G♭ spelling is appropriate: A remains, now as the 5th in D Minor; C resolves stepwise up to D (the root); E♭ resolves down to D; G♭ resolves down to F, the third. Therefore the tonality of both K-8 and K-42 in episode 66 is A˚7.

	==Usage and Variations==		==Usage and Variations==
	Below is a table of every usage of K-8 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.		Below is a table of every usage of K-8 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.
	{\| class="wikitable" align="center" style="~~min~~-width:50%; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="max-width:80%; margin: 1em auto 1em auto;"
	!colspan=4\|K-8 Usage and Variations		!colspan=4\|K-8 Usage and Variations
	\|-		\|-

Terez: table revamp, grammar

2020-07-27T12:44:11Z

table revamp, grammar

← Older revision		Revision as of 08:44, 27 July 2020
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	In [[Dragon Ball Episode 1\|episode 1]], the C˚7 tonality of K-8 resolves to the F-minor of [[K-9]]: the C remains, now as the 5th in F Minor; E♭ resolves stepwise up to F (the root); G♭ resolves stepwise (half-step) down to F; B𝄫 resolves stepwise (half-step) down to A♭, which is the 3rd in F Minor. This contrast with K-9 is the reference point for the spelling of the chord as C˚7; since the tones are equidistant, the chord can be spelled several different ways.		In [[Dragon Ball Episode 1\|episode 1]], the C˚7 tonality of K-8 resolves to the F-minor of [[K-9]]: the C remains, now as the 5th in F Minor; E♭ resolves stepwise up to F (the root); G♭ resolves stepwise (half-step) down to F; B𝄫 resolves stepwise (half-step) down to A♭, which is the 3rd in F Minor. This contrast with K-9 is the reference point for the spelling of the chord as C˚7; since the tones are equidistant, the chord can be spelled several different ways.

	In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭ major triad alternating with a C major triad, proceeding to a B major triad alternating with a B♭ major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced in root position (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭). Therefore both K-8 and K-42 would be spelled as C˚7 in this instance.		In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭-major triad alternating with a C-major triad, proceeding to a B-major triad alternating with a B♭-major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced in root position (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭). Therefore both K-8 and K-42 would be spelled as C˚7 in this instance.

