Does Funimation really treat Dragonball that bad?

Discussion regarding the entirety of the franchise in a general (meta) sense, including such aspects as: production, trends, merchandise, fan culture, and more.
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Post by Onikage725 » Sat Sep 29, 2007 9:16 pm

Vekurotto wrote:
Onikage725 wrote:I find it ironic that... ok, let's say that 4Kids had acquired DBZ and FUNi had gotten big on Pokemon. Let's say they grew into a similar company to what they are now.
I feel the only thing that would have come from that would be a heavily edited dub-only DBZ and Japanese subtitled pokemon, which isn't all that different from 4kids' dub.
Japanese Pokemon does have its charms over the english variant. It's not super pressing, but the simple option of dual language, uncut releases would be a nice touch. Fuck 4Kids.

*Ahem* Sorry. I hate 4Kids more than I hate Fake Namek and the Zeo-Crystal search on MMPR combined (I mentioned my rage for those two earlier in this thread).

Seriously though, if you ever get a chance to check out the first movie in Japanese, do so. The two are similar, but there is some cleaner dialogue (Ash isn't making sports references, Team Rocket doesn't misname Pokemon) and the PBS weekday-special "making pokemon fight is wrong" theme of hypocrisy doesn't exist. Mewtwo comes off more confused about his own origins and the fact that he was created by those he hates, and its more about his eventual coming to grips with his birth. He actually kinda reminds me of Gaara from Naruto- lashing out to confirm his own worth, but through the hero's selfless actions he eventually is influenced and lets go of the anger.

And 4Kids DBZ, well that would be like the Saban-era dub.
We'd probably have... Dan Green as Goku, Eric Stuart Vegeta (and possibly Piccolo), Ted Lewis as Kuririn, Veronica Taylor as Gohan. Marc Thompson as Yamcha, Megan Hollingshead as Bulma, Rachel Lillis as Chi Chi, Andrew Rannells as Tenshinhan, and Maddie Blaustein as Freeza and Chaozu and Baba and maybe Muten too. Yeahhhhh.
Kunzait_83 wrote:And yeah the Manga dub of Hokuto no Ken was about as shitty as the DBZ one for pretty much all the same reasons. And Manga had even less of an excuse to rescore HnK since it wasn't intended for TV broadcast to a bunch of screaming ten year olds; it was a direct to DVD release marketed specifically for the "hardcore" anime crowd. You don't "de-Japanese" an anime series when you're intended audience is the die-hards. That's just beyond idiotic.
*cough*Guyver*cough*

They increase the price point (one ep for 15 bucks instead of 2 for 20 at the time, before the DVDs) edit the last episode, alter graphics in the credits, and change the theme songs to something utterly lame.

From this- http://www.megavideo.com/?v=4TU0JNXE

to-
http://www.youtube.com/watch?v=X26ZROhmjfc

As a fan of the series since the US Renditions days, this was pretty screwed up. It wasnt a redub, it was released on the same format to the same market, yet we get screwed with OP/EDs and an edited finale? Even the DVD only has the unedited 12 as a special feature, Japanese only. I watch Guyver in both languages, and the US Rendtions English-only VHS' had that ep uncut, so its not like an uncut dub of it doesnt exist.

You know what, fuck Manga too. Blood and Dangaio only carry them so far. Ok and Wicked City. And Ninja Scroll. Ok that carries them pretty damn far, but Guyver's my favorite *fanboy pout*
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Post by Bomber Greek » Sat Sep 29, 2007 9:32 pm

I have yet to read the majority of this thread (I have only read the first 3 pages) but I will give my opinion. If it wasn't for FUNimation, I would've never known about Dragon Ball. Yet, they could've treated it much better, and gave it a bad reputation here in the states.

FUNimation is no longer a bad company, as you can see with other animes they dub. They are showing their first dubbed episode of One Piece tonight. I am curious to see how it is. I will be watching.

