Ki Breaker wrote:
Huh?
That's normal defined tummy of a girl
Won't post the image but follow this link
She looks more like she used to be fat, but got a liposuction and her tummy then doesn't sit quite like it should. Her bellybutton looks off, as if it's underneath the remains of her Fatty tissue.
The real life pic you posted is how I would expect it to look, but it doesn't quite match up.
cheddarsword wrote:
I did when I made her in Soul Calibur (yes, I know Calibur is spelled wrong, but that's how they spell it for the game).
That is how you spell "Calibur" as in King Arthur's sword 'Excalibur'.
Or are you saying the title does not refer to the legendary sword, but just the word "caliber"??
Ki Breaker wrote:
Gog wrote:[spoiler][/spoiler]
I like it, not enough good art of her exists
What's up with her tummy though
No, it has nothing to do with Excalibur at all. But every time I type the word as Calibur, the site's spell checker let's me know it's spelled wrong. But it accepts Caliber just fine.
Also, I was fine with that art mostly. The face seems a little off but not much. (I know, I nitpick faces. )
What's her name? I know she's a G.O.D. (Goddess Of Destruction. Cool how that works out.) but I don't know what drink she's named after.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
This is one of the worst of not the worst looking bulma art I have ever seen
Oh yeah. That's... that's just disturbing. There's nothing right about that at all. I'd say the face is the worst part of it... but I might actually be wrong.
Artist has the skill... they just need to refine it.
Gog wrote:[spoiler][/spoiler]
THIS on the other hand, is NICE! Oddly enough, this art makes me think of Blazblue... Heh, she'd be an interesting character to play as in that for sure.
Anyone ever thought about this though? Say you're on a date with Launch. And then she sneezes. "Oh my, who are you?" or "Hands where I can see 'em bud!" just out of nowhere! Seriously, why has no one thought to wish her personalities into separate bodies?
cheddarsword wrote:
Anyone ever thought about this though? Say you're on a date with Launch
Who?
If you're going to call me out for using her dub name instead of her original name, then I have a bucket full of the letter F for you. It's one added letter. Geez.
cheddarsword wrote:
Anyone ever thought about this though? Say you're on a date with Launch
Who?
If you're going to call me out for using her dub name instead of her original name, then I have a bucket full of the letter F for you. It's one added letter. Geez.
You really need to get some lessons on "how to catch a joke"..
Let me give you one right now Ki breaker lesson 1-
When you say launch and someone says "who?" he /she ( you know what fuck she ) he is pretending like she never existed, just like the cast does.. that would be 100$
The Lord moves in mysterious ways but you don't have to. Please use your blinker
If you're going to call me out for using her dub name instead of her original name, then I have a bucket full of the letter F for you. It's one added letter. Geez.
You really need to get some lessons on "how to catch a joke"..
Let me give you one right now Ki breaker lesson 1-
When you say launch and someone says "who?" he /she ( you know what fuck she ) he is pretending like she never existed, just like the cast does.. that would be 100$
Wow. sorry about that then. Didn't know that was a running joke among fans.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.