	In [[Dragon Ball Episode 66\|episode 66]], K-8 is followed by the end of K-42, but this time K-42 is followed by [[M16]], which is in D Minor. In this case, the A-C-E♭-G♭ spelling is appropriate: A remains, now as the 5th in D Minor; C resolves stepwise up to D (the root); E♭ resolves down to D; G♭ resolves down to F, the third. In this case, the tonality of both K-8 and K-42 is A˚7.		In [[Dragon Ball Episode 66\|episode 66]], K-8 is followed by the end of K-42, but this time K-42 is followed by [[M16]], which is in D Minor. In this case, the A-C-E♭-G♭ spelling is appropriate: A remains, now as the 5th in D Minor; C resolves stepwise up to D (the root); E♭ resolves down to D; G♭ resolves down to F, the third. In this case, the tonality of both K-8 and K-42 is A˚7.
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	==Usage and Variations==		==Usage and Variations==
	Below is a table of every usage of K-8 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.		Below is a table of every usage of K-8 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.
	{\| class="wikitable" align="center" style="min-width:70%; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="min-width:50%; margin: 1em auto 1em auto;"
	!colspan=4\|K-8 Usage and Variations		!colspan=4\|K-8 Usage and Variations
	\|-		\|-
	!scope=col; style="width: 22%"~~\|Episode~~		!scope=col; style="width: 30%"\|Scene
	~~!scope=col~~\|Scene
	!scope=col\|Length and Variations		!scope=col\|Length and Variations
	!scope=col\|Setting		!scope=col\|Setting
	\|-		\|-
	~~\|[[Dragon Ball Episode 1]]~~		\|style="text-align:left"\|[[Dragon Ball Episode 1]]:<br>The [[Saber Tiger]] attacks [[Goku]].
	\|style="text-align:left"\|The [[Saber Tiger]] attacks [[Goku]].
	\|style="text-align:left"\|'''0:07''' (full track): The very end overlaps with the very beginning of [[K-9]].		\|style="text-align:left"\|'''0:07''' (full track): The very end overlaps with the very beginning of [[K-9]].
	\|[[File:K-8.png\|~~150px~~]]		\|[[File:K-8.png\|250px]]
	\|-		\|-
	~~\|[[Dragon Ball Episode 17]]~~		\|style="text-align:left"\|[[Dragon Ball Episode 17]]:<br>[[Yamcha]] defeats [[Large Man]] in the [[21st Tenka'ichi Budōkai]] preliminaries.
	\|style="text-align:left"\|[[Yamcha]] defeats [[Large Man]] in the [[21st Tenka'ichi Budōkai]] preliminaries.
	\|style="text-align:left"\|'''0:05''': The second bar is cut out, and the track is followed by musical silence.		\|style="text-align:left"\|'''0:05''': The second bar is cut out, and the track is followed by musical silence.
	\|[[File:K-8_17.png\|~~150px~~]]		\|[[File:K-8_17.png\|250px]]
	\|-		\|-
	~~\|[[Dragon Ball Episode 20]]~~		\|style="text-align:left"\|[[Dragon Ball Episode 20]]:<br>[[Kuririn]] defeats an opponent in the [[21st Tenka'ichi Budōkai]] preliminaries.
	\|style="text-align:left"\|[[Kuririn]] defeats an opponent in the [[21st Tenka'ichi Budōkai]] preliminaries.
	\|style="text-align:left"\|'''0:07''' (full track): The track is followed by musical silence.		\|style="text-align:left"\|'''0:07''' (full track): The track is followed by musical silence.
	\|[[File:K-8_20.png\|~~150px~~]]		\|[[File:K-8_20.png\|250px]]
	\|-		\|-
	~~\|[[Dragon Ball Episode 29]]~~		\|style="text-align:left"\|[[Dragon Ball Episode 29]]:<br>[[Goku]] is attacked by [[Giran]]'s fellows, who are easily defeated.
	\|style="text-align:left"\|[[Goku]] is attacked by [[Giran]]'s fellows, who are easily defeated.
	\|style="text-align:left"\|'''0:07''' (full track): The track is followed by musical silence.		\|style="text-align:left"\|'''0:07''' (full track): The track is followed by musical silence.
	\|[[File:K-8_29.png\|~~150px~~]]		\|[[File:K-8_29.png\|250px]]
	\|-		\|-
	~~\|[[Dragon Ball Episode 32]]~~		\|style="text-align:left"\|[[Dragon Ball Episode 32]]:<br>The [[Pilaf Gang]]'s fortress comes under attack.
	\|style="text-align:left"\|The [[Pilaf Gang]]'s fortress comes under attack.
	\|style="text-align:left"\|'''0:07''' (full track): The track is followed by [[K-42]], which is followed by [[M109]].		\|style="text-align:left"\|'''0:07''' (full track): The track is followed by [[K-42]], which is followed by [[M109]].
	\|[[File:K-8_32.png\|~~150px~~]]		\|[[File:K-8_32.png\|250px]]
	\|-		\|-
	~~\|[[Dragon Ball Episode 66]]~~		\|style="text-align:left"\|[[Dragon Ball Episode 66]]:<br>Goku reaches the [[Red Ribbon Army Headquarters]] on [[Kinto'un]].
	\|style="text-align:left"\|Goku reaches the [[Red Ribbon Army Headquarters]] on [[Kinto'un]].
	\|style="text-align:left"\|'''0:07''' (full track): The track is followed by a short excerpt from the end of [[K-42]], which is then followed by [[M16]].		\|style="text-align:left"\|'''0:07''' (full track): The track is followed by a short excerpt from the end of [[K-42]], which is then followed by [[M16]].
	\|[[File:K-8_66.png\|~~150px~~]]		\|[[File:K-8_66.png\|250px]]
	\|-		\|-
	~~\|[[Dragon Ball Episode 71]]~~		\|style="text-align:left"\|[[Dragon Ball Episode 71]]:<br>[[Bulma]] realizes Yamcha might die in the [[Devil's Toilet]].
	\|style="text-align:left"\|[[Bulma]] realizes Yamcha might die in the [[Devil's Toilet]].
	\|style="text-align:left"\|'''0:07''' (full track): The track is followed by musical silence.		\|style="text-align:left"\|'''0:07''' (full track): The track is followed by musical silence.
	\|[[File:K-8_71.png\|~~150px~~]]		\|[[File:K-8_71.png\|250px]]
	\|}		\|}