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Post by Kunzait_83 » Sat Sep 29, 2007 9:41 pm

b
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Journey to the West, chapter 26 wrote:The strong man will meet someone stronger still:
Come to naught at last he surely will!
Zephyr wrote:And that's to say nothing of how pretty much impossible it is to capture what made the original run of the series so great. I'm in the generation of fans that started with Toonami, so I totally empathize with the feeling of having "missed the party", experiencing disappointment, and wanting to experience it myself. But I can't, that's how life is. Time is a bitch. The party is over. Kageyama, Kikuchi, and Maeda are off the sauce now; Yanami almost OD'd; Yamamoto got arrested; Toriyama's not going to light trash cans on fire and hang from the chandelier anymore. We can't get the band back together, and even if we could, everyone's either old, in poor health, or calmed way the fuck down. Best we're going to get, and are getting, is a party that's almost entirely devoid of the magic that made the original one so awesome that we even want more.
Kamiccolo9 wrote:It grinds my gears that people get "outraged" over any of this stuff. It's a fucking cartoon. If you are that determined to be angry about something, get off the internet and make a stand for something that actually matters.
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Post by Adamant » Sat Sep 29, 2007 9:53 pm

I just have to comment on the "I'm thankful to FUNi for introducing me to the series, I never would've heard of it otherwise" crap that's luckily been a lot less prevalient here than on other forums.

DragonBall is one of the most popular cartoons in the world, and it's been highly successful in tons of other countries. If FUNi hadn't aquired the rights to release it in English, someone else would've. It's like Bill Gates praising the name of his grade school teacher for introducing him to math - you would've heard of it regardless, those that introduced you to it just happened to get there first.

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Post by Vekurotto » Sat Sep 29, 2007 10:28 pm

Onikage725 wrote: Japanese Pokemon does have its charms over the english variant. It's not super pressing, but the simple option of dual language, uncut releases would be a nice touch. Fuck 4Kids.

*Ahem* Sorry. I hate 4Kids more than I hate Fake Namek and the Zeo-Crystal search on MMPR combined (I mentioned my rage for those two earlier in this thread).

Seriously though, if you ever get a chance to check out the first movie in Japanese, do so. The two are similar, but there is some cleaner dialogue (Ash isn't making sports references, Team Rocket doesn't misname Pokemon) and the PBS weekday-special "making pokemon fight is wrong" theme of hypocrisy doesn't exist. Mewtwo comes off more confused about his own origins and the fact that he was created by those he hates, and its more about his eventual coming to grips with his birth. He actually kinda reminds me of Gaara from Naruto- lashing out to confirm his own worth, but through the hero's selfless actions he eventually is influenced and lets go of the anger.
Yeah, I actually have seen the first movie in Japanese and it kicks the ass of the 4kids dub of that same movie. Mostly because the dub has that hypocritical anti-fighting message rather than the confused Mewtwo and 4kids rescored the original music with crappy, crappy, terrible, terrible music. If you want to rip you ears off like Piccolo in movie 4 then watch the dub of this movie you'll wish you could. However all the movies are a completely different cases though compared to the TV series because they are pretty much like any other of 4kids' dubs.

I've seen the TV series in Japanese too and it's pretty much the same as the dub. The originl BGM is still there sometimes and the video is pretty much uncut(minus lameass paint edits to save the children). It's around Japanese season three where they introduce 100 more pokemon. From that point on the dub starts to go on a downward spiral to Hell and becomes like an average 4kids dubs with pointless edits up the ass, terrible scripts, BGM rescoring, and bad voices(not that they weren't bad before but they were better than when it gets that far into the series). And for record the new people who have been dubbing Pokemon for the last year or so, Pokemon USA, are way worse than 4kids. 4kids' Pokemon dub is like watching Street Fighter II the Motion Picture dubbed compared to PUSA's dub, which would be down there with things like dubbed One Piece and Sailor Moon.
Last edited by Vekurotto on Sat Sep 29, 2007 10:35 pm, edited 1 time in total.
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Post by Onikage725 » Sat Sep 29, 2007 10:35 pm

Vekurotto wrote:
Onikage725 wrote: Japanese Pokemon does have its charms over the english variant. It's not super pressing, but the simple option of dual language, uncut releases would be a nice touch. Fuck 4Kids.

