GokuDaimao wrote: Tue Dec 19, 2023 5:24 pm
Scsigs wrote: Tue Dec 19, 2023 4:56 pm
Bro, judge AB Groupe by their own standards with past releases, not FUNi's is all I'm saying.
If that's all you were doing, I can see your point. I'll put it this way. Discotek. They've been licensing various Toei shows. However, they don't announce things until they're very close to release. They literally JUST announced Space Sheriff Sharivan yesterday & that's not coming out until February 27th. Companies like them need more time to do these things. Yes, I agree that saying nothing is bad, but they
are confirmed to be working on it. There can be a variety reasons as to why that is.
Okay, but now you're not making a fair comparison while accusing me if doing so.
A 2-3 month wait without updates pales in comparison to a 14 month wait and counting. And I don't think there's any hype around Space Sheriff Sharivan buzzing that might lead to the parent company to have a problem with what this licensor is doing with it.
Most of what you said otherwise is fine, and I think we're in agreement on, but I think it's silly to just write off any Dragon Ball release that's not by the same licensor. It's much easier to cut AB a break, I suppose if they're the only company to compare to themselves. But even then, over a year with no communication to the people they rely on to justify the work and money they put into this product is foolish to me.
Me bringing up Discotek was to say that they also take time with their releases because these things take time & because they're the closest in the US to AB Groupe in this case, I think it's more than fair.
Before they got Sharivan, they did Space Sheriff Gavan in October 2022 & before that was MegaBeast Investigator Juspion in August 2019, which they had announced at Otakon 2018 (September). In between Gavan & Sharivan, they also did Kamen Rider Black & Black RX. And that's just Metal Heroes. They've announced a Blu-Ray upscaled remaster of Digimon Adventure 02, as well as a remaster of the Digimon Movie (minus the shitty Angela Anaconda short for legal reasons. Funny since you'd assume all the licensed music would've been the problem, but nope! Fucking Angela Anaconda, man) as well as a release for the 3 films uncut of the ones that were recut for that movie with new uncut dubs to go with them. We have yet to get a release date of them despite them being announced back in July of this year & it's most likely because they're still working on the remasters of the episodes. They also have to recut the episodes of the show from the Japanese version to sync them with the English dub's audio because the US DVD masters weren't workable for the AI. They also, I believe, are recutting the 3 films to match the edits for the US Digimon movie. These things take time. Hell, the release of the Japanese dub of Adventure 01 took 7 months to come out after the English dub's release, partly because they did a different AI upscale for the JP masters from the English ones. You WANT the people who clearly care about these things to take their time, trust me.
They've also said licensing these things from Toei takes time & are expensive. Toei is known for charging premiums for a lot of their stuff, as well as usually not doing licensing bundles. A lot of these things, they've had to get the additional funds for. Granted, I don't know AB Groupe's finances & I know they've held the DB license in certain parts of Europe for decades, but if they're doing the same type of work as Discotek is, these things take time. They also have way more episodes to do than Discotek with the original Dragon Ball VS Digimon Adventure 01 & 02. Even if you count the different masters for 01 between JP & English, that's less than the total episodes of DB across 4 different releases over less than 2 years, plus 4 movies, 3 of which they had to pay for new dubs of with as much of the original voice cast as they could get & 1 they had to recut together.
Plus, we don't know what AB Groupe are doing behind the scenes. We don't know the power of their workforce in France & they could also be dealing with negotiations with Toei for the DBox masters of Z & GT (especially if they wanna get the files from before they were put on discs back in 2003/4 unlike DB so there's less compression on them) so they don't have to use DVD rips. as I've said, Toei is rather notorious with negotiating these things. They apparently waited 5-6 years before giving FUNimation the Z DBox masters, which FUNi apparently wanted before even doing the Orange Bricks according to Geekdom101. To also put this in perspective, I think if FUNi wanted to get the DBox masters for OG DB, GT, the movies, & the specials like I think they should've rather than do their own remasters, Toei would've charged a premium because they know how good they are compared to every other release out there for 1 of their biggest properties. I think AB Groupe are also dealing with that type of thing. It's a mix of Toei's notoriously stupid dealings, their prices, & their timetables.
And, I'm going to throw the people who think them using the broadcast audio may also have thrown a wrench into things. If Toei did have a problem with them doing that (again, there's no reason to actually think this at the moment, as I've pointed out that they don't give
any shits towards international releases of DB when it comes to FUNimation, so why would they care about AB Groupe's?), it could take some time for negotiations for clearance to use more of it on future releases.
I'm willing to give them a bit more time before I start being all doom & gloom with the second set because of these varying factors.