Back in the 90s, he was in a very famous TV show...
Spoiler:
Akira Toriyama wrote:My policy is to try and forget things once they’re over. Since if I don’t discard the old and focus on what’s new, I’ll overload my brain capacity. I still haven’t lived down going, “Who the heck is Tao Pai-pai?” that one time I was talking with Ei’ichiro Oda-kun. But the fact that there are still people reading the series after all this time… All I can say is; “thank you.” Really, that’s all.
Akira Toriyama wrote:Drawing Dragon Ball again reminded me of two things--how much I love it, and how much I never want to do it again.
Kunzait_83 wrote:And if you're upset because all this new material completely invalidates the tabletop RPG rulebook-sized statistical system and flowchart for the characters' "canonical Power Levels" that you'd been working on painstakingly for the last bunch of years now... well I don't think there's a kind, non-blunt way of saying this, but that's 100% entirely your own misguided fault for buying so deeply into all this nonsensical garbage in the first place. And that you also have IMMENSELY skewed and comically backwards priorities in what you think is most important and needed to make a good Dragon Ball story.
Zephyr wrote:Goodness, they wrote idiotic drivel in a children's cartoon meant to advertise toys!? Again!? For the ninetieth episode in a row!? Somebody stop the presses! We have to voice our concern over these Super important issues!
Kamiccolo9 wrote:Fair enough, I concede. Sean Schemmel probably has some kind of hidden talent. Maybe he is an expert at Minesweeper. You're right; calling him "talentless" wasn't fair.
Michsi wrote: Mon Jul 04, 2022 11:29 amIn Super Piccolo got yelled off the stage by Vegeta in the U6 Tournament arc and lost to Jiminy Cricket in the ToP , he deserved 15 new transformations with his theme song played by Metallica in the background.
Glad to see the gaming trio know what's up with Super 66
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
Must be repeated with the Saga's episode. Good on you TFS Gaming for knowing what's up with Super 66.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
dbzfan7 wrote:Must be repeated with the Saga's episode. Good on you TFS Gaming for knowing what's up with Super 66.
It must be repeated because... It matches your opinion?
When Super apparently shoves Goku down our throats:
Spoiler:
HeroR wrote:The characters in Super can work with Goku and they're treated like equals to him. Goku just being in the room doesn't take away from the character. In Z, the characters were so depended on Goku that they couldn't go an episode without mentioning him in some way even by hoping he will arrived, get better, training to get stronger, our last hope, being like him, ect. Goku was wanked to hell in Z, even when he wasn't in the room and everyone else was secondary to him. In fact, this was a major issue Goku had, which is why he didn't want to do anything in the Buu Saga.
Kanassa wrote:
FoolsGil wrote:I hope Mark is dead. But chances are the dragonballs will bring his stupid ass back.
BlazingBarrrager wrote:[spoiler][/spoiler]
Bad Cooler.
As a Cooler Fanboy, I am happy that he is Puddin's greatest foe (Out of the many times they've fought, Puddin only stood a chance when she had backup!).
When Super apparently shoves Goku down our throats:
Spoiler:
HeroR wrote:The characters in Super can work with Goku and they're treated like equals to him. Goku just being in the room doesn't take away from the character. In Z, the characters were so depended on Goku that they couldn't go an episode without mentioning him in some way even by hoping he will arrived, get better, training to get stronger, our last hope, being like him, ect. Goku was wanked to hell in Z, even when he wasn't in the room and everyone else was secondary to him. In fact, this was a major issue Goku had, which is why he didn't want to do anything in the Buu Saga.
Kanassa wrote:
FoolsGil wrote:I hope Mark is dead. But chances are the dragonballs will bring his stupid ass back.
dbzfan7 wrote:Must be repeated with the Saga's episode. Good on you TFS Gaming for knowing what's up with Super 66.
It must be repeated because... It matches your opinion?
Nah cause this time it was more elaborated on compared to last time, where they were more vague and blunt. Might have elaborated even further on the Dark Souls 3 stream. I can't remember. Though it may have just been where Kirran and Grant said GT was better than Super. Not sure I fully agree on that yet as the two series fight for that spot of which I prefer more. I did agree with Kaiser though that the highest of Super is better than the highest of GT, while the lowest of Super is worse than the worst of GT. Or whoever brought that up on the Fusions stream I think it was.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
floofychan333 wrote:Why isn't Mr Popo funny any more?
Because he's sad. He lost Kami.
OK, but if he's going to stop being funny then you guys should really introduce another joke character with an altered personality. Now that Nappa and Super Kami Guru are gone and Popo's stopped being funny, you guys need another somewhat original character to bring in more laughs.
"All of you. All of you must have KILL all the SEASONS!" -Dough (Tenshinhan), Speedy Dub of Movie 9.
"My opinion of Norihito's Sumitomo's new score is... well, very mixed. The stuff that's good is pretty darn good, but the stuff that's bad makes elevator music sound like Jerry freaking Goldsmith." -Kenisu
floofychan333 wrote:Why isn't Mr Popo funny any more?
Because he's sad. He lost Kami.
OK, but if he's going to stop being funny then you guys should really introduce another joke character with an altered personality. Now that Nappa and Super Kami Guru are gone and Popo's stopped being funny, you guys need another somewhat original character to bring in more laughs.
BlazingBarrrager wrote:[spoiler][/spoiler]
Bad Cooler.
As a Cooler Fanboy, I am happy that he is Puddin's greatest foe (Out of the many times they've fought, Puddin only stood a chance when she had backup!).
Puddin needs Broli as an instructor, because he's secretly a follower of Demon God Dumplin.
Do you guys use Abridged references in the real life?
One of these days I received a message text of someone saying "Diego, I know your cheating on me" (note: my name is not Diego and that message was sent wrong) I just replied: "I don't who this Diego is, but looks like he's in trouble"
Are we too old to enjoy new Dragon Ball movies/series?
Spoiler:
Nickolaidas wrote: Sun Jun 14, 2015 2:10 am
Guys, I'm going to be straight with you. If you feel the show has gotten 'silly' ... it hasn't. You're just 'too old for this shit'. Seriously, 95% of the people in those boards do not fit the target demographic of the show, so don't expect the show to be 'everything you hoped for'. I'm referring to the people here who expect Super to be rich with dark moments, serious storytelling, meaningful characters etc etc. It won't. It's a show for kids. A show for kids being kids. Everyone in those boards has a manchild in him/her, clamoring to get out, and that's fine. But having unrealistic expectations (such as believing the show grew up alongside you) is naïve at best. Honestly, do you take seriously a story where the supposed God of Destruction halts his urges to blow up stuff in order to eat ice cream sundae? That's the show's silliness at full force, take it for what it is. The show hasn't matured one bit, so don't expect it too. Again, I'm not saying that's a bad thing. I'm saying *that* is DB and always will be.
floofychan333 wrote:Why isn't Mr Popo funny any more?
Because he's sad. He lost Kami.
OK, but if he's going to stop being funny then you guys should really introduce another joke character with an altered personality. Now that Nappa and Super Kami Guru are gone and Popo's stopped being funny, you guys need another somewhat original character to bring in more laughs.
Except it's been impossible to just introduce a character that doesn't exist. Also, Android 16 doesn't count?
Anyways, as people said: Wait for Dende.
Last edited by KaiserNeko on Thu Nov 17, 2016 12:53 pm, edited 1 time in total.