*Ahem* Sorry. I hate 4Kids more than I hate Fake Namek and the Zeo-Crystal search on MMPR combined (I mentioned my rage for those two earlier in this thread).

Seriously though, if you ever get a chance to check out the first movie in Japanese, do so. The two are similar, but there is some cleaner dialogue (Ash isn't making sports references, Team Rocket doesn't misname Pokemon) and the PBS weekday-special "making pokemon fight is wrong" theme of hypocrisy doesn't exist. Mewtwo comes off more confused about his own origins and the fact that he was created by those he hates, and its more about his eventual coming to grips with his birth. He actually kinda reminds me of Gaara from Naruto- lashing out to confirm his own worth, but through the hero's selfless actions he eventually is influenced and lets go of the anger.
Yeah, I actually have seen the first movie in Japanese and it kicks the ass of the 4kids dub of that same movie. Mostly because the dub has that hypocritical anti-fighting message rather than the confused Mewtwo and 4kids rescored the original music with crappy, crappy, terrible, terrible music. If you want to rip you ears off like Piccolo in movie 4 then watch the dub of this movie you'll wish you could. However all the movies are a completely different cases though compared to the TV series because they are pretty much like any other of 4kids' dubs.

I've seen the TV series in Japanese too and it's pretty much the same as the dub until around Japanese season three where they introduce 100 more pokemon. From that point on the dub starts to go on a downward spiral to Hell and becomes like an average 4kids dubs with pointless edits up the ass, terrible scripts, and bad voices(not that they were bad before but they were better than when it gets that far into the series). And for record the new people who have been dubbing pokemon, Pokemon USA are way worse than 4kids.

I just had to say that, but carry on.
Yeahh pretty much. I've gotta say tho, early Ash was really bad. Like, first season Homer Simpson bad. At least to me. And I've never forgiven them for calling Lorelei/Kana "Prima." It has caused me no end of aggravation on wikipedia keeping her name right from people who think she's a whole different character. I seriously had to get the Japanese ep title (which contains Kana of the Shitennou in the title) to get people to ease off.

Moving along.

The new cast leaves a bit to be desired, but I do think they're getting better. They fall into the usual trap of mimicking their predecessors. They should do their own thing. Look at Eric Stuart's James. He started off trying to match what came before, but eventually made the role his own.

I do like the cast though. They seem to be a nice group of folks, and they catch a lot of flack from people expecting them to basically be the old cast. I also like to think anything not being in 4Kids' hands just increases its potential in the long run. The 4Kids approach is archaic and shows no signs of changing.
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Post by Toniofalcon » Sat Sep 29, 2007 10:51 pm

Adamant wrote:I just have to comment on the "I'm thankful to FUNi for introducing me to the series, I never would've heard of it otherwise" crap that's luckily been a lot less prevalient here than on other forums.

DragonBall is one of the most popular cartoons in the world, and it's been highly successful in tons of other countries. If FUNi hadn't aquired the rights to release it in English, someone else would've. It's like Bill Gates praising the name of his grade school teacher for introducing him to math - you would've heard of it regardless, those that introduced you to it just happened to get there first.
It doesn't matter what company it is. They're just thanking a company for brining it to the US because at the ages we all saw it at first we weren't crafty enough to buy subtitles or import raws from Japan and translate them. Pointless? Yes. But I see where they're coming from.