Terez: /* Compositional Analysis */

2020-07-27T12:29:44Z

Compositional Analysis

← Older revision		Revision as of 08:29, 27 July 2020
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	In [[Dragon Ball Episode 1\|episode 1]], the C˚7 tonality of K-8 resolves to the F-minor of [[K-9]]: the C remains, now as the 5th in F Minor; E♭ resolves stepwise up to F (the root); G♭ resolves stepwise (half-step) down to F; B𝄫 resolves stepwise (half-step) down to A♭, which is the 3rd in F Minor. This contrast with K-9 is the reference point for the spelling of the chord as C˚7; since the tones are equidistant, the chord can be spelled several different ways.		In [[Dragon Ball Episode 1\|episode 1]], the C˚7 tonality of K-8 resolves to the F-minor of [[K-9]]: the C remains, now as the 5th in F Minor; E♭ resolves stepwise up to F (the root); G♭ resolves stepwise (half-step) down to F; B𝄫 resolves stepwise (half-step) down to A♭, which is the 3rd in F Minor. This contrast with K-9 is the reference point for the spelling of the chord as C˚7; since the tones are equidistant, the chord can be spelled several different ways.

	In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭ major triad alternating with a C major triad, proceeding to a B major triad alternating with a B𝄫 major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced in root position (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭). Therefore both K-8 and K-42 would be spelled as C˚7 in this instance.		In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭ major triad alternating with a C major triad, proceeding to a B major triad alternating with a B♭ major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced in root position (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭). Therefore both K-8 and K-42 would be spelled as C˚7 in this instance.

	In [[Dragon Ball Episode 66\|episode 66]], K-8 is followed by the end of K-42, but this time K-42 is followed by [[M16]], which is in D Minor. In this case, the A-C-E♭-G♭ spelling is appropriate: A remains, now as the 5th in D Minor; C resolves stepwise up to D (the root); E♭ resolves down to D; G♭ resolves down to F, the third. In this case, the tonality of both K-8 and K-42 is A˚7.		In [[Dragon Ball Episode 66\|episode 66]], K-8 is followed by the end of K-42, but this time K-42 is followed by [[M16]], which is in D Minor. In this case, the A-C-E♭-G♭ spelling is appropriate: A remains, now as the 5th in D Minor; C resolves stepwise up to D (the root); E♭ resolves down to D; G♭ resolves down to F, the third. In this case, the tonality of both K-8 and K-42 is A˚7.

Terez: /* Compositional Analysis */

2020-07-27T12:28:50Z

Compositional Analysis

← Older revision		Revision as of 08:28, 27 July 2020
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	Fully diminished seventh chords are transitional in nature. The tones that make up the chord are equidistant (by minor third) and therefore do not suggest any one resolution when they are out of context as this one is in K-8. They do not have to resolve at all; they can function independently as ongoing, non-resolving tension, and they can preface scenes without any music at all, as this one often does.		Fully diminished seventh chords are transitional in nature. The tones that make up the chord are equidistant (by minor third) and therefore do not suggest any one resolution when they are out of context as this one is in K-8. They do not have to resolve at all; they can function independently as ongoing, non-resolving tension, and they can preface scenes without any music at all, as this one often does.

	In [[Dragon Ball Episode 1\|episode 1]], the C˚7 tonality of K-8 resolves to the F-minor of [[K-9]]: the C remains, now as the 5th in F Minor; E♭ resolves stepwise up to F (the root); G♭ resolves stepwise (half-step) down to F; B𝄫 resolves stepwise (half-step) down to A♭, ~~the~~ which is the 3rd in F Minor. This contrast with K-9 is the reference point for the spelling of the chord as C˚7; since the tones are equidistant, the chord can be spelled several different ways.		In [[Dragon Ball Episode 1\|episode 1]], the C˚7 tonality of K-8 resolves to the F-minor of [[K-9]]: the C remains, now as the 5th in F Minor; E♭ resolves stepwise up to F (the root); G♭ resolves stepwise (half-step) down to F; B𝄫 resolves stepwise (half-step) down to A♭, which is the 3rd in F Minor. This contrast with K-9 is the reference point for the spelling of the chord as C˚7; since the tones are equidistant, the chord can be spelled several different ways.

