Damn, you had to quote me before I fixed my screw up ;pNeptuneKai wrote:Fuck that shit I liked it better when Toriyama didn't even think of it yet, when he finally conjured the idea up in his mind it just sucked hard!
-Corey
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Fuck that, when Wu Cheng'en scribed the story "Journey to the West" knowing that it would be the base of a multi-million dollar franchise centuries later that shat all over it.NeptuneKai wrote:Fuck that shit I liked it better when Toriyama didn't even think of it yet, when he finally conjured the idea up in his mind it just shat all over it.MajinVejitaXV wrote:Fuck yes. And fuck the anime too for that matter, the series was 100,000x better when I read Toriyama's mind. Putting it on paper just shat all over it.Rocketman wrote:I think it's because I never got into the anime, which was in turn because the anime sucked. Not the music, not the voices, but the anime itself. Screw 'magic', Toei shat all over Dragonball far worse than FUNi did.
-Corey
*stares*MajinVejitaXV wrote:Fuck yes. And fuck the manga too for that matter, the series was 100,000x better when I read Toriyama's mind before he wrote it. Putting it on paper just shat all over it.
-Corey
So...exactly what I said?Kunzait_83 wrote: That “intrinsic” quality you mentioned is something I’ve argued in favor for constantly against people who claim that the edits/script rewrites/bad acting/bad replacement music were all completely 100% necessary for DBZ to have been a success in the U.S. when all they prove is that it really DOESN’T matter what you do with it. Give it sub-porn quality acting, dialogue, and music (which FUNimation did), and people will still love it unconditionally in spite of it because the show itself is just THAT damn magnetic.
And so, good for you. You were lucky. Bootleg VHS tapes weren't exactly universally distributed, some people didn't have the same choices. And you know, you probably didn't know what you were going to get in those tapes when you bought them. You just knew, hell, they'd have Dragonball footage and it'd be in Japanese with the original music and everything.Everyone's Favorite Ranter wrote:Ahem. My VHS subtitles were many things, but “swear-filled” certainly wasn’t one of them. Anime labs weren’t the ONLY guys subtitling this series back in the old days you know.
Exactly. You're going to buy it, you're going to watch it. Even if your current mindset would certainly call it sub-par at the very best, you are willing to purchase the DVD box set of this apparently bad cartoon. Look at adults who got up in arms upon hearing that Cookie Monster had taken up eating vegetables, even though they hadn't actually WATCHED the series in up to 20-40 years for somewhat obvious reasons.Kunzo Ochenta y Tres wrote: Yeah there’s nostalgia… but even STILL…
I loved Masters of the Universe, the OLD Masters of the Universe cartoon, unconditionally as a 4 year old. Flash forward to now, and yeah, there’s still a great deal of nostalgia attached to it for me, but in spite of that cartoon meaning the world to my inner 4 year old, my adult mind is still NOT gonna argue with anyone that it’s in any way a “good” cartoon, cause it’s simply not. Its complete dogshit to my or anybodies present day sensibilities.
Yeah I (along with many others in my age range who remember it fondly) plan on buying the DVD boxsets for it at some point down the road cause the nostalgia’s still there and my inner 4 year old hasn’t died… but do I even remember things like the BGM (not the theme song; the BGM)? Do I still “rock out” to it today? Does anybody? Hell no. The style in which typical U.S. cartoons were created usually entailed cheaply produced, mind numbing, generic “action” music blathering on endlessly in the background. And the Faulconer music for DBZ comes from this very same school of music.
I offer a different potential reason. Anime fans seem to get swept up into fads fairly easily. Why are there fans of Naruto? One Piece? Their dubs aren't exactly perfect. But as mainstream interest fades in shonen properties, the anime "snobs", those that hate anything "mainstream", are all that left. You know, the ones who call the current giant fanbase "Narutards". The "it sucks if it becomes popular" voice is strong in the anime community, and they hold that grudge long after the wave has receded.Kunz-bear wrote:And I’m certainly not alone on this; why do you think it is that so many of the younger anime fans that the DBZ dub helped to create often “leave DBZ behind” when they see other (better dubbed) anime and “realize” what a piece of shit it supposedly is?
So again, what I just said. With more words, and from the point of view of someone who NEVER liked the dub.Ranty Kunzy wrote:That the show is still around and still relatively in the mainstream consciousness and still selling DVDs is a testament to the “intrinsic” quality of the show itself, not the lameass U.S. production quality weighing it down from achieving possibly even MORE widespread appeal than it already has.
