Post
by Cipher » Wed Mar 20, 2019 3:23 pm
Dragon Ball, like most Toriyama stories, is cynical about the systems of the world--the Boo arc opens on narration about more and more people getting up to no good as they became too use to peace, because "that's just the kind of beings humans are"; Mr. Satan sells the world a continuous lie; the gods are petty and ineffective; the main cast aside from Gohan and Trunks are all selfish weirdos; Goku not only tolerates risks from, but is sometimes willingly friends with, murderers and criminals so long as loved ones aren't at immediate risk. All of this is straight-up text. Most of it is presented tongue-in-cheek, though elements are occasionally highlighted as real problems.
But it isn't cynical about people, or potential for goodness, or even the power of people with common drives coming together and bonding with one another. It isn't misanthropic, and it isn't Randian, and those are both such important (I think) distinctions. Like the vast, vast bulk of Toriyama's catalogue--from Slump and Dragon Ball to his short one-offs--the core story is a bunch of selfish loners coming together to do some accidental good while--if they may not grow as people--at least forming bonds with one another, which we take as growth enough. (This really, truly, could be used to describe about 90 percent of his catalgoue.) And so even selfish, petty Arale and Senbei wind up being friendly and good-natured enough to change the will of a god set out to wipe his misbegotten humanity from the Earth. Even an apathetic god of destruction, or cold-hearted android, or intergalactic tyrant (to some extent!), or ancient demon reining hell across the universe since time immemorial, or fraudulent self-promoter only out for his own interests--wind up being softened and changed just by coming within the sphere of influence of someone as pure and good-natured--note; that doesn't mean entirely, rationally selfless, or unflawed--as Goku and his friends.
So the climax of the story can involve the cooperation of all humanity, and still have that humanity be buying into a lie, and have the main character immediately run away from his family with his new project, without it really feel like it's taking either a completely rose-tinted or completely damning view of anything. The overwhelmingly consistent message in Toriyama's works, presented in its tongue-in-cheek way, is that there's goodness in spite of inherent, systematic bad, rather than goodness because of inherent, systematic good. (Or even inherent personal good, in some cases.)
And isn't that basically true? Societies wage war, and oppress and pollute, and people are subject to greed and mob whims, but at the end of the day we're all still here with each other and the thing we've got going isn't worth throwing away.
Look no further, for all of this in a microcosm, by the way, than Battle of Gods. The universe may be predicated on arbitrary systems such as the whims of unpredictable and petty destroyer gods, but there's just something about Goku and the people of Earth that winds up changing even them. It's impossible to look at that script and call it cynical. Though, yes, importantly, it's also impossible to look at it and call it optimistic to a naive degree.