It's pretty much the reason why the original 42 volumes of DB worked so well. It WAS a continuous story that kept its events sequence logic in check. Doesn't matter how many times people will say "Toriyama never cared about canon", it is simply not the case with the OG manga. He did and that's why we got stuff like Androids emerging as a consequence of RR arc. Now the fact that he didn't care for the movies/GT and stuff is a different thing. But when it came to his own work he had full control over and where he himself wrote the sequence of events, he absolutely did think about continuity whether he knew it or not (or wanted to admit it).Desassina wrote: Mon Jul 28, 2025 1:24 pm There's a word that I feel captures the essence of what fans mean when they say the word canon: authentic. A Dragon Ball continuation is more authentic when it feels like it establishes a proper foundation for the series to continue forward by revisiting its past developments and putting them on a new light in a style that you can tell is the author's and continuous with his past work. Toriyama did this directly or indirectly when most arcs felt like they had the same build up and diverged into other territories through the use of new story telling mechanics. Kinda like a tool box of things that work until you run out of them and need to create all new ones. He managed to keep his work afloat for a lot of years by repeating more plot points than you realize. He couldn't possibly animate a movie by himself like he drew a manga, but Dragon Ball Super Hero felt like it was his more than past Z movies, despite the fact that the latter were more in line with the series' prime production values.
What you're describing is an almost inherent desire of storytellers to create a work that flows naturally, and in turn an inherent desire of a large section of the audience to experience a story/universe that feels alive, truthful and thus continuous.
Unless someone got a trully amazing new idea for a fresh take on a known story that would require breaking continuity, there isn't any inherent artistic value IMO in disregarding the canon/continuity in itself. So yeah, canon>>>non-canon pretty much always for me unless we get the next Citizen Kane level of writing, then I'm fine accepting a reboot/different continuity. But that is simply not the case most of the time. Certinately nothing in Daima, Super or GT was so narratively worthy of breaking the continuity





