Skar wrote:Tzigi wrote:But in the end they always get a full scenario by Salagir - only it may be influenced by their likes and dislikes. So if an artist wants to draw a fight and not include much info, then yeah, they draw that - and the problem is that sometimes they make them longer then we, readers would like (the fights aren't always described panel-by-panel in the scenario so that the artist can fit them best to his style and sometimes it results in their increased length).
I see. Has there been a time when Salagir told the artist that the fighting was too long or that it didn't meet the storyline he asked for? I imagine it would be hard to ask those artists to redraw the entire chapter for free if they were told it wasn't good enough the first time.
Now that's something I don't know - I have spoken with Salagir about many topics but only for one weekend and we didn't get into such detail. Also (as far as I know) the situation in question happened once - with the infamous "Cell slaughters everybody" special chapter.
dbzfan7 wrote:
Skar is the only good person here who's got somewhat involved in the conversation. He ain't making shitty excuses. He likes the comic for what it is and that's fine. He understands the issues, but unlike you he doesn't give such a dumb production excuse so that it's no big deal to have poor story. STORY is KEY to a good comic. In fact it's THE most important thing that I'd classify it over the artwork. Artwork is important too as appealing pictures draw people in, but DBM has got that down for the most part. You have a point in telling people to stop beating a dead horse repeating the same problem, but it's THE most important problem. Without fixing this all you have is pretty pictures and some fan service. That doesn't make a good comic to me and some other people here.
Just what? I have nowhere stated that DBM has poor story - and neither that it is so because of production schedule. Those things are completely unrelated: the story was created way back before Salagir ever found Gogeta Jr. If you want to know a bit of DBM's history, here it is: in around 2004-2005 Salagir created
Supafan - a website that was meant to serve as a gallery for mainly DB-related artwork. The idea was (among other things) to find an artist to collaborate on one of Salagir's two webcomic DB-related ideas: a serious one that would include a multiverse tournament (so the thing we know as DBM) or a cross-over parody (what has become
Super Dragon Bros Z by the cartoonist of the first Bojack special - yes, the so hated "psycho" one). A talented artist (Gogeta Jr) has later joined Supafan and started uploading a generic "GT replacement" fanmanga (
Dragon Ball, L'aventure continue !). Salagir has contacted him and proposed the two ideas. Gogeta Jr like the serious one better and so DBM was born. So yeah, the story has nothing to do with schedule. It has been planned well before Salagir ever knew he would find somebody to draw it.
Now about the production schedule: what I said was that planning the specials so that they would fit within the main plot is impossible if one wants to follow the schedule - so nothing about their quality. It's impossible to make someone finish their chapter and most cartoonists don't like time constraints (also one has to bear in mind the possiblity of spoilers - so only trusted people get the main story [there were some accidents in the past with DBM leaks]) and they take a very long time to finish their chapters. So keeping the 3-times-a-week schedule (that's enormously important to Salagir) would never be a sure thing - unless Salagir asked several different artists to draw each chapter in hopes that some of them will manage to do it in time.
Do you see the difference now?
As for the story itself: I, for once, love DBM for its story. Art is a nice addition but I love what Salagir has done:
- he has created a coherent universe (I love such things - words cannot describe how I despise Disney for destroying the Expanded Universe of Star Wars for example) trying to fit in as many parts of the franchise as humanely possible - for example I wish I could reprint my volumes of DB manga to include the Brolly remakes
- he has based it upon the manga and not upon the guidebooks - an enormous plus for me - the DB guidebooks always seemed to me poorly supervised and contradictory
- the DBM world has an actual chronology that matters! Not like the official manga and anime were everything just gets assigned random dates and the guidebooks try to make some sense out of it. DBM has history, everything is laid out with dates and so on - don't believe me? Try rereading the first pages of the specials and the whole of u1 and u3 specials.
- the DBM story keeps me wanting to know more and more - there are so many interesting threads to follow (Bardock's visions, XXI, u4 Buu, differences between universes - especially the universe 9) and even more can be found in the "official fanfic"
dbzfan7 wrote:
Super Cold, InvinciBroly, dumbass Babidi, Mary Hanassia, Namek stretch, Potara nonsense, random power up like any other stereotypical fan manga
- Super Cold - I don't quite see the problem. I just reread the relevant part of volume 28 and there's nothing indicating:
a. that Cold is weaker then Freeza
b. that he can't transform (even if he could, he died so suddenly that there was no way to know)
- InvinciBroly - just how much longer are people going to agonize over a character that is long absent from DBM and has perfectly served its purpose: attracting readers. The idea to start the fanmanga
in medias res with Vegetto fighting somebody necessitated a strong character -
whom would you chose? Vegetto is in the manga the ultimate fighter (so his opponent had to be in some ways powered-up - it couldn't be an OC since that wouldn't attract the readers [both fighters had to be recognizable] and there's nobody in the manga who could oppose him). And, mind you, this form was stated to kill its user very fast - so InvinciBroly was in fact fastdyingBroly and definately not a Creator's Pet (Salagir doesn't like the character [he likes Piccolo most of all] - the "he's cool" quote meant precisely this: "many DB fans think Broly is cool so I will use it to promote DBM")
- dumbass Babidi - with that I agree but I still have to see a convincing way of explaining why the Future universes weren't conquered by Babidi using Fat Buu
- Mary Hanassia - a Mary Sue that appears in the staggering number of 4 (actually 2 - if one discounts her appearances as Raichi's ghost - oh, sorry, she might also be somewhere on the
huge page with all the Saiyans as Raichi's ghosts but, ooops, her possible presence isn't even acknowledged in DBM's dialogue) out of 44 DBM's chapters? That seems kind of against the idea of a Mary Sue.
- Namek stretch - and what should that be?
- Potara nonsense - again: there are no rules to the Potara stated in the manga. Guidebooks don't count for DBM. So where's the problem with inventing one's own rules for them?
- random power up like any other stereotypical fan manga - which canon character receives a "random power up"? U18 Pan? It's quie plausible that she has the potential to become SSJ. U18 Vegeta? He is several times stated to have something new up his sleeve - but we still haven't seen this "random power up" of his. Other canon characters had no random power ups (also who receives any real power up? U16 Bra follows in the lamarckian footsteps of Gohan, Trunks and Goten, Gast develops the idea of enormous power-level changes brought about by the Namekian fusion, King Cold simply does what his son has done in the manga. Any other controvertial character that I have forgotten?). Also there are no nonsensical further SSJ levels - earlier you have mentioned among other titles DBEX and DBNA as series with "an actual storyline" so what you're going to say about the inclusion of completely and blatantly foreign to manga canon SSJ5 in those series?