That's something everyone here wants to happen. A good ending to a good arc in my opinion.BlueBasilisk wrote:I do hope they have a better wrap-up than the Future Trunks arc did at the very least. My biggest peeve with that ending was that they hit the brakes on the plot in the same episode the fighting ended. It was really abrupt.Artorias wrote:I think it's totally possible to go to 130. The arc is pretty much confirmed to be lasting until March, and I can't see the wrap up episodes being more than like 2 episodes or so. So I think the actual fighting is going until AT LEAST 128, which would be the end of February, and could last as long as 132 or so.
Then again, I'm also in the camp that thinks there's no "twist" at the end of the tournament. I think it's literally going to be tournament ends, the winner wishes back all the universe, everyone goes home, the end. So that plays a role in my assumptions.
Super Animation Catalogue 2.0
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- majinwarman
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Re: Super Animation Catalogue 2.0 - Episode 100
Majinwarman
So I'm 'evil', huh? Interesting."
A world without Dragon Ball is just meh.
So I'm 'evil', huh? Interesting."
A world without Dragon Ball is just meh.
Re: Super Animation Catalogue 2.0 - Episode 100
I think you're thinking of Ryo Onishi.majinwarman wrote:I thought Onishi is going to be working on the new Percure show in 2018.iAnimationLover_ wrote:123:
Script: Atsuhiro Tomioka
Director/Storyboard: Masanori Satō
Animation Supervisors: Osamu Ishikawa, Hiroyuki Itai
124:
Script: Yoshifumi Fukushima
Director: Hideki Hiroshima
Storyboard: Kiyosato Yamamoto
Animation Supervisors: Yōichi Ōnishi
- Baggie_Saiyan
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Re: Super Animation Catalogue 2.0 - Episode 100
Blood is just aesthetic I'm totally fine without it. But I do hope we see Vegeta go completely shirtless like Goku.FortuneSSJ wrote:This Vegeta shot is the perfect example of how I think new DB should look like:Baggie_Saiyan wrote:Preview images for next week:
[spoiler][/spoiler]
- Fully black hair
- No highlights on characters skins.
- Good aesthetics (body proportions, muscles...)
In others words, just like DBZ looked.
Bonus: Finally Vegeta has some battle damage. Now just give me some blood.
Also agree regarding black hair imo base Goku and Vegeta will never look good as long as they have those stupid highlights rewatching Z makes me love how base Goku looks there.
Re: Super Animation Catalogue 2.0 - Episode 100
This might be a stupid and perhaps very obvious question, but are the episodes usually animated around the soundtrack, and not the other way around? Sometimes the music just fits so perfectly like in 118 for example, where it seems like it was decided beforehand that this is the song they want to play, and they have to focus their animation around it so that it syncs up perfectly.
Re: Super Animation Catalogue 2.0 - Episode 100
Sound is the last part of the production. In Japanese animation it is very rare for the voices to be recorded first. The storyboard will note how to distribute drawings to decide the lip flaps and then the actors are expected to match the timing noted in the storyboard. More often than not there is next to no finished animation in time for the sound recording, so the actors and the sound team have to make their best guesses for how the performance will match. Luckily the series director and episode director are involved in the voice recording and sound production.Asura wrote:This might be a stupid and perhaps very obvious question, but are the episodes usually animated around the soundtrack, and not the other way around? Sometimes the music just fits so perfectly like in 118 for example, where it seems like it was decided beforehand that this is the song they want to play, and they have to focus their animation around it so that it syncs up perfectly.
I suggest you watch Shirobako on Crunchyroll to learn more. Not only is it just a plain great series, it's extremely informative.
EDIT: Whoops, hit reply too soon. The music is placed by the sound director, but if an episode director, storyboard artist or series director has a particular idea in mind they'll be very hands on with that part. Also, at Toei the storyboards are expected to list which piece of music is used and when, too.
Last edited by JulieYBM on Mon Jan 01, 2018 1:14 am, edited 1 time in total.
