Post
by Draconic » Sat Aug 26, 2017 11:25 am
Future Trunks in the Super manga is probably the worst interpretation of the character across all mediums. While stuff like Xeno Trunks or Movie 9 Trunks kinda miss the point of his character too, none of those are actual stories where he has to showcase personality. In Xenoverse his quirk is being kind of a goof and in the Bojack movie to just be a badass. In the Super manga, he's just there. He probably has even less to do with the plot than in the Cell arc (post Mecha-Freeza), which is really saying something.
The chaos is taking place in his timeline and in his home, but none of that seems to take a toll on him at any point, providing no way to make his inclusion feel natural, outside of being a punching bag for Black when he needs to save the big guns. Then, it's revealed he heals people in order to keep him close to the story, but, while the revelation is handled great and the foreshadowing is done very very well, that role doesn't have anything to do with what the character actually stands for in this conflict.
I guess Toyotaro was trying to go with Zamasu, chosen to be a god and abusing that status, being foiled by Trunks, a mortal who comes out on top with the help of the gods (Kaioshin against Buu and the Blue Saiyans/Beerus against Black). Trunks gets his godly powers because he earns them, while Zamasu abuses them. And while the concept is intriguing, the execution of it leaves much to be desired, especially since even with those newfound powers he's still useless. Say what you want about the anime and it's "asspulls" but the it's story is themed as a mortals vs god story from the start, with Trunks as the last hope of humanity, and the show never loses track of that theme (Trunks' new form is achieved by anger, which Black calls an ugly way only a mortal could cook, and the Genki Sword is created from the lifeforce of every remaining human).
It's not really even Trunks himself that doesn't work for the story in the way he's set up, but more of the fault of Black and Zamasu, who are so bland that they can't really allow for him or, any character for that matter, to be or feel anything else about them other than yet ANOTHER threat. There's nothing wrong with Trunks being played with the way Toyotaro did it, it's actually very creative and fresh to see something like this, but everything else he comes up with just doesn't mesh together well. The story plays everything so safe, that when something interesting does happen with Trunks, it just doesn't fit with the context and by achieving nothing in the end anyway (yet being pushed in the forefront) only draws attention to how... unimportant... everything the character does actually is.