Jump to content

Chinese Influences in Dragon Ball

From Kanzenshuu Dragon Ball Wiki
Revision as of 21:37, 24 January 2021 by Terez (talk | contribs) (base page)
(diff) ← Older revision | Latest revision (diff) | Newer revision → (diff)

This page covers several areas of Chinese influence in Dragon Ball, whether in Akira Toriyama's original manga or in its various adaptations, continuations, and spin-off works.

Story

Characters

Languages

Music

Every Dragon Ball composer has written music that deliberately invokes Chinese traditional music, often in the stereotypical manner of the Western classical tradition, up to and including 20th century film music. These stereotypes include parallel perfect fourths and fifths, pentatonic movement, and imitations of traditional Chinese instruments using Western instruments or sound synthesis.

Shunsuke Kikuchi

Below is a table of Shunsuke Kikuchi's Chinese-style compositions, their parallel diatonic tonalities, and their stereotypes.

Shunsuke Kikuchi's Chinese-style Dragon Ball works
Kanzenshuu
Catalogue
Official
Catalogue
Tonality Chinese elements Debut Release
K-2 H4 D Minor pentatonic melody, instruments Dragon Ball Episode 1 Daizenshuu 2:7(d)
K-3 H3 pentatonic melody, parallel fourths Daizenshuu 2:7(c)
K-225 K-225 pentatonic melody, parallel fourths, instruments Dragon Ball Movie 1 Unreleased

External Links

Notes

References