Re: Super Animation Catalogue 2.0 - Episode 100
Thanks for the information, but that sounds like more of a voice actor thing, I was asking about Sumitomo's soundtrack.JulieYBM wrote:Sound is the last part of the production. In Japanese animation it is very rare for the voices to be recorded first. The storyboard will note how to distribute drawings to decide the lip flaps and then the actors are expected to match the timing noted in the storyboard. More often than not there is next to no finished animation in time for the sound recording, so the actors and the sound team have to make their best guesses for how the performance will match. Luckily the series director and episode director are involved in the voice recording and sound production.Asura wrote:This might be a stupid and perhaps very obvious question, but are the episodes usually animated around the soundtrack, and not the other way around? Sometimes the music just fits so perfectly like in 118 for example, where it seems like it was decided beforehand that this is the song they want to play, and they have to focus their animation around it so that it syncs up perfectly.
I suggest you watch Shirobako on Crunchyroll to learn more. Not only is it just a plain great series, it's extremely informative.
Re: Super Animation Catalogue 2.0 - Episode 100
I hit reply by accident and just finished editing my post! ♥ It's also possible for a specific piece of music to be requested to be created for a scene, too, but it's not always something that happens.Asura wrote:Thanks for the information, but that sounds like more of a voice actor thing, I was asking about Sumitomo's soundtrack.JulieYBM wrote:Sound is the last part of the production. In Japanese animation it is very rare for the voices to be recorded first. The storyboard will note how to distribute drawings to decide the lip flaps and then the actors are expected to match the timing noted in the storyboard. More often than not there is next to no finished animation in time for the sound recording, so the actors and the sound team have to make their best guesses for how the performance will match. Luckily the series director and episode director are involved in the voice recording and sound production.Asura wrote:This might be a stupid and perhaps very obvious question, but are the episodes usually animated around the soundtrack, and not the other way around? Sometimes the music just fits so perfectly like in 118 for example, where it seems like it was decided beforehand that this is the song they want to play, and they have to focus their animation around it so that it syncs up perfectly.
I suggest you watch Shirobako on Crunchyroll to learn more. Not only is it just a plain great series, it's extremely informative.
- majinwarman
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Re: Super Animation Catalogue 2.0 - Episode 100
My bad on that one!!Tai981 wrote:I think you're thinking of Ryo Onishi.majinwarman wrote:I thought Onishi is going to be working on the new Percure show in 2018.iAnimationLover_ wrote:123:
Script: Atsuhiro Tomioka
Director/Storyboard: Masanori Satō
Animation Supervisors: Osamu Ishikawa, Hiroyuki Itai
124:
Script: Yoshifumi Fukushima
Director: Hideki Hiroshima
Storyboard: Kiyosato Yamamoto
Animation Supervisors: Yōichi Ōnishi
Majinwarman
So I'm 'evil', huh? Interesting."
A world without Dragon Ball is just meh.
So I'm 'evil', huh? Interesting."
A world without Dragon Ball is just meh.
Re: Super Animation Catalogue 2.0 - Episode 100
Cool, thanks for the info.JulieYBM wrote:I hit reply by accident and just finished editing my post! ♥ It's also possible for a specific piece of music to be requested to be created for a scene, too, but it's not always something that happens.Asura wrote:Thanks for the information, but that sounds like more of a voice actor thing, I was asking about Sumitomo's soundtrack.JulieYBM wrote:
Sound is the last part of the production. In Japanese animation it is very rare for the voices to be recorded first. The storyboard will note how to distribute drawings to decide the lip flaps and then the actors are expected to match the timing noted in the storyboard. More often than not there is next to no finished animation in time for the sound recording, so the actors and the sound team have to make their best guesses for how the performance will match. Luckily the series director and episode director are involved in the voice recording and sound production.
I suggest you watch Shirobako on Crunchyroll to learn more. Not only is it just a plain great series, it's extremely informative.
- ArchedThunder
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Re: Super Animation Catalogue 2.0 - Episode 100
As far as I'm aware Ryo Onishi working on Precure 2018 is just speculation.majinwarman wrote:My bad on that one!!Tai981 wrote:I think you're thinking of Ryo Onishi.majinwarman wrote: I thought Onishi is going to be working on the new Percure show in 2018.
- ArchedThunder
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Re: Super Animation Catalogue 2.0 - Episode 100
Why post someone else's ugly watermarked versions when the official Twitter is where these come from?
https://twitter.com/DB_super2015
https://twitter.com/DB_super2015
Re: Super Animation Catalogue 2.0 - Episode 100
That and no spoiler tags for those colossal images. Removed the post.ArchedThunder wrote:Why post someone else's ugly watermarked versions when the official Twitter is where these come from?
https://twitter.com/DB_super2015
Follow me on Twitter for countless shitposts.
Deadtuber.
Deadtuber.
- FartiliciousManChild
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Re: Super Animation Catalogue 2.0 - Episode 100
My bad. Understandably removed. Didn't think that through well.Ajay wrote:That and no spoiler tags for those colossal images. Removed the post.ArchedThunder wrote:Why post someone else's ugly watermarked versions when the official Twitter is where these come from?
https://twitter.com/DB_super2015
How i got into this shit:
Spoiler:
- FortuneSSJ
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Re: Super Animation Catalogue 2.0 - Episode 100
Jiren doing something is so rare that when the opposite will happen they promote that upcoming episode like crazy.
Feels good to know it will be a Takahashi's episode too.
Feels good to know it will be a Takahashi's episode too.
A world without Dragon Ball is just boring.
Favourite old DB Animators: Masaki Sato and Tadayoshi Yamamuro
Favourite new DB Animators: Yuya Takahashi and Chikashi Kubota
Favourite old DB Animators: Masaki Sato and Tadayoshi Yamamuro
Favourite new DB Animators: Yuya Takahashi and Chikashi Kubota
- majinwarman
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Re: Super Animation Catalogue 2.0 - Episode 100
We are going to need more information before we can say anything about it.ArchedThunder wrote:As far as I'm aware Ryo Onishi working on Precure 2018 is just speculation.majinwarman wrote:My bad on that one!!Tai981 wrote:
I think you're thinking of Ryo Onishi.
Majinwarman
So I'm 'evil', huh? Interesting."
A world without Dragon Ball is just meh.
So I'm 'evil', huh? Interesting."
A world without Dragon Ball is just meh.
- BlueBasilisk
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Re: Super Animation Catalogue 2.0 - Episode 100
Today's batch of pictures: https://twitter.com/DB_super2015/status ... 0173319169
Toei's really building the anticipation for this episode. Hopefully there's some good stuff in it to warrant that. Most of the art certainly looks good.
I'm kind of surprised we haven't had a new promo image for this "season" or a preview of the new ED yet.
Toei's really building the anticipation for this episode. Hopefully there's some good stuff in it to warrant that. Most of the art certainly looks good.

I'm kind of surprised we haven't had a new promo image for this "season" or a preview of the new ED yet.
- Baggie_Saiyan
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Re: Super Animation Catalogue 2.0 - Episode 100
According to Google they said they're gonna post more tomorrow?BlueBasilisk wrote:Today's batch of pictures: https://twitter.com/DB_super2015/status ... 0173319169
Toei's really building the anticipation for this episode. Hopefully there's some good stuff in it to warrant that. Most of the art certainly looks good.![]()
I'm kind of surprised we haven't had a new promo image for this "season" or a preview of the new ED yet.
I guess due to the week break they don't want people to forget about DBS.
- BlueBasilisk
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Re: Super Animation Catalogue 2.0 - Episode 100
From what Terez was saying on twitter, the first batch said there would be new images every day this week. Seems a bit much for a normal episode.Baggie_Saiyan wrote:According to Google they said they're gonna post more tomorrow?BlueBasilisk wrote:Today's batch of pictures: https://twitter.com/DB_super2015/status ... 0173319169
Toei's really building the anticipation for this episode. Hopefully there's some good stuff in it to warrant that. Most of the art certainly looks good.![]()
I'm kind of surprised we haven't had a new promo image for this "season" or a preview of the new ED yet.
I guess due to the week break they don't want people to forget about DBS.

- Baggie_Saiyan
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Re: Super Animation Catalogue 2.0 - Episode 100
They finally realised what social media can do!BlueBasilisk wrote:From what Terez was saying on twitter, the first batch said there would be new images every day this week. Seems a bit much for a normal episode.Baggie_Saiyan wrote:According to Google they said they're gonna post more tomorrow?BlueBasilisk wrote:Today's batch of pictures: https://twitter.com/DB_super2015/status ... 0173319169
Toei's really building the anticipation for this episode. Hopefully there's some good stuff in it to warrant that. Most of the art certainly looks good.![]()
I'm kind of surprised we haven't had a new promo image for this "season" or a preview of the new ED yet.
I guess due to the week break they don't want people to forget about DBS.
Since the week break the episode is probably finished now so I assume that's another reason they're flaunting these images.
Re: Super Animation Catalogue 2.0 - Episode 100
You think this series could be benefited if we had a hiatus?