	In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭ major triad alternating with a C major triad, proceeding to a B major triad alternating with a B𝄫 major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced in root position (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭). Therefore both K-8 and K-42 would be spelled as C˚7 in this instance.		In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭ major triad alternating with a C major triad, proceeding to a B major triad alternating with a B𝄫 major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced in root position (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭). Therefore both K-8 and K-42 would be spelled as C˚7 in this instance.

Terez: music template

2020-07-27T09:54:39Z

music template

← Older revision		Revision as of 05:54, 27 July 2020
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	{{reflist}}		{{reflist}}
	[[Category:Music]]		[[Category:Music]]
			{{music}}

Terez: correx

2020-07-26T12:34:46Z

correx

← Older revision		Revision as of 08:34, 26 July 2020
Line 28:		Line 28:
	\| first = [[Dragon Ball Episode 1]]		\| first = [[Dragon Ball Episode 1]]
	\| also =		\| also =
	\| last = [[Dragon Ball Episode 66]]		\| last = [[Dragon Ball Episode 71]]
	\| release = Unreleased		\| release = Unreleased
	\| suite =		\| suite =

Terez: correx

2020-07-26T12:31:19Z

correx

← Older revision		Revision as of 08:31, 26 July 2020
Line 46:		Line 46:
	In [[Dragon Ball Episode 1\|episode 1]], the C˚7 tonality of K-8 resolves to the F-minor of [[K-9]]: the C remains, now as the 5th in F Minor; E♭ resolves stepwise up to F (the root); G♭ resolves stepwise (half-step) down to F; B𝄫 resolves stepwise (half-step) down to A♭, the which is the 3rd in F Minor. This contrast with K-9 is the reference point for the spelling of the chord as C˚7; since the tones are equidistant, the chord can be spelled several different ways.		In [[Dragon Ball Episode 1\|episode 1]], the C˚7 tonality of K-8 resolves to the F-minor of [[K-9]]: the C remains, now as the 5th in F Minor; E♭ resolves stepwise up to F (the root); G♭ resolves stepwise (half-step) down to F; B𝄫 resolves stepwise (half-step) down to A♭, the which is the 3rd in F Minor. This contrast with K-9 is the reference point for the spelling of the chord as C˚7; since the tones are equidistant, the chord can be spelled several different ways.

	In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭ major triad alternating with a C major triad, proceeding to a B major triad alternating with a B𝄫 major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced ~~straightforwardly~~ (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭).		In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭ major triad alternating with a C major triad, proceeding to a B major triad alternating with a B𝄫 major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced in root position (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭). Therefore both K-8 and K-42 would be spelled as C˚7 in this instance.

	In [[Dragon Ball Episode 66\|episode 66]], K-8 is followed by the end of K-42, but this time K-42 is followed by [[M16]], which is in D Minor. In this case, the A-C-E♭-G♭ spelling is appropriate: A remains, now as the 5th in D Minor; C resolves stepwise up to D (the root); E♭ resolves down to D; G♭ resolves down to F, the third. In this case, the tonality of both K-8 and K-42 is A˚7.		In [[Dragon Ball Episode 66\|episode 66]], K-8 is followed by the end of K-42, but this time K-42 is followed by [[M16]], which is in D Minor. In this case, the A-C-E♭-G♭ spelling is appropriate: A remains, now as the 5th in D Minor; C resolves stepwise up to D (the root); E♭ resolves down to D; G♭ resolves down to F, the third. In this case, the tonality of both K-8 and K-42 is A˚7.

	==Usage and Variations==		==Usage and Variations==
			Below is a table of every usage of K-8 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.
	{\| class="wikitable" align="center" style="min-width:70%; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="min-width:70%; margin: 1em auto 1em auto;"
	!colspan=4\|K-8 Usage and Variations		!colspan=4\|K-8 Usage and Variations
	\|-		\|-
	!scope=col; style="width: 22%"\|~~Episodes~~		!scope=col; style="width: 22%"\|Episode
	!scope=col\|Scene		!scope=col\|Scene
	!scope=col\|Length and Variations		!scope=col\|Length and Variations

Terez: analysis draft, usage table

2020-07-26T12:00:01Z

analysis draft, usage table

@@ Line 12: / Line 12: @@
 | image         = [[File:K-8.png|300px]]
 | caption       = The saber-toothed tiger attacks.
-| key           = C˚7
+| key           = C˚7 or A˚7
 | length        = 0:07
 | catalog       = [[Shunsuke Kikuchi catalogue|K-8]]
@@ Line 35: / Line 35: @@
 ==Overview==
 ==Usage and Variations==
-==Compositional Analysis==
+{| class="wikitable" align="center" style="min-width:70%; margin: 1em auto 1em auto;"
 ==Identification==
-K-8 is given the title "Attack Of The Sabre-Tiger" on ''kenisu's Magicant'',<ref>{{Cite web|URL=https://kenisu.webs.com/dragonballbgm.htm|Website=The Suburbs of kenisu's Magicant|Title="The DragonBall BGM Daizenshuu"|Date=11 June 2008|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi|Kikuchi]]'s compositions.
+K-8 is given the title "Attack Of The Sabre-Tiger" on ''kenisu's Magicant'',<ref>{{Cite web|URL=https://kenisu.webs.com/dragonballbgm.htm|Website=The Suburbs of kenisu's Magicant|Title="The DragonBall BGM Daizenshuu"|Date=11 June 2008|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi|Kikuchi]]'s compositions. There is a misattribution (in parentheses with question marks) on [[Dragon Ball Episode 56|episode 56]] in kenisu's table; this track is not K-8.
 ==References==
 {{reflist}}
 [[Category:Music]]

← Older revision		Revision as of 02:00, 27 June 2021
Line 53:		Line 53:

	==Usage and Variations==		==Usage and Variations==
			{{further\|[[Dragon Ball Music]].}}
	Below is a table of every usage of K-8 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.		Below is a table of every usage of K-8 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.
	{\| class="wikitable" align="center" style="max-width:80%; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="max-width:80%; margin: 1em auto 1em auto;"
	\|-
	!scope=col; style="width: 30%"\|Scene		!scope=col; style="width: 30%"\|Scene
	!scope=col\|Length and Variations		!scope=col\|Length and Variations

← Older revision		Revision as of 04:33, 28 July 2020
Line 48:		Line 48:
	In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭-major triad alternating with a C-major triad, proceeding to a B-major triad alternating with a B♭-major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced in root position (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭). Therefore both K-8 and K-42 would be spelled as C˚7 in this instance.		In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭-major triad alternating with a C-major triad, proceeding to a B-major triad alternating with a B♭-major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced in root position (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭). Therefore both K-8 and K-42 would be spelled as C˚7 in this instance.

	In [[Dragon Ball Episode 66\|episode 66]], K-8 is followed by the end of K-42, but this time K-42 is followed by [[M16]], which is in D Minor. In this case, the A-C-E♭-G♭ spelling is appropriate: A remains, now as the 5th in D Minor; C resolves stepwise up to D (the root); E♭ resolves down to D; G♭ resolves down to F, the third. ~~In this case,~~ the tonality of both K-8 and K-42 is A˚7.		In [[Dragon Ball Episode 66\|episode 66]], K-8 is followed by the end of K-42, but this time K-42 is followed by [[M16]], which is in D Minor. In this case, the A-C-E♭-G♭ spelling is appropriate: A remains, now as the 5th in D Minor; C resolves stepwise up to D (the root); E♭ resolves down to D; G♭ resolves down to F, the third. Therefore the tonality of both K-8 and K-42 in episode 66 is A˚7.

	==Usage and Variations==		==Usage and Variations==
	Below is a table of every usage of K-8 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.		Below is a table of every usage of K-8 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.
	{\| class="wikitable" align="center" style="~~min~~-width:50%; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="max-width:80%; margin: 1em auto 1em auto;"
	!colspan=4\|K-8 Usage and Variations		!colspan=4\|K-8 Usage and Variations
	\|-		\|-

← Older revision		Revision as of 08:44, 27 July 2020
Line 46:		Line 46:
	In [[Dragon Ball Episode 1\|episode 1]], the C˚7 tonality of K-8 resolves to the F-minor of [[K-9]]: the C remains, now as the 5th in F Minor; E♭ resolves stepwise up to F (the root); G♭ resolves stepwise (half-step) down to F; B𝄫 resolves stepwise (half-step) down to A♭, which is the 3rd in F Minor. This contrast with K-9 is the reference point for the spelling of the chord as C˚7; since the tones are equidistant, the chord can be spelled several different ways.		In [[Dragon Ball Episode 1\|episode 1]], the C˚7 tonality of K-8 resolves to the F-minor of [[K-9]]: the C remains, now as the 5th in F Minor; E♭ resolves stepwise up to F (the root); G♭ resolves stepwise (half-step) down to F; B𝄫 resolves stepwise (half-step) down to A♭, which is the 3rd in F Minor. This contrast with K-9 is the reference point for the spelling of the chord as C˚7; since the tones are equidistant, the chord can be spelled several different ways.

