YoungDefender wrote: ↑Mon Sep 04, 2023 3:33 pm
I mean in all fairness to funimation it's hard to see the fung fu or eastern roots in fighting the Ginyu Force on Namek or an evil space pirate mogul or biomechanical androids or a pink goo monster.. once again from space.
Things got fairly sci-fi as early as the red ribbon army saga in Dragon Ball and western influences feature heavily throughout Dragon Ball from Terminator, to Frankenstein to Alien and others. This series is not inspired exclusively by Journey to the West.
Not sure if you've seen it already, but the Wuxia thread on the site might be an interesting place to stop by if you've got any time. It explains what the deal is with all those elements and why they don't seem to have that much bearing on the main premise of the series.
As for these aspects, one can see how this is the case because of how many of these elements are there (although it's really been sci-fi since day 1 with the capsules, and later with the RRA) even before them going to space (Kikuchi himself even commented on this "escalation" in the "Great Complete Collection" soundtrack release).
But outside of some inserts (SSS, BPU) composed by others, the staff and directors really weren't interested in reflecting those elements within the score. The greatest example of this for me was in Movie 6, when the Big Gete Star (
a literal reference to Unicron from the 1986 G1 movie) was approaching New Namek, and it was just complete silence, not one track was made for it unlike what it was referencing.
And as mentioned above (which I somehow forgot initially), the afterlife that only gets explored in detail during Z is, well, purely a fantasy element.
EDIT: Also, with scores like the one for Movie 2, when Kikuchi was doing Sci-Fi material (Dr. Willow's theme in particular) it was mainly informed on older material from films of the genre, like maybe Alien (Jerry Goldsmith) or something else along those lines.