Even though its been a few days I still can't believe it's him of all things that we're getting, especially under Toriyama. You have to give the guy credit, he knows how to surpass our expectations.
July 9th 2018 will be remembered as the day Broly became canon.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
So it occurred to me earlier today that in the near future, it's gonna be complicated to talk about Broly related subjects without further clarifying than we used to have to do, because now...are we talking about the character, the old movies, or the new ones when we say 'Broly'? So basically the King Vegeta Abridged conundrum.
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When Super apparently shoves Goku down our throats:
Spoiler:
HeroR wrote:The characters in Super can work with Goku and they're treated like equals to him. Goku just being in the room doesn't take away from the character. In Z, the characters were so depended on Goku that they couldn't go an episode without mentioning him in some way even by hoping he will arrived, get better, training to get stronger, our last hope, being like him, ect. Goku was wanked to hell in Z, even when he wasn't in the room and everyone else was secondary to him. In fact, this was a major issue Goku had, which is why he didn't want to do anything in the Buu Saga.
Kanassa wrote:
FoolsGil wrote:I hope Mark is dead. But chances are the dragonballs will bring his stupid ass back.
"I will concede that your feelings are worthy of the mightiest of Saiyans. However, there is more to my power than just this. Before you die, I will show it to you. This is the difference in power, between the primitive Saiyans and the evolved Tsufruians." ~Baby Vegeta
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
Gog wrote:The cell saga/android saga is the worst thing Akira Toriyama ever made. And nothing has ever actually managed to come close to it, after it. Even the terrible asspulls in the FT saga, weren't as bad as that. But of course this is all my opinion.
You've just made a new best friend.
Marz wrote: ↑Wed Jul 21, 2021 11:27 pm
"Well, the chapter was good, the story was good and so were the fights. But a new transformation, in Dragon Ball? And one that's ugly? This is where we draw the line!!! Jump the Shark moment!!"
This forum is so over-dramatic that it's not even funny.
90sDBZ wrote: ↑Mon Jul 01, 2019 2:44 pm19 years ago I was rushing home from school to watch DBZ on Cartoon Network, and today I've rushed home from work to watch DBS on Pop. I guess it's true the more things change the more they stay the same.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.