	In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭ major triad alternating with a C major triad, proceeding to a B major triad alternating with a B♭ major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced in root position (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭). Therefore both K-8 and K-42 would be spelled as C˚7 in this instance.		In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭-major triad alternating with a C-major triad, proceeding to a B-major triad alternating with a B♭-major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced in root position (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭). Therefore both K-8 and K-42 would be spelled as C˚7 in this instance.

	In [[Dragon Ball Episode 66\|episode 66]], K-8 is followed by the end of K-42, but this time K-42 is followed by [[M16]], which is in D Minor. In this case, the A-C-E♭-G♭ spelling is appropriate: A remains, now as the 5th in D Minor; C resolves stepwise up to D (the root); E♭ resolves down to D; G♭ resolves down to F, the third. In this case, the tonality of both K-8 and K-42 is A˚7.		In [[Dragon Ball Episode 66\|episode 66]], K-8 is followed by the end of K-42, but this time K-42 is followed by [[M16]], which is in D Minor. In this case, the A-C-E♭-G♭ spelling is appropriate: A remains, now as the 5th in D Minor; C resolves stepwise up to D (the root); E♭ resolves down to D; G♭ resolves down to F, the third. In this case, the tonality of both K-8 and K-42 is A˚7.
Line 52:		Line 52:
	==Usage and Variations==		==Usage and Variations==
	Below is a table of every usage of K-8 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.		Below is a table of every usage of K-8 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.
	{\| class="wikitable" align="center" style="min-width:70%; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="min-width:50%; margin: 1em auto 1em auto;"
	!colspan=4\|K-8 Usage and Variations		!colspan=4\|K-8 Usage and Variations
	\|-		\|-
	!scope=col; style="width: 22%"~~\|Episode~~		!scope=col; style="width: 30%"\|Scene
	~~!scope=col~~\|Scene
	!scope=col\|Length and Variations		!scope=col\|Length and Variations
	!scope=col\|Setting		!scope=col\|Setting
	\|-		\|-
	~~\|[[Dragon Ball Episode 1]]~~		\|style="text-align:left"\|[[Dragon Ball Episode 1]]:<br>The [[Saber Tiger]] attacks [[Goku]].
	\|style="text-align:left"\|The [[Saber Tiger]] attacks [[Goku]].
	\|style="text-align:left"\|'''0:07''' (full track): The very end overlaps with the very beginning of [[K-9]].		\|style="text-align:left"\|'''0:07''' (full track): The very end overlaps with the very beginning of [[K-9]].
	\|[[File:K-8.png\|~~150px~~]]		\|[[File:K-8.png\|250px]]
	\|-		\|-
	~~\|[[Dragon Ball Episode 17]]~~		\|style="text-align:left"\|[[Dragon Ball Episode 17]]:<br>[[Yamcha]] defeats [[Large Man]] in the [[21st Tenka'ichi Budōkai]] preliminaries.
	\|style="text-align:left"\|[[Yamcha]] defeats [[Large Man]] in the [[21st Tenka'ichi Budōkai]] preliminaries.
	\|style="text-align:left"\|'''0:05''': The second bar is cut out, and the track is followed by musical silence.		\|style="text-align:left"\|'''0:05''': The second bar is cut out, and the track is followed by musical silence.
	\|[[File:K-8_17.png\|~~150px~~]]		\|[[File:K-8_17.png\|250px]]
	\|-		\|-
	~~\|[[Dragon Ball Episode 20]]~~		\|style="text-align:left"\|[[Dragon Ball Episode 20]]:<br>[[Kuririn]] defeats an opponent in the [[21st Tenka'ichi Budōkai]] preliminaries.
	\|style="text-align:left"\|[[Kuririn]] defeats an opponent in the [[21st Tenka'ichi Budōkai]] preliminaries.
	\|style="text-align:left"\|'''0:07''' (full track): The track is followed by musical silence.		\|style="text-align:left"\|'''0:07''' (full track): The track is followed by musical silence.
	\|[[File:K-8_20.png\|~~150px~~]]		\|[[File:K-8_20.png\|250px]]
	\|-		\|-
	~~\|[[Dragon Ball Episode 29]]~~		\|style="text-align:left"\|[[Dragon Ball Episode 29]]:<br>[[Goku]] is attacked by [[Giran]]'s fellows, who are easily defeated.
	\|style="text-align:left"\|[[Goku]] is attacked by [[Giran]]'s fellows, who are easily defeated.
	\|style="text-align:left"\|'''0:07''' (full track): The track is followed by musical silence.		\|style="text-align:left"\|'''0:07''' (full track): The track is followed by musical silence.
	\|[[File:K-8_29.png\|~~150px~~]]		\|[[File:K-8_29.png\|250px]]
	\|-		\|-
	~~\|[[Dragon Ball Episode 32]]~~		\|style="text-align:left"\|[[Dragon Ball Episode 32]]:<br>The [[Pilaf Gang]]'s fortress comes under attack.
	\|style="text-align:left"\|The [[Pilaf Gang]]'s fortress comes under attack.
	\|style="text-align:left"\|'''0:07''' (full track): The track is followed by [[K-42]], which is followed by [[M109]].		\|style="text-align:left"\|'''0:07''' (full track): The track is followed by [[K-42]], which is followed by [[M109]].
	\|[[File:K-8_32.png\|~~150px~~]]		\|[[File:K-8_32.png\|250px]]
	\|-		\|-
	~~\|[[Dragon Ball Episode 66]]~~		\|style="text-align:left"\|[[Dragon Ball Episode 66]]:<br>Goku reaches the [[Red Ribbon Army Headquarters]] on [[Kinto'un]].
	\|style="text-align:left"\|Goku reaches the [[Red Ribbon Army Headquarters]] on [[Kinto'un]].
	\|style="text-align:left"\|'''0:07''' (full track): The track is followed by a short excerpt from the end of [[K-42]], which is then followed by [[M16]].		\|style="text-align:left"\|'''0:07''' (full track): The track is followed by a short excerpt from the end of [[K-42]], which is then followed by [[M16]].
	\|[[File:K-8_66.png\|~~150px~~]]		\|[[File:K-8_66.png\|250px]]
	\|-		\|-
	~~\|[[Dragon Ball Episode 71]]~~		\|style="text-align:left"\|[[Dragon Ball Episode 71]]:<br>[[Bulma]] realizes Yamcha might die in the [[Devil's Toilet]].
	\|style="text-align:left"\|[[Bulma]] realizes Yamcha might die in the [[Devil's Toilet]].
	\|style="text-align:left"\|'''0:07''' (full track): The track is followed by musical silence.		\|style="text-align:left"\|'''0:07''' (full track): The track is followed by musical silence.
	\|[[File:K-8_71.png\|~~150px~~]]		\|[[File:K-8_71.png\|250px]]
	\|}		\|}

