TheDevilsCorpse wrote:Characters can change clothes and the hair is just his End of Z design (in Toriyama art style at the time). So had Super taken place in a year where Goten and Trunks were grown up, something like that is what I would have expected.
Even though this isn't EOZ, Goten could just get a new haircut.
Gohan changed his haircut all the time (and still changes now), but Goten keeps being Goku until the end, which is disappointing.
A world without Dragon Ball is just boring.
Favourite old DB Animators: Masaki Sato and Tadayoshi Yamamuro
Favourite new DB Animators: Yuya Takahashi and Chikashi Kubota
Just read an english translated version of the first chapter of Dragon Ball Super.
"Oooh, speak of the devil... if it isn't Mr Satan."
Well played.
Also, this:
Goku: "How many zeroes are there in one hundred million zeni?"
Mr Satan: "Huh? Zeroes? Er... lets see... eight."
Goku: "Eight zeroes!!! I could never count all that!!! Yeah, I definitely don't need that scary load of cash!!!"
Oh, Goku. Never change.
Spoiler:
Akira Toriyama wrote:My policy is to try and forget things once they’re over. Since if I don’t discard the old and focus on what’s new, I’ll overload my brain capacity. I still haven’t lived down going, “Who the heck is Tao Pai-pai?” that one time I was talking with Ei’ichiro Oda-kun. But the fact that there are still people reading the series after all this time… All I can say is; “thank you.” Really, that’s all.
Akira Toriyama wrote:Drawing Dragon Ball again reminded me of two things--how much I love it, and how much I never want to do it again.
Kunzait_83 wrote:And if you're upset because all this new material completely invalidates the tabletop RPG rulebook-sized statistical system and flowchart for the characters' "canonical Power Levels" that you'd been working on painstakingly for the last bunch of years now... well I don't think there's a kind, non-blunt way of saying this, but that's 100% entirely your own misguided fault for buying so deeply into all this nonsensical garbage in the first place. And that you also have IMMENSELY skewed and comically backwards priorities in what you think is most important and needed to make a good Dragon Ball story.
Zephyr wrote:Goodness, they wrote idiotic drivel in a children's cartoon meant to advertise toys!? Again!? For the ninetieth episode in a row!? Somebody stop the presses! We have to voice our concern over these Super important issues!
Kamiccolo9 wrote:Fair enough, I concede. Sean Schemmel probably has some kind of hidden talent. Maybe he is an expert at Minesweeper. You're right; calling him "talentless" wasn't fair.
Michsi wrote: Mon Jul 04, 2022 11:29 amIn Super Piccolo got yelled off the stage by Vegeta in the U6 Tournament arc and lost to Jiminy Cricket in the ToP , he deserved 15 new transformations with his theme song played by Metallica in the background.
^Just read that version. From the three that I read, that one is by far the best,
Those guys are great, when they aren't dropping F bombs everywhere like they di with ROF chapter 2.
A world without Dragon Ball is just boring.
Favourite old DB Animators: Masaki Sato and Tadayoshi Yamamuro
Favourite new DB Animators: Yuya Takahashi and Chikashi Kubota
Zombie wrote:Just read the translated chapter and yep, this can't work with BoG.
Perhaps the episode itself jumps. Perhaps that scene with Beerus and Whis, in the episode itself, takes place after the scene with Goku on the farm. We can't make judgement calls just yet on this manga.
Looks like Chioka Kimitoshi was one of two storyboard artists for World TriggerEpisode #35, not the sole storyboard artist. This leads me to think Episode Director Kawasaki Yoshiki merely had Chioka storyboard the A-Part of the episode, which would usually mean half of the time was necessary for Chioka. Hopefully this means Chioka was able to spend more time on Dragon Ball Super.
Tomita Yoshikazu and Ikai Kazuyuki provided key animation. The episode had four animation supervisors, which either means it was an important episode or a very rushed episode.
She/Her 
