Vorige Waffe wrote: Fri Mar 15, 2024 12:12 pmYou literally are given an explanation for why something in Dragon Ball is the way it is, but instead of accepting that, you have to construe it as meaning something else because.... why? That Dragon Ball has to be political? That it has to be "deep"? You're trying to squeeze out the meaning of words of something that's already been explained.
This just in: something being political or having political content doesn't therefore mean its inherently "deep". Political content can be just as deep or shallow as anything else, and a given work having political content or being a byproduct of political content (as quite literally EVERYTHING IN THE WORLD IS) does not inherently confer it any degree of greater depth or meaning. It simply denotes that it is a work created by a human being with a pulse.
For just a random example of this: Canon Films, one of the single most successful low budget Hollywood movie studios of the 1980s, literally rose to success by way of pumping out a steady stream of action movies (you might've heard of a guy by the name of Chuck Norris: at least 70% of the reason you know him and why he's in the mainstream zeitgeist is because of the movies he made with Canon in the 80s) that were HUGELY overtly political in their content (covering topics as wide as Iran Contra, the Vietnam War, White Nationalism, the Cold War, Israