Post
by LegendarySSJ7 » Sun Nov 25, 2007 10:51 pm
I feel it should have ended at the Cell Saga (because of the melancholy ending, Gohan inheriting the mantle, a metaphorically tactical villain like Cell, and things of the such....) but that's just me.
In regards to the thread's topic of discussion, the anime is chock-full of plotholes, unnaturally contradictory statements (and filler material), and occasionally miring, lamentable animation, but it does have its highlights. While the Manga's brevity proper does work very well, especially with the quiet moods (or moods of any kind) in actions and words (getting the point across in a terse but well done way, if you would), in a few aspects I feel it's duly-appreciated to note that the anime is worth a tad more merit than most give it credit for.
The scenes the anime did better than the Manga.... the whole artistry during the end of the Kamehameha clash at the end of the Cell Saga, while drawn out, was incredibly vivid, especially during the final destruction of, well, Cell. I also feel the animation during the beam duel during the 23rd Budokai was especially good, and the animation in Path to Power is nothing short of irremediably breathtaking.
But beyond that, I like how the anime adds drama and emotion to many a scene. One example would be Goku's recuperation from the virus that attacked his heart. To me, an ardent tone, however excessive and sappy it may seem, would be needed. When Goku meets up with the Zet Senshi, in the anime, Gohan and Kuririn, to be meticulous, begin to get teary-eyed. While a bit of an abundance, again, Goku wasn't so far off from death in all its guises and had become largely ill. I feel a quality like that was needed for that scene in the particular. As well as Gohan attempting to go off to help Piccolo in the Cell Saga Arc as Cell deals away with him... not that I'm a fan of the child-beater scene, but the one before that worked well. As did Mr. Popo getting teary over Piccolo's / Kami-sama's completion, adding the more immense, fervent emotional impact of it.
The Manga's brevity for that scene is fine, but I feel it needed something more poignant than "Oh! Goku's back! Yay!". Goku's dream of the Cyborgs attacking his home and family also come to mind - whilst a sort of unnecessitated in nature, it adds drama and action, and unlike a lot of the anime's additions, lets us know that Goku is dreaming of something that surmounts to more than food. I'm also of the opinion that the Trunks movie was something TOEI did dead-on. It has its flaws, but captures Trunk's backstory and his timeline very well to me.
There's one particular scene where a beatdown SS Trunks tries to hit #18 and #17 even when they don't have much of a worldly effect on them, just to attempt to avenge all of the populous the Cyborgs (#18 and #17, who I feel are well personified in the Manga, though it's a bit of an excess for #18, considering where her character goes later on) callously killed off after hearing their reason for doing such. A tad pensively excessive, but I find it's well done. I also liked the anime's alterations to the portion of Goku's Oozaru punch running Piccolo Daimao through the gut - recollecting vague images of Kuririn, Muten Roshi, etc... the ones who were killed in the fight against Piccolo Daimao was a nice touch by my view. Any other scene the anime does better than the Manga (which is a tad seldom) is also done better due in part to the awesomeness of the Seiyuus, sound effects, and score, to me - the Seiyuu are rather spot-on in their character cues, with intensity and involvement in terms of voice acting that is quite admirable.
That, and the sound effects are visceral, imposing, and believable. Lastly, the score is used in good moderation, even if a bit redundant at times, and is used where necessary, in order to convey the tone, which is much needed. To draw this post to a close, while I do feel the Manga is better, the Anime certainly has its highlights.