





Captain Christopher Pike wrote:The away team will consist of myself, Cadet Kirk, Mr. Sulu, and Ensign Olsen.
The Geeky Gentleman: For all your comics, movies, TV and other geeky needs.Freeza Heika wrote: for the land of the cool, and the home of the Appule
If the film is only just beginning recording this week perhaps with the film not even partially assembled for recording there is so source to make promotional materials from?Chuquita wrote:There's just one week left for January. February starts on a Sunday.
Unless you mean this week's Jump?
I don't know why Shueisha is waiting so long. Is everything really not ready yet?
Yes. I'm counting with this one.Chuquita wrote:There's just one week left for January. February starts on a Sunday.
Unless you mean this week's Jump?
If they just started recording then I really doubt they are ready.Chuquita wrote:There's just one week left for January. February starts on a Sunday.
Unless you mean this week's Jump?
I don't know why Shueisha is waiting so long. Is everything really not ready yet?
I'm not sure. The Naruto films can get away with less than a year in production because they use a high number of animation supervisors and talented key animators to do a high number of cuts. Kami to Kami didn't do that, not to mention it had its weaker animators drawing based on poor quality character models. We know these films are going to more than make back their budget, so it couldn't hurt to have the producer in charge of these films work with Toriyama to get scripts don't quicker so that production on the animation can last longer. A new film for 2017 is almost guaranteed at this point so I don't see why Toriyama can't be asked to begin writing the plot now. He doesn't have to rush, either. Scheduling a director to work with Toriyama should be easier if they are guaranteed extra time to produce the film, too.Chuquita wrote:Outside of Toei being cheap, I don't know why they're rushing it. I still have hopes for the story, but animation-wise I don't get why they do it this way. They're not cheap with One Piece's movies. The HaCha movie looked well animated.
Is it because DB is more popular overseas? Do they want to spend more on series movies that are more popular locally? No idea. Even that doesn't make sense, they must want everything to look good, right?
The budget doesn't matter much in this case. You don't need much in the way of a higher budget than what Kami to Kami got, all one needs is time and talent. Today's episode of Disk Wars: Avengers had few drawings and little in the way of talented animators but still managed to be great thanks to the layouts and use of digital compositing.UpFromTheSkies wrote:Doesn't One Piece make them more money than Dragon Ball? That's probably why One Piece movies have bigger budgets.
Yeah, for the most part. Talented directors can do a lot with little. Remember, the average twenty minute episode costs anywhere from the low-end of $90,000 to a higher end of $200,000-300,000. Tengen Toppa Gurren Lagann had a budget of $180,000-200,000 an episode, which was over the original budget of $120,000-160,000. Nevertheless, the show looks really good for just $180,000 because the director, animation supervisor, and key animators knew how to get the most out of each sheet through their timing and draftsmanship. Timing is very important, because if one's timing is good one can create interesting movement with fewer drawings. Fukkatsu no F will probably have a budget of $400,000-500,000, assuming it is only 85 minutes like the previous film. If this was being directed by Hatano Morio or Koga Gou then that would definitely be enough to pull of a nice, solid film because they would know how to make dialogue scenes interesting without a large number of sheets so that those extra sheets could go towards the action cuts.Chuquita wrote:So it's more a lack of talent than anything else?
That's a shame either way.
Thanks for letting me know.
At least February looks promising in the way of plot updates, since if the reason they held off was to wait for the animation to be mostly done. I can't imagine we'll get through next month without a plot update.
You really know your stuff and this isn't the first or second time I've learned something from your posts. I don't always think about the budget of what goes into what I'm watching. Do you have any idea if we're in good hands with this new film?JulieYBM wrote:Yeah, for the most part. Talented directors can do a lot with little. Remember, the average twenty minute episode costs anywhere from the low-end of $90,000 to a higher end of $200,000-300,000. Tengen Toppa Gurren Lagann had a budget of $180,000-200,000 an episode, which was over the original budget of $120,000-160,000. Nevertheless, the show looks really good for just $180,000 because the director, animation supervisor, and key animators knew how to get the most out of each sheet through their timing and draftsmanship. Timing is very important, because if one's timing is good one can create interesting movement with fewer drawings. Fukkatsu no F will probably have a budget of $400,000-500,000, assuming it is only 85 minutes like the previous film. If this was being directed by Hatano Morio or Koga Gou then that would definitely be enough to pull of a nice, solid film because they would know how to make dialogue scenes interesting without a large number of sheets so that those extra sheets could go towards the action cuts.Chuquita wrote:So it's more a lack of talent than anything else?
That's a shame either way.
Thanks for letting me know.
At least February looks promising in the way of plot updates, since if the reason they held off was to wait for the animation to be mostly done. I can't imagine we'll get through next month without a plot update.