Discussion regarding the entirety of the franchise in a general (meta) sense, including such aspects as: production, trends, merchandise, fan culture, and more.
Happy Birthday Toriyama. Please provide background information on "Super Saiyan who has surpassed God" and Golden Freeza in upcoming interviews for the film...
Direct translations of the Korean DB Online timeline and guidebook.
My personal "canon" and BP list. (Coming Soon)
Happy Birthday to Toriyama -Sensei
Thanks for creating Beerus as a fun and lovable character
please keep making new stories for the Dragon ball world, as much as you like
Sleeping until the tournament is over.
Spoiler:
Araki wrote:
These days people start throwing the words "filler" and "silce of life" everytime characters aren't punching each other. No matter if something is moving the plot or there's character exposition.
Imagine if DB started these days. It would go like this:
"hey, what's happening in Dragon Ball today?"
"Goku wants Mutenroshi to train him, so he's bringing him some chicks now."
"oh i see, just slice of life filler then. skippable. "
Happy 60th Birthday Mr. Toriyama. May you live another 60 years. Dragon Ball has become a huge part of my life and I thank you for your project, which has kept me entertained in the best, and worst times of my life.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.