Boo!Godo wrote:They were doing a show that didn't have that cult status in America as it did in Japan. They wanted to suck in as many kids as possible. What's the best way to do that?Innagadadavida wrote:You're speaking for an entire industry full of people with varying taste. Moreover said industry is based on what sells and what's hot not on actual artistic merit. There are tons of reasons to hate on the dub score, but using a hypothetical situation where the fucking music industry doesn't care for it is not one of them.Godo wrote:It's because of that I only listen to quality music. And no one from the music industry would call Faulconer's music for quality music either
It's all subjective anyway. I like it. It's not Dragon Ball. The original score is better, and yes, has much higher quality. But it's not bad music. Its actually pretty unique. I haven't heard anything like it before or since.
Make it "cool". Make it "refreshing". Add some nonsensical techno tunes and barf a couple of instruments into it (which was a genre which was very popular at that time), and it will be great!
Sadly, I have heard much more original and better tracks and songs that make Faulconer's track seem like amateur work.
And they are made by normal people, not people that do it as a profession.
In any sense, Faulconer's track wasn't in any sense a musical sensation, nor was it by any means a score that's enjoyable by people who know music. My bet was that he was cheap to hire and that Funimation didn't give a crap anyways, as long as it sounded "hippety hip", like the music the "young 'uns listen to these days".
And from what I've heard from most fans of the score; they don't give much attention to quality anyways.

That's terrahble, man! Bruce Faulconer is a musical genius.