I see it as this, DBZ wouldn't have been successful as it is in the US without it being on Toonami. Even if they aired DB first, as long as it was on Toonami it would've been same. I don't seeing it getting as much success anywhere else

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Post by Vekurotto » Sat Sep 29, 2007 10:55 pm

Onikage725 wrote: Yeahh pretty much. I've gotta say tho, early Ash was really bad. Like, first season Homer Simpson bad. At least to me. And I've never forgiven them for calling Lorelei/Kana "Prima." It has caused me no end of aggravation on wikipedia keeping her name right from people who think she's a whole different character. I seriously had to get the Japanese ep title (which contains Kana of the Shitennou in the title) to get people to ease off.

Moving along.


The new cast leaves a bit to be desired, but I do think they're getting better. They fall into the usual trap of mimicking their predecessors. They should do their own thing. Look at Eric Stuart's James. He started off trying to match what came before, but eventually made the role his own.

I do like the cast though. They seem to be a nice group of folks, and I like to think anything not being in 4Kids hands just increases its potential in the long run. The 4Kids approach is archaic and shows no signs of changing.
I don't know I liked 4kids' dub better. PUSA's dub just seems...like a really bad fandub of 4kid's dub. I think that the name changes were approved by Nintendo too so they could localize it easier in the mid 90's too. I don't think 4kids had anything to do with that. However I resent most of them.

But for me they pretty much nailed most of the original seiyuu's performances until pokemon just got to be too much for them and they started to half-ass everything. Either that or 4kids decided to be more like Satan to anime and make pointless edits and hire bad talent.

When Ash fights Brock is a perfect example of how good pokemon was even compared to the original. And at the same time it shows how's it's way worse now from a dub standpoint compared to then.

Japanese
http://www.youtube.com/watch?v=2JwKCX9dm9Q

Dub
http://www.youtube.com/watch?v=kQB7oU69Tnc

I for one do like the Japanese one better because it much better acted compared to the dub and there's less music. And in anime for me, less music=better, but the dub's good too IMO.
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Post by Dark Vegeta-Sama » Sat Sep 29, 2007 11:12 pm

Adamant wrote:I just have to comment on the "I'm thankful to FUNi for introducing me to the series, I never would've heard of it otherwise" crap that's luckily been a lot less prevalient here than on other forums.

DragonBall is one of the most popular cartoons in the world, and it's been highly successful in tons of other countries. If FUNi hadn't aquired the rights to release it in English, someone else would've. It's like Bill Gates praising the name of his grade school teacher for introducing him to math - you would've heard of it regardless, those that introduced you to it just happened to get there first.
I was just going to say that after reading through the last couple of pages of this thread.

Thanks for doing it for me.

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Post by Onikage725 » Sat Sep 29, 2007 11:28 pm

Vekurotto wrote:
Onikage725 wrote: Yeahh pretty much. I've gotta say tho, early Ash was really bad. Like, first season Homer Simpson bad. At least to me. And I've never forgiven them for calling Lorelei/Kana "Prima." It has caused me no end of aggravation on wikipedia keeping her name right from people who think she's a whole different character. I seriously had to get the Japanese ep title (which contains Kana of the Shitennou in the title) to get people to ease off.

Moving along.


The new cast leaves a bit to be desired, but I do think they're getting better. They fall into the usual trap of mimicking their predecessors. They should do their own thing. Look at Eric Stuart's James. He started off trying to match what came before, but eventually made the role his own.

I do like the cast though. They seem to be a nice group of folks, and I like to think anything not being in 4Kids hands just increases its potential in the long run. The 4Kids approach is archaic and shows no signs of changing.
I don't know I liked 4kids' dub better. PUSA's dub just seems...like a really bad fandub of 4kid's dub. I think that the name changes were approved by Nintendo too so they could localize it easier in the mid 90's too. I don't think 4kids had anything to do with that. However I resent most of them.

But for me they pretty much nailed most of the original seiyuu's performances until pokemon just got to be too much for them and they started to half-ass everything. Either that or 4kids decided to be more like Satan to anime and make pointless edits and hire bad talent.

