Bad touch Dabura! Personally, i think Gohan is as strong as he was in manga/anime, probably in every universe anyone over 60.000 is still considered freak of nature.
My Twitter: @kamil198811
Bulma fan
Thanks to Discotek:
Magic Knight Rayearth get DVD release in 2015 and Blu-Ray release on 2016
Saint Seiya: The Lost Canvas get DVD release in 2015
Also hooray they didn't go with the front flip SSJ Future Gohan style. My only gripes are the hair is a little too short and the bangs are too long.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
Hades: Salagir said in comments "Don't ask me how the cocoon went thru the door. It's magic. Babidi IS a magicien, you know"
My Twitter: @kamil198811
Bulma fan
Thanks to Discotek:
Magic Knight Rayearth get DVD release in 2015 and Blu-Ray release on 2016
Saint Seiya: The Lost Canvas get DVD release in 2015
Based off this I say Gohan is going to fight or overpower Dabura.
Yet he still gets killed by the (much weaker) Artifical Humans... Shit, if this does happen, Saligar better have a damn good explanation.
Can't see one since this takes place in the same universe as the Trunks we know from the future. So chances are Trunks isn't in this special.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
Insertclevername wrote:But it directly said this special takes place in 12, 14 and 15. #12 is Mirai Trunks' timeline.
But if Trunks is in this special wouldn't he mention Babidi, Dabra, etc to Goku and the others in the past as a warning for them.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
Insertclevername wrote:But it directly said this special takes place in 12, 14 and 15. #12 is Mirai Trunks' timeline.
But if Trunks is in this special wouldn't he mention Babidi, Dabra, etc to Goku and the others in the past as a warning for them.
I'm thinking that maybe he's like 8 years old and wasn't actively training at the time, therefore was out of the loop when all of this was going down. Why Mirai Gohan didn't tell him this is...well, we'll have to wait and see.
rereboy wrote:Next pages are bullshit.
Is it tempting to spoil it to us?
Cipher wrote:Also, you can seriously like whatever and still get laid. That's a revelation that'll hit you at some point.
Insertclevername wrote:I'm thinking that maybe he's like 8 years old and wasn't actively training at the time, therefore was out of the loop when all of this was going down. Why Mirai Gohan didn't tell him this is...well, we'll have to wait and see.
I guess so.
Insertclevername wrote:Is it tempting to spoil it to us?
Wait how does he know what the next pages are.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
Anyway I don't even know why they pretended to be leaving when it's not like they needed to take Gohan by surprise.
Oh that's cool
I agree, Dabra can demolish F.Gohan easily.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
I am intrigued by the 'the next pages are bullshit' line. Count me among those kind of worried that Gohan's going to somehow fight off Dabura, and yet still die against the Androids later..oi. That's going to be really hard to explain and have it be believable...
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Yeah if Gohan wins I'm calling bull shit. He has to be killed by the androids, he isn't tangling with a someone close to PERFECT CELL!
Vegeta: "Funny... I seem to recall Kakarot being fed the same information right before he transformed; the distinct look on your faces when he went Super Saiyan didn't exactly inspire confidence. One does not predict or calculate power like ours." Youtube channel: http://www.youtube.com/user/ThePrinceOfSaiyajins My 3DS Friend Code:
2707-1669-7946
TheMightyOzaru wrote:Yeah if Gohan wins I'm calling bull shit. He has to be killed by the androids, he isn't tangling with a someone close to PERFECT CELL!
May the Salagir be with him.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
