rereboy wrote:
Its so hard ignoring the specials instead of just letting the people who rather have them than an hiatus just have them, right?
Its quite literally the same thing for you, the specials not existing or you completely ignoring the specials, but you still prefer to have them not exist because you don't care at all with those that would rather have the specials than the hiatus, just with what you prefer, even if it makes no difference to you.
Well, see, Salagir actually cares a bit so he gives the audience something to keep them entertained instead of an hiatus and he just figures that those who don't like the specials will just ignore them and read just the main chapters instead. But you fault him for that. Hm...
Btw, as great as who wants to be a super hero is, its a pure comedy. Its amazing, but it hardly works as something that could be an official sequel to dragon ball, unless they wanted to drastically change the shonen nature of Dragon Ball which simply won't happen. I love that fan comic but I don't let myself be blinded by how much I like it regarding that fact.
Also, you are completely forgetting that if DBM was adapted/reduced drastically to just the things that what you find great about it, it would be like one of those incomplete/short fan comics that you are praising. See, my point is that is significantly easier to have a short unfinished comic that is great because it uses a couple of great ideas and doesn't even finish than an actual long comic that is long and developed and actually goes somewhere and tries to finish it. But, once again, you fault Salagir/DBM for that.
Honestly, I believe your whole post was just talking about this stuff emotionally without thinking rationally about it and what's behind each comic. But whatever you say.
Hey if they want to churn out turds just cause people can't be fucking patient and wait for something good, fine. There call. It's like being told to be grateful that Toriyama did Dragon Ball Minus or to just ignore it as it's so small. Not how it works. Specials as well as minus are part of the stories. They are supposed to explain back stories, so ignoring them leaves things ambiguous. If I ignored say the Hildegarn special I would have no clue as to why Tapion and Hildegarn are even fighting together. You seem like one of those people who's like "blah blah blah be grateful you get anything, blah blah blah everything is perfect"
I do not see the merit of adding something to a storyline if it isn't good? It's like if Toei started churning out Tv specials for Dragon Ball every 4 or 6 months, and they all turned out mediocre to crap. Would you really want that? Would you want toei to produce a special for say the Daimao past if the result would be terrible? Specials should feel like a great addition to a story. Specials most of the time here are padding nonsense. Of course I'm going to fault Salagir or whoever for them as they are not well thought out. If he cares to do something over something with quality it's his call. Doesn't stop me from enjoying in either a good, or it's so shit it's funny way. I win either way.
It's the only story which I believe could be a special placed during the 10 year gap. I believe it'd fit just like the YSGAFR special. It'd also give Piccolo, Vegeta, and other people screen time in a story that's not just about bad guy want planet go boom or something evil must be combatant.
DBM's problem is it's lack of focus. Can you imagine any of the Tenkaichi Budokai's in Dragon Ball being written like it? The tournaments always focused on our heroes and the villains if there were one in the tourney. In DBM they have the ambitious idea to spread the focus all over the place to the point where the story has to accommodate way too many people. The specials I believe should cover the extra people so the main story can focus on our heroes in the tournament while giving some time to some of the other important players in the story. As of now it works kind of like a random episode day of say The Simpsons. If you don't like a Lisa Episode, too fucking bad that's what this whole fight, round, or special is while the people you know will more than likely have nothing interesting to say or do. The core of Dragon Ball has always been about Goku and Friends, this series goes far beyond it which is good and bad. Good in the sense it shows some villains perspective and other characters, bad as in we have no real core characters to follow. I'm not invested in anyone of our heroes as nothing they're doing is important and they hardly seem important to the story at all.
Skar wrote:dbzfan7 wrote:I'd rather discontinued or unfinished good fan comics then one with fantastic art, but a fluctuating story between good, bad, awful, and mediocre.
I honestly don't know what's so awful or mediocre about it. In my opinion DBM is one of the most creative and original fan comic. It's one of the few comics I've seen that has any suspense. The only questions I find myself asking when reading other fan comics is "I wonder what previous villain the next villain will be based on?" or "will the next villain be defeated with a new SSJ transformation, fusion, or a different new power-up that remind some of an old power-up?". If DBM was the usual GT sequel then would you consider it less awful or mediocre?
Excluding the logic of some specials, continuity choice, and some other problems as I'd like to stick to my big kicker. The story is the biggest problem for me. I am not the least bit invested. I don't give a fuck about any of the characters as they are mostly doing nothing important or there is no conflicts. DBM being just a fan service manga to have characters fight other characters is when DBM does it's basic job right, but as a story it fails. It has interesting ideas and suggestions that something is going on behind the scenes, however it doesn't just give us something of a conflict beforehand to enjoy. All the Dragon Ball TB's had me care about the conflicts as well as the dilemma's. In DBM they aren't nearly as prominent, and when they are it's usually from someone we barely know.
The main comic would have the same quality regardless since the main artists don't contribute to the specials. Unlike most filler the specials do sometimes give us some backstory on the competing universes. Yeah they are drawn out but a person who doesn't like the specials could easily skip over the entire chapter. I think that's better than how it was in the anime where the filler was buried within the main story episodes and it had fluctuating animation quality. The only way to skip that kind of filler would be to edit the episode and cut it out yourself...or wait many years later for Kai

. Even then you notice how inconsistent the animation quality was. It would've been better if ALL the filler was put into side-story sagas like Garlic Jr saga or the Other World Tournament saga so that you could easily skip them. Have the best artists work on the main manga episodes and give the filler sagas to the less-than-great artists.
I pointed this out but the specials do explain things that are more than likely to come up in the main story. I skip them in the sense I won't follow page by page, but not in the sense to not see if there's something I need to know for later (Like Hildegarn/Tapion) or Gast. Hey if Salagir buts in bold "
WILL NOT BE MENTIONED IN MAIN COMIC" I'll gladly skip over it even if it falls into the same category as something like Minus and being a waste of talent.