When Ash fights Brock is a perfect example of how good pokemon was even compared to the original. And at the same time it shows how's it's way worse now from a dub standpoint compared to then.

Japanese
http://www.youtube.com/watch?v=2JwKCX9dm9Q

Dub
http://www.youtube.com/watch?v=kQB7oU69Tnc

I for one do like the Japanese one better because it much better acted compared to the dub and there's less music. And in anime for me, less music=better, but the dub's good too IMO.
Ah you had to go and remind me of the victory via sprinklers :p

But yeah, I see what you mean.
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Post by Super Sonic » Sun Sep 30, 2007 1:02 am

Onikage725 wrote:
Super Sonic wrote:Interesting thought Onikage. Especially since DBZ is based off a Jump manga.
Exactly! Ironic, no?
My point was in a thing I noticed that it's pretty much only the Jump manga based anime other than Ultimate Muscle that 4Kids did that gets lamblasted. Everything else, no one seems to care about. Friends of mine said it's because the Jump based ones are popular, or that they're kids' shows. Only one that gets criticized that isn't Jump based is Sonic X, and there's a big debate over whether that was a bad dub, or just a bad show period.

As for Pokemon being released dual-language, not going to happen. No market for it.

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Post by Tatsunoboshi Horoko » Sun Sep 30, 2007 1:13 am

Super Sonic wrote: My point was in a thing I noticed that it's pretty much only the Jump manga based anime other than Ultimate Muscle that 4Kids did that gets lamblasted.
Well, Yu-Gi-Oh! is pretty high up there on the sucky-dub-based-off-Jump-manga scale as well. But 4Kids has been doing shit to it for so long that it has sort of diluted into the mess of misinformation and sects of fans that it has today.

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Post by Super Sonic » Sun Sep 30, 2007 1:29 am

I was including Yu-Gi-Oh in what wasn't a good dub. Had some ok actors and music though. Lot of Yu-Gi-Oh fans I know say that though they hated the censorship and changes, Dan Green and Eric Stuart personalized their roles and they cannot picture anyone else other than them as Yugi and Kaiba.

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Post by Tatsunoboshi Horoko » Sun Sep 30, 2007 1:33 am

Super Sonic wrote:I was including Yu-Gi-Oh in what wasn't a good dub. Had some ok actors and music though. Lot of Yu-Gi-Oh fans I know say that though they hated the censorship and changes, Dan Green and Eric Stuart personalized their roles and they cannot picture anyone else other than them as Yugi and Kaiba.
Maybe I misread your post, then. Eric Stuart was a damn good Kaiba voice until he started sounding exactly like everyone else. (IE: "Half-assery.") Dan Green as well, although he made the change from Yugi-to-Yugi less natural. (From "balls caught in vice" to "balls dragging to the floor.")

Eh, but this is getting off-topic. Sorry.

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Post by Lavender Saiyan » Sun Sep 30, 2007 2:08 am

Onikage725 wrote:Piccolo doesn't really do morality lectures though. Yeah, slightly while against Freeza, but that was heavily influenced by Nail too. It was pretty obvious that the fusion with Namek's greatest warrior is where Piccolo's newfound sense of civic pride came from. I know the Gero thing is probably the most glaring example, but it does best serve my point.

An explanation of how Gero utterly failed to understand how ki works becomes:
"The more you hurt others, the harder your life becomes. Its simple, your desire to kill is killing you. *Cuts off hand* You could have put this hand to good use! What a waste of technology."

I'm sorry, but a world of no.
I agree that there are some unnecisary changes to Piccolo's dailouge. Such as when Chaozu blew himself him against Nappa.

"He blew himself up to take out an enemy. He's won my respect."

became...

"You see Gohan, it doesn't matter how small you are. The most important thing is heart"

So I can understand how certain lines changes can irk you as it even irks me, someone who loves the Dub.

