Soppa Saia People wrote:
I will always associate this avatar with that guy who was trying to go to Toriyama's house.
I am sorry, I don't get what you mean?
This guy was going to Japan with a couple of his buddies, and he planned on visiting Toriyama, despite the fact that everyone was telling him Toriyama is a very private man, this guy insisted on bringing some wine.
When did this happen, I have no Idea who you are referring to here..
Any links to this guy's thread about this if he had one
The Lord moves in mysterious ways but you don't have to. Please use your blinker
Ki Breaker wrote:
I am sorry, I don't get what you mean?
This guy was going to Japan with a couple of his buddies, and he planned on visiting Toriyama, despite the fact that everyone was telling him Toriyama is a very private man, this guy insisted on bringing some wine.
When did this happen, I have no Idea who you are referring to here..
Any links to this guy's thread about this if he had one
Soppa Saia People wrote:
This guy was going to Japan with a couple of his buddies, and he planned on visiting Toriyama, despite the fact that everyone was telling him Toriyama is a very private man, this guy insisted on bringing some wine.
When did this happen, I have no Idea who you are referring to here..
Any links to this guy's thread about this if he had one
What happened after that! The world needs to know dammit!
I read it all, I need to know what happened afterwards.
悟 “Vincit qui se vincit”
What I consider canonical
Spoiler:
Dragon Ball Manga
Jaco: The Galactic Patrolman
Yo! Son Goku and friends return
Battle of Gods and Resurrection “F”
Dragon Ball Super Manga + Movies
Lore from Toriyama
Dragon Ball DAIMA
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
dbzfan7 wrote:I need avatars of the best thing ever!
[spoiler][/spoiler]
Awesome. What about one more that's shifted over the left, to get the tails in.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