← Older revision		Revision as of 08:29, 27 July 2020
Line 46:		Line 46:
	In [[Dragon Ball Episode 1\|episode 1]], the C˚7 tonality of K-8 resolves to the F-minor of [[K-9]]: the C remains, now as the 5th in F Minor; E♭ resolves stepwise up to F (the root); G♭ resolves stepwise (half-step) down to F; B𝄫 resolves stepwise (half-step) down to A♭, which is the 3rd in F Minor. This contrast with K-9 is the reference point for the spelling of the chord as C˚7; since the tones are equidistant, the chord can be spelled several different ways.		In [[Dragon Ball Episode 1\|episode 1]], the C˚7 tonality of K-8 resolves to the F-minor of [[K-9]]: the C remains, now as the 5th in F Minor; E♭ resolves stepwise up to F (the root); G♭ resolves stepwise (half-step) down to F; B𝄫 resolves stepwise (half-step) down to A♭, which is the 3rd in F Minor. This contrast with K-9 is the reference point for the spelling of the chord as C˚7; since the tones are equidistant, the chord can be spelled several different ways.

	In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭ major triad alternating with a C major triad, proceeding to a B major triad alternating with a B𝄫 major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced in root position (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭). Therefore both K-8 and K-42 would be spelled as C˚7 in this instance.		In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭ major triad alternating with a C major triad, proceeding to a B major triad alternating with a B♭ major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced in root position (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭). Therefore both K-8 and K-42 would be spelled as C˚7 in this instance.