But at the same time, once even the Saiyans arrive, Piccolo seems to have a sense of "I'm gonna defend my planet". He said lines like "The earth won't go down so easy". So I think even before his fusion with Nail he had some "civic pride". But IDK, maybe it's just that it's what I am used to. But the morality speeches once he arrives on Namek just seem well put in there. We know that Piccolo has them much later on atleast. So it's not completely out of character. But one way to look at it is, Piccolo gains his civic pride not because of Nail's influence. Because Nail doesn't actually give any influence. But Piccolo gained Nail's knowledge of Namek's past and this gained his own form of respect for the planet once he knew of everything. So those morality speeches to Freeza really did come from Piccolo and not Nail.

Onikage725 wrote:Again I think it is a measure of degrees. Goku isn't really out of character in the dub, but they do ham up the moral angle to near Captain America levels. Its like the took the "parody of Superman" angle and ran with it the the nth degree. Prime example, when telling Freeza of his dual origins and how his power was awakaned by rage, dub Goku goes on about how he is the "hope of the universe, the answer to all living things that cry out for peace, protector of the innocent, the light in the darkness, truth."
I agree with you 100%. In the Freeza Saga some of Goku's lines were over the top (regardless of how much I may love some of them). But after the Freeza Saga, they tone down the heroic speeches. The Dub still has more than the Original but still less than in the Freeza Saga. In addition, Post-Freeza, the Dub tones them down so they are not too over the top. The Dub Heroic Speeches Post-Freeza do sound like things the Original Goku would say (mostly).


Onikage725 wrote:I just doesnt doesnt help how a lot of these themes really suck. Like I said, roughly any scene involving Bulma on Namek had this ridiculously annoying theme that makes me cringe.
I really don't think the Themes suck. But too each his own. Though I full heartidly agree with you on the Bulma/Namek stuff. Regardless of how much I dislike Bulma's Namek Theme, to me, it's still her theme. Thus for me a scene would not seem the same without it.
Kunzait_83 wrote:I agree with you on all points, save one (and it's a big one); the fact that his insults in the dub are often retarded grade school bullshit that no one over the age of 18 never mind someone who comes from royalty would be caught dead spouting off. "Overgrown Wind-Up Toy" was about as close to this as he came in Japanese. In the dub he was given such non-gems as "Being a good fiend is like being a photographer…you have to search for the right moment!"
But that's my point. Vegeta uses those child'ish insults specifically to mock his opponents. Kind of like "you're not even good enough for me to use a real insult"
kunzait_83 wrote:First off, Vegeta never looses the royalty tinge to his voice because he never let's go of the fact that he was once the prince of a warrior race. He's stuck in the past, stuck in his "glory days" and he never shuts up about being the "prince" of himself, a bunch of half-breeds, and an airheaded full blood who could give two shits less about his alien heritage. So him keeping that grandiose royal voice makes perfect sense and is totally within character. It's one of those subtle character beats that goes completely over FUNimation's heads nine times out of ten.
Well I agree that Vegeta never lets go of this, but FUNi does make sure to make you realize how much he cares about this title. I think the Dub mentions it more than the original. But I feel that as a hardened warrior, the character of Vegeta doesn't need that royal tone. Because he's a warrior first and a prince second. Swallowing his pride for years with Freeza could also have a lack of royal tone and more of a pissy tone.
kunzait_83 wrote:I... agree that Piccolo toned down the arrogance a tad once he reincarnated himself. And I agree once he fuses with Kami he becomes more of a sagelike wiseman character. But pre-Kami fusion... I wouldn't call Piccolo "wise" as in "Yoda-wise", so much as "crafty". "Street smart" even. Wisom implies feelings and knowledge about far more than how to fight real good; it implies a basic understanding of human nature.
You make a good point, but after those 5 extra years before Raditz appeared, I think the character of Piccolo got a better grasp on not only human nature in a sense. But just the ways of the world. You don't actually have to know much about the nature of humans to be wise. But rather my perception of "wise" would be someone who knows how to handle any situation. Be that fighting or not. Someone who can keep his cool under a pressure situation and someone who's persona s basically the rock of the group. If you can look for them to guidance in a situation then they are wise. Which Piccolo does become that by the time Nappa and Vegeta arrive.
kunzait_83 wrote:Again, I disagree. The music even in the action scenes is much more "epic" in tone. It carries the vibe of an old Kung Fu film. DBZ isn't as much about "save the planet"... well I mean yeah that element is there... but the dub, via the voices, script, and music gives the series the misleading feel of a "superhero" show. And it's not. The Z Senshi are not the Justice League. It's a martial arts show about martial artists. It always has been and it always will be.
But the King Piccolo Era and on is kind of both. Think of all of the time that is spent preparing specifically to defend the earth. A year here, 3 years here. Yes, they are martial artists, and live their life as so. But at the same time become the sole hope of the planet and universe. They even acknowlege this, so in a sense they really are super heroes. But not your typical ones. They are not defined "Super Heroes" but rather "Protectors". Regardless of that fact, the musical style can fit both super heroes and what the Z-fighters are, "Protectors"

