I'm saying people don't care that much about lore and the world of the story beyond what it takes to clarify the story.
How the hell are you supposed to be engaged to any work of fiction if they are aren't interested in the story that makes it happen?
The engaging characters, dialog, acting. I don't need to know everything about the world and the characters beyond what the story needs to tell me. I don't need to know the ins and out of Freeza's planetary empire. I just need to know they exist, in essence what they do, and who the leader is.
Saiyan and Namek arcs wouldn't held in such a high regard in Japan and much of the world's audience if the story/lore didn't matter to them.
Yes, STORY, not LORE. People don't tune in for exposition.
Concepts and ideas are not neutral. Some are inherently better than others and that effects the quality of any possible execution of them. Some ideas are simple unsalvageable.
While I can agree somewhat, I've seen plenty of bland sounding ideas end up great because it was executed well. This all is very vague. Could you give specific examples?
That's are big part of what got Japan (and other regions that saw Early DB first) hooked on the Saiyan and Namek arcs.
So what got people into the story is something that explained what happened earlier in the story they didn't watch?
The biggest truths aren't original. The truth is ketchup. It's Jim Belushi. Its job isn't to blow our minds. It's to be within reach.
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