It's impossible to evaluate this with any form of logic, because it's an emotion-based reaction that happens to surface after many years of enjoying the property. But I do have this to offer, the second Funi intro at least doesn't offer horrible lyrics. It is a cheap action tune made to "pump up" the audience for the action in the series. This was Funimation's goal, and as far as this is concerned, I don't think they did too badly. Rock the Dragon, even, is catchy to a 10 year-old in the "repetitive nonsense with a rock beat" action cartoon way. While, yes, the Japanese openings are FAR superior, the Funimation openings aren't considered by most to be bad for what they are trying to be. Yes, they shouldn't be trying to be that. This is true. But that is irrelevant to the younger set who haven't seen the series yet, and it's loud and captures attention.Kunzait_83 wrote:So let me submit this query; let’s say the tables were reversed and say it wasn’t Faulconer who scored the Z dub; let’s say it was Menza who scored the Z dub from the getgo. By your rationale, because it would therefore now be the music to the series as tons of kids were first exposed to it instead, people would thus be hailing THAT score as bitchin’ tunes, and the rap intro would be the one getting defended from the purists by the nostalgia crowd.
Possibly not.Kunzait_83 wrote:But if those were the intros that FUNi used for the North American markets, and those were what you first saw and heard as your first exposure to Dragon Ball… would you still be so willing to make fun of them and call them for what they are, which is rubbish, just as you do now? Really, anyone who may be reading this and who will be quick to mock another country’s shitty dub of the series but will jump to FUNi and Faulconer’s defense at a moment’s notice; dig deep and ask yourself that question.
Put it this way; when have you ever found yourself hailing the amazing score of a horrible series or film? Further, when do you go out and buy the soundtrack to a film you hated? You wouldn't really be a FAN of the soundtrack so much as you would feel the soundtrack was the only redeeming quality anyway. In this regard, I feel your logic is faulty.Kunzait_Eighty-Three wrote: Put it this way; let’s say Faulconer’s score were the score to some regular generic U.S. made action cartoon from the 80’s (which it EASILY could’ve been). Would it still have the same sized fanbase it has today without Dragon Ball there to prop it up? Honestly?
Ha ha ha ha haaaa!!!Commander_Red wrote:The "singing" totally ruins this in places http://www.youtube.com/watch?v=1Qk4dDFz ... re=related
With One Piece at least, pretty much all its popularity in America stems from people downloading fansubbed Japanese anime episodes and scanslations of the manga. The soul-rendingly awful 4Kids dub probably did more to hurt its popularity here than anything else, and the Funi dub hasn't been around enough to change much, and is probably too little too late. Not to mention that both English dubs and Viz's release of the manga are comically far behind their Japanese counterparts. So anyone wanting to get into One Piece has to rely on things besides the dub(s).Super Ghost Kamikaze wrote:I offer a different potential reason. Anime fans seem to get swept up into fads fairly easily. Why are there fans of Naruto? One Piece? Their dubs aren't exactly perfect.
That sounded like a terribly bad karaoke version.Daburcor wrote:Ha ha ha ha haaaa!!!Commander_Red wrote:The "singing" totally ruins this in places http://www.youtube.com/watch?v=1Qk4dDFz ... re=related
That one was AWESOME! Ha!
Journey to the West, chapter 26 wrote:The strong man will meet someone stronger still:
Come to naught at last he surely will!
Zephyr wrote:And that's to say nothing of how pretty much impossible it is to capture what made the original run of the series so great. I'm in the generation of fans that started with Toonami, so I totally empathize with the feeling of having "missed the party", experiencing disappointment, and wanting to experience it myself. But I can't, that's how life is. Time is a bitch. The party is over. Kageyama, Kikuchi, and Maeda are off the sauce now; Yanami almost OD'd; Yamamoto got arrested; Toriyama's not going to light trash cans on fire and hang from the chandelier anymore. We can't get the band back together, and even if we could, everyone's either old, in poor health, or calmed way the fuck down. Best we're going to get, and are getting, is a party that's almost entirely devoid of the magic that made the original one so awesome that we even want more.
Kamiccolo9 wrote:It grinds my gears that people get "outraged" over any of this stuff. It's a fucking cartoon. If you are that determined to be angry about something, get off the internet and make a stand for something that actually matters.
Rocketman wrote:"Shonen" basically means "stupid sentimental shit" anyway, so it's ok to be anti-shonen.
Well, was I wrongKunzait_83 wrote:Easy there Tonto. I’m keeping this next bit short, sweet, and to the point.SSJ2bardock wrote:Uh-oh, brace yourselves for a Kunzait essay explosion everyone!
( ducks under the table )
[Sabat pwnage]omegacwa wrote: I understand you don't like the English dub, but you are flat out nuts apparently and blinded by your love for the Japanese version.
I almost forgot to quote that zinger right there.Kunzait_83 wrote:And when it comes to fight scenes, you can also add flamingly homoerotic to that list.