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Post by Jerseymilk » Sun Sep 30, 2007 3:31 am

Lavender Saiyan wrote:You make a good point, but after those 5 extra years before Raditz appeared, I think the character of Piccolo got a better grasp on not only human nature in a sense. But just the ways of the world.
I'm not really sure how much that would actually apply given the fact that Piccolo spent all his time far away from civilization, training in the wilderness. :?

Onikage: Sorry about the misquote thing. ^^; I corrected it in my post.
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Post by Lavender Saiyan » Sun Sep 30, 2007 3:43 am

I'm not really sure how much that would actually apply given the fact that Piccolo spent all his time far away from civilization, training in the wilderness.
Basically through stewing over the events that he saw take place in the 23'rd Budokai. But maybe that's a stretch, IDK. But I still believe it to be atleast a little true.

But I stand by the "ways of the world" comment 100%. Just through living adding on to his already intellegent mind he kind of got a grasp on life. But when I say ways of the world, I don't mean the little things. I mean the very core of life and the basic ways of how things are. In a sense, the ways of the world in primal times.

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Post by Toniofalcon » Sun Sep 30, 2007 9:08 am

What the hell are we even talking about now?

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Post by Onikage725 » Sun Sep 30, 2007 11:05 am

Super Sonic wrote: My point was in a thing I noticed that it's pretty much only the Jump manga based anime other than Ultimate Muscle that 4Kids did that gets lamblasted. Everything else, no one seems to care about. Friends of mine said it's because the Jump based ones are popular, or that they're kids' shows. Only one that gets criticized that isn't Jump based is Sonic X, and there's a big debate over whether that was a bad dub, or just a bad show period.

As for Pokemon being released dual-language, not going to happen. No market for it.
Bad show period. But the bad dub on top doesn't help. Well, not so much a "bad" dub acting and story-wise. But standard content edits and music issues just don't help an already sub-par show. 4Kids productions based on video games actually seem to turn out decent (Pokemon and Dinosaur King for example). What irks me with Sonic X is that there are aspects from the Japanese version that get edited out in the US which were present in Sonic Adventure and Sonic Adventure 2. Like Maria being captured instead of killed. And songs from SA2 being removed from the series.

And 4Kids has dirtied plenty more than Jump, trust me. Tokyo Mew Mew, Ojamajo Doremi, Kirby, and dont get me going on Ultraman Tiga. Then we have TMNT Fast Forward, where they decided the series was entirely too good and had to be severely fucked in the ass, with the shows actual conclusion stuck in production hell (I hear rumor it might actually air next year, and a new series after that). Oh, and I think they were behind Stargat Infinity. As a diehard fan of the Stargate film, Stagrate SG-1, and Stargate Atlantis, I tell you here and now that cartoon was diarrhea out of my dick, as the AVGN would say. I thin outside of Pokemon, the only thing they did that I'm grateful for is WMAC Masters 8)