	In [[Dragon Ball Episode 66\|episode 66]], K-8 is followed by the end of K-42, but this time K-42 is followed by [[M16]], which is in D Minor. In this case, the A-C-E♭-G♭ spelling is appropriate: A remains, now as the 5th in D Minor; C resolves stepwise up to D (the root); E♭ resolves down to D; G♭ resolves down to F, the third. In this case, the tonality of both K-8 and K-42 is A˚7.		In [[Dragon Ball Episode 66\|episode 66]], K-8 is followed by the end of K-42, but this time K-42 is followed by [[M16]], which is in D Minor. In this case, the A-C-E♭-G♭ spelling is appropriate: A remains, now as the 5th in D Minor; C resolves stepwise up to D (the root); E♭ resolves down to D; G♭ resolves down to F, the third. In this case, the tonality of both K-8 and K-42 is A˚7.

← Older revision		Revision as of 08:31, 26 July 2020
Line 46:		Line 46:
	In [[Dragon Ball Episode 1\|episode 1]], the C˚7 tonality of K-8 resolves to the F-minor of [[K-9]]: the C remains, now as the 5th in F Minor; E♭ resolves stepwise up to F (the root); G♭ resolves stepwise (half-step) down to F; B𝄫 resolves stepwise (half-step) down to A♭, the which is the 3rd in F Minor. This contrast with K-9 is the reference point for the spelling of the chord as C˚7; since the tones are equidistant, the chord can be spelled several different ways.		In [[Dragon Ball Episode 1\|episode 1]], the C˚7 tonality of K-8 resolves to the F-minor of [[K-9]]: the C remains, now as the 5th in F Minor; E♭ resolves stepwise up to F (the root); G♭ resolves stepwise (half-step) down to F; B𝄫 resolves stepwise (half-step) down to A♭, the which is the 3rd in F Minor. This contrast with K-9 is the reference point for the spelling of the chord as C˚7; since the tones are equidistant, the chord can be spelled several different ways.

	In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭ major triad alternating with a C major triad, proceeding to a B major triad alternating with a B𝄫 major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced ~~straightforwardly~~ (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭).		In [[Dragon Ball Episode 32\|episode 32]], K-8 precedes [[K-42]], which begins on a non-functional (in other words, the spellings don't matter out of context) D♭ major triad alternating with a C major triad, proceeding to a B major triad alternating with a B𝄫 major triad, and ending on the same fully diminished 7th chord as K-8. Out of context, one might build the chord on A (enharmonic to B𝄫) with the assumption that the chord is voiced in root position (A-C-E♭-G♭), but K-42 is followed by [[M109]], which is also in F Minor. In functional harmony, the A cannot resolve downward to the A♭ in F Minor; the stepwise resolution must be represented by a letter change (B𝄫 to A♭). Therefore both K-8 and K-42 would be spelled as C˚7 in this instance.

	In [[Dragon Ball Episode 66\|episode 66]], K-8 is followed by the end of K-42, but this time K-42 is followed by [[M16]], which is in D Minor. In this case, the A-C-E♭-G♭ spelling is appropriate: A remains, now as the 5th in D Minor; C resolves stepwise up to D (the root); E♭ resolves down to D; G♭ resolves down to F, the third. In this case, the tonality of both K-8 and K-42 is A˚7.		In [[Dragon Ball Episode 66\|episode 66]], K-8 is followed by the end of K-42, but this time K-42 is followed by [[M16]], which is in D Minor. In this case, the A-C-E♭-G♭ spelling is appropriate: A remains, now as the 5th in D Minor; C resolves stepwise up to D (the root); E♭ resolves down to D; G♭ resolves down to F, the third. In this case, the tonality of both K-8 and K-42 is A˚7.

	==Usage and Variations==		==Usage and Variations==
			Below is a table of every usage of K-8 in ''[[Dragon Ball (anime)\|Dragon Ball]]''.
	{\| class="wikitable" align="center" style="min-width:70%; margin: 1em auto 1em auto;"		{\| class="wikitable" align="center" style="min-width:70%; margin: 1em auto 1em auto;"
	!colspan=4\|K-8 Usage and Variations		!colspan=4\|K-8 Usage and Variations
	\|-		\|-
	!scope=col; style="width: 22%"\|~~Episodes~~		!scope=col; style="width: 22%"\|Episode
	!scope=col\|Scene		!scope=col\|Scene
	!scope=col\|Length and Variations		!scope=col\|Length and Variations