Gaffer Tape wrote:
You're right. Again, I'd much prefer them to just do it the Dragon Box-style and give a dub credit roll at the end. That way, everybody wins.
But would I be incorrect in assuming that, if a dual-layer DVD can properly handle seven DBZ episodes and a credit roll, then that same disc could be reduced to six episodes and be able to handle alternate angles on title cards and end credits without the bitrate dropping? I certainly wouldn't complain about the loss of one episode per disc.
While I don't disagree with what you want, your logic is flawed when you think about it.
1- They didn't do it for the Dbox because the Dbox was a specialized release at a higher than standard price point (compared to DBZ), not to mention it is sort of a re-release. Plus not changing the text is once again a matter of budget. They would have had to redo nearly 300 episode title cards from scratch, not to mention there's the question if raw title cards were available for the Dbox or not. If not, they would have to redraw/edit them, which is tons of work. (In other words, it was purely a matter of, we don't need to spend the time and effort to do it for this release.)
2- Their budget requires a certain number of episodes per disk on average. For DVDs this is 7 max for a dual layer. If they cut episodes out, that requires more disks or more sets, which goes past their budget and expectations of making sales.
And the extra credit roll takes up space on the disk that is needed to fit the chosen number of episodes on it.
3- Bitrate in the case of alternate angles on DVDs has nothing to do with 'space available on disk.' 10.08 Mbit/s total. 9.80 is the maximum for audio and video combined, get rid of the normal audio Funimation includes and you get around 9.15 left for video at any given time.
The best case scenario for alternate angles means that any given angle on a multi-angle encode will have 8 (for each angle.) Unfortunately many encoding tools do not do multiple angles properly, which tends to lead it to be closer to 7 or 6 (and in some cases I've seen 5.) And many tools 'lock' the entire episode/movie that has an alternate angle for even a single frame to that 7, 6, or 5 for the ENTIRE video.
Not having that potential bitrate to 'boost' to in high motion scenes can be murderous on video quality.
Even the best DVDs Funi did in the alternate angle days had quite a few problems, and believe me when I say, it is not worth it to have a Japanese title card or Japanese language credits.