And for the record, I'd totally buy unedited Pokemone DVDs. The main reason they havent gotten any money from me is because their shit is chopped, and I'm not gonna shell out for a partially complete product.
Lavender Saiyan wrote:But at the same time, once even the Saiyans arrive, Piccolo seems to have a sense of "I'm gonna defend my planet". He said lines like "The earth won't go down so easy". So I think even before his fusion with Nail he had some "civic pride". But IDK, maybe it's just that it's what I am used to. But the morality speeches once he arrives on Namek just seem well put in there. We know that Piccolo has them much later on atleast. So it's not completely out of character. But one way to look at it is, Piccolo gains his civic pride not because of Nail's influence. Because Nail doesn't actually give any influence. But Piccolo gained Nail's knowledge of Namek's past and this gained his own form of respect for the planet once he knew of everything. So those morality speeches to Freeza really did come from Piccolo and not Nail.
I meant the pride of the Namekians and the "for all the Namekians you've killed" parts, that it was a sense gained from his fusion. And I do think Nail influenced his personality. He starts talking as if he was Nail at one point ("You've become a giant and you're using both hands now") and he takes on an older-brother tone. And he starts to come off as more respectful around authority after that. As for on earth, he does have a deep desire to defend it, but in the Saiyan Saga that wasnt for heroic reasons. He basically felt that if the world was wiped out, it would take all the fun out of ruling the place.
Lavender Saiyan wrote:You make a good point, but after those 5 extra years before Raditz appeared, I think the character of Piccolo got a better grasp on not only human nature in a sense. But just the ways of the world. You don't actually have to know much about the nature of humans to be wise. But rather my perception of "wise" would be someone who knows how to handle any situation. Be that fighting or not. Someone who can keep his cool under a pressure situation and someone who's persona s basically the rock of the group. If you can look for them to guidance in a situation then they are wise. Which Piccolo does become that by the time Nappa and Vegeta arrive.
I'm going to have to disagree here. Those 5 years weren't simply spent in quiet contemplation. Remember, he specifically devised the Makkankosappo during that period for the sole purpose of ending Goku. Also, as far as keeping his cool under pressure, let's look at his first scene again. In the dub, it comes off as self-defense, so that kind of assessment could stand. But in the original, it is full on arrogant villainy. Raditz didnt show proper respect, Piccolo was all "do you know who the fuck you're talking to?" and Raditz said he didnt care. So Piccolo commenced with the smiting. Only it didn't work out how he had planned...But still, Piccolo starts the series biting off a hell of a lot more than he could chew in a pissing contest. And let'slook at his interaction with Gohan. he threatens to slit the kids throat, and to prove he has powers he throws him at the mountain. He thinks to himself that Gohan will either find the power or turned to jelly. And when he feeds Gohan, in the dub I remember him thinking something about looking out for Gohan (havent seen it UUE-style, so tell me if its different). In the original, its more like "goddamn brat, this is the last time I help you. If you cant live on your own after this, then your worthless to me anyway." And there's the part where he saves Gohan from the Saibaiman. In the dub he takes on a mentor-ish tone and tells him to stay focused, and that he was lucky he was there this time. In the original, he's more like "I wasnt saving you, I needed a warm up. Start looking after yourself." And let's not forget later when Gohan tries to help him up and Piccolo bitch slaps him.

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Post by jjgp1112 » Sun Sep 30, 2007 5:18 pm

Oh, Onikage, I think Piccolo does say to Gohan in the dub after throwing him the apples that that was the last time he would help Gohan. I'll have to watch Season One again.

Anyway, I think Piccolo Jr. was the type of person who wasn't exactly naturally evil, but just currupted by all of the things he saw when he was a child. I remember Kami talking about how people who are killed by a member of the Demon-clan usually don't keep their bodies when they're dead, but Goku did, so it definitely confirmed that Piccolo wasn't nearly as evil as Piccolo Damiaou.
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