I think we're talking about a different set of people, then. I am talking about people who may say "You know, this theme really isn't as bad as, say, the Portrugese one. It has a catchy tune, in the stupid cartoon way" sort of person. I think that mentioning this kind of person was within the realm of reason, because I am fairly sure you said you didn't know how ANYONE could consider it to be anything but the same as the GT rap. I don't MIND the theme song. I kinda enjoy it on a very base level. Sure, the originals outweigh it and I can't stand changing the actual BGM, but the title song doesn't grate on me.Mr. Kunzait the Music Critic wrote: Yes I am willing to buy it and watch it out of nostalgia, but your missing my point; my point wasn’t that I particularly give a shit whether or not people pop in the DBZ dub and give it a watch cause they have fuzzy childhood memories of it (I don’t of course). What DOES baffle me is when a lot of those people will go to great lengths to defend stuff like the Faulconer score as some sort of unappreciated masterpiece of artistry.
...
Again, I’m all for nostalgia for bad shit people liked as kids; I’m as guilty as the next guy. I draw the line however at building them up to unrealistic and just plain dishonest standards of quality. There’s NOTHING wrong in the least with still liking crappy cartoons or crappy music from your childhood, so long as one isn’t divorced enough from reality that they don’t recognize them as… crappy cartoons and crappy music.
This is quite possible. I could simply be out of touch. I'm honestly not "in" the anime fan community anymore. It has definitely driven me out. In any case, I doubt any further arguments would really do either of us much good(and I use the word "arguments" in the most civil way possible), because we simply can't poll the minds of the general fan community. Whatever the case, I do find it to be interesting that there is a trend towards bashing popular Shonen series, and I just can't be sure that it is confined completely to the Dragonball franchise. Perhaps this is just within the circles that I could no longer stand.Mr. Kunzait the Negotiator wrote:I think there’s a miscommunication at work here.
Your point was that the music would have no merit without Dragonball to back it up, yes? My counterpoint would be that no soundtrack really is considered great without relation to its related source material. Also, again, we seem to be talking about different sets of people. The set you are talking about seem to be rabid Faulcner fans. I am merely referring to those who may, for one reason or another, not MIND the Faulcner track.Mr. Kunzait the Reiterator(No That's Not A Real Word) wrote: The overarching point of most of my above post(s) on this matter and how they pertain to the thread topic at hand (making fun of bad intros for bad foreign dubs of the show) can be best summed up with this excerpt;
Mr. Kunzait the Self-Quoted wrote:I’m just trying to make people who are quick to mock other terribly produced dubs, but not their own pet terribly produced dub just because one’s from another country and the other is the one they grew up on, think twice before committing to something of an unfair double standard.
If the French dub or the Portugese dub can be considered fair game for ripping on, then the FUNi dub by all rights belongs in their company just as much, because basically it’s just another in a long, long line of cheaply made foreign dubs for this show, one that’s no more innocent of reducing it to utter laughable cheesiness than the others are.
Thank you. =)Kunzait the Compliment Guy wrote:P.S. The nicknames were a cute touch.
afdjafs wrote: 50 times. You type a lot. I respect this, but it gets annoying to quote.
Uh, yes they do. All he did was slap on various bad accents/caricature voices. :/omegacwa wrote:Ok, dude, Yamcha, Zarbon, Jheese, Grandpa Gohan, Burter, Korin, Mr. Popo, Guru, Kami and numerous others do not sound like "Grunting Moron". And I personally don't think his later Piccolo or Vegeta do either.
Joice!! Not sure why Jheese had an Australian accent.Jerseymilk wrote:Uh, yes they do. All he did was slap on various bad accents/caricature voices. :/omegacwa wrote:Ok, dude, Yamcha, Zarbon, Jheese, Grandpa Gohan, Burter, Korin, Mr. Popo, Guru, Kami and numerous others do not sound like "Grunting Moron". And I personally don't think his later Piccolo or Vegeta do either.
Because Sabat was trying to imitate Scott McNeil who for some odd reason, originally gave Jheese a Liverpool accent(I swear that man's on drugs >>). Sabat obviously was incapable of getting it right and ended up sounding like he was Australian. Just goes to show sometimes, it's best not to try and be a carbon copy.SSJ2bardock wrote:Joice!! Not sure why Jheese had an Australian accent.Jerseymilk wrote:Uh, yes they do. All he did was slap on various bad accents/caricature voices. :/omegacwa wrote:Ok, dude, Yamcha, Zarbon, Jheese, Grandpa Gohan, Burter, Korin, Mr. Popo, Guru, Kami and numerous others do not sound like "Grunting Moron". And I personally don't think his later Piccolo or Vegeta do either.
Especially when you don't have the vocal skill to copy the person before you. Even worse then his Jheese voice was his Racoome.Jerseymilk wrote:Because Sabat was trying to imitate Scott McNeil who for some odd reason, originally gave Jheese a Liverpool accent(I swear that man's on drugs >>). Sabat obviously was incapable of getting it right and ended up sounding like he was Australian. Just goes to show sometimes, it's best not to try and be a carbon copy.SSJ2bardock wrote:Joice!! Not sure why Jheese had an Australian accent.Jerseymilk wrote: Uh, yes they do. All he did was slap on various bad accents/caricature voices. :/