Scarz wrote:Malik, stop. People are asking me for lewd art of possessed Bra (with Vegeta).
OMG are you serious?! XD
I wish I was. I had quite a few people ask me if I've read your fan manga. Once I said I did, the requests for "evil" Bra just came rolling in. Be proud, you know you're doing something right when people want rule 34 of your work.
As weird as it is, it does make me kinda proud lol Aladjinn doesn't really care about form or gender so Vegeta WOULD technically be fair game XD
Sorcerer and warrior? DB version of Shang Tsung or Quan Chi Now, if he could create revenants, Dragon Balls won't be needed
My Twitter: @kamil198811
Bulma fan
Thanks to Discotek:
Magic Knight Rayearth get DVD release in 2015 and Blu-Ray release on 2016
Saint Seiya: The Lost Canvas get DVD release in 2015
I'm confused here. So in terms of Ki, Piccolo is weaker than Gohan. But in terms of Reiki, he's obviously much stronger. So what you're saying is that Reiki is everything that's important, am I right?
Doctor. wrote:I'm confused here. So in terms of Ki, Piccolo is weaker than Gohan. But in terms of Reiki, he's obviously much stronger. So what you're saying is that Reiki is everything that's important, am I right?
I love that chibi Aladjinn, whole page is ike straight off from Toriyama DB chapter covers
Last edited by coola on Sun Aug 23, 2015 5:40 pm, edited 1 time in total.
My Twitter: @kamil198811
Bulma fan
Thanks to Discotek:
Magic Knight Rayearth get DVD release in 2015 and Blu-Ray release on 2016
Saint Seiya: The Lost Canvas get DVD release in 2015
So Piccolo can use sorcery to boost his power beyond what he can physically be capable of?
When someone tells you, "Don't present your opinion as fact," what they're actually saying is, "Don't present your opinion with any conviction. Because I don't like your opinion, and I want to be able to dismiss it as easily as possible." Don't fall for it.
How the Black Arc Should End (by Lightbing!):
Spoiler:
Absolute Zamasu(my name for their fusion) wins. He fulfils his utopia and dwells in his loneliness(x amount of time for this to happen). He starts to doubt of his achievements, Goku's body influences him to seek out challenges but there's nothing. Perfection becomes a curse. Absolute Zamasu starts to dread his existence and presents himself to the Omni-King, detailing on his actions.
Using his powers the Omni-King restores everything to the moment before Goku and Vegeta perish, humanity's last barrier. Zamasu concedes. He ask for forgiveness(mainly to Goku, Gowasu and Trunks) and understands that his justice isn't justice at all. He asks for judgement and the Omni-King delivers.
Trunks is forced never to travel in time ever again, all the time-machines are destroyed.
Excellent! *om nom nom* but seriously, lots of interesting can be done with having a sorcerer on the side of the guys. Could add some nice diversity to the move set which is something DBs always seriously lacked in comparison to its successors in the field of Shonen.
When someone tells you, "Don't present your opinion as fact," what they're actually saying is, "Don't present your opinion with any conviction. Because I don't like your opinion, and I want to be able to dismiss it as easily as possible." Don't fall for it.
How the Black Arc Should End (by Lightbing!):
Spoiler:
Absolute Zamasu(my name for their fusion) wins. He fulfils his utopia and dwells in his loneliness(x amount of time for this to happen). He starts to doubt of his achievements, Goku's body influences him to seek out challenges but there's nothing. Perfection becomes a curse. Absolute Zamasu starts to dread his existence and presents himself to the Omni-King, detailing on his actions.
Using his powers the Omni-King restores everything to the moment before Goku and Vegeta perish, humanity's last barrier. Zamasu concedes. He ask for forgiveness(mainly to Goku, Gowasu and Trunks) and understands that his justice isn't justice at all. He asks for judgement and the Omni-King delivers.
Trunks is forced never to travel in time ever again, all the time-machines are destroyed.
Aladjinn saga continues to baffle me. Questions 1,4,and 5 seem like PIS especially question 5.
1.What's stopping Piccolo from using magic hax on non magic users?
2.How is Piccolo a Sorceror instead of a Wizard? he was never shown to have an innate talent of Magic unless you count him fusing with Kami but even then I don't think the Dragon Clan Are born knowing how to make Dragon Balls.
3.Are Babidi/Bibidi's (Wizard),Guru's (Sage Namek), and Buu's (Son of Aladjinn) reiki also off the charts?
4.There's an on and off switch to sense Reiki?
5.How did Dabura managed to trap Aladjinn, If Aladjinn does have the 3 Omnis when at his prime then how come he didn't notice Dabura planning something?
Last edited by Helios518 on Mon Aug 24, 2015 7:33 pm, edited 1 time in total.
ekrolo2 wrote:So Piccolo can use sorcery to boost his power beyond what he can physically be capable of?
Get this man a muffin
I thought it was more of a kryptoniteish kinda thing, where his attacks are just far more effective on guys like Aladjinn, rather than it boosts his power up ridiculously. I thought that was the point of the conversation above saying while Piccolo is super strong, he's not overwhelmingly so. It's his abilities which are critical here.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
ekrolo2 wrote:So Piccolo can use sorcery to boost his power beyond what he can physically be capable of?
Get this man a muffin
I thought it was more of a kryptoniteish kinda thing, where his attacks are just far more effective on guys like Aladjinn, rather than it boosts his power up ridiculously. I thought that was the point of the conversation above saying while Piccolo is super strong, he's not overwhelmingly so. It's his abilities which are critical here.
The point was that Gohan only understands normal power but this normal power that did not even surpass his own was not what Piccolo used as secret weapon. Not only at least. It is like when you think you are tronger than someone but he is stronger in something you did not think of. It is very good against Al, but also another strong type of power. At least logically it seems so.
"Citation needed."
"too lazy
feel free to take it with grain of salt or discredit me altogether, I'm not losing any sleep"
Cetra wrote: The point was that Gohan only understands normal power but this normal power that did not even surpass his own was not what Piccolo used as secret weapon. Not only at least. It is like when you think you are tronger than someone but he is stronger in something you did not think of. It is very good against Al, but also another strong type of power. At least logically it seems so.
I kinda got my idea from basically when Goku and Aladjinn fought. Some attacks Aladjinn used were so much more effective on Goku, despite them being equal. So I kinda think and still kinda do that Piccolo has the same thing. He's much weaker than Aladjinn, but he has powers which are far more effective against Aladjinn. I don't think Piccolo's new power would allow him to move as fast or be as powerful as SSJ4 Grade 2 as we saw before. Or maybe it really does make him that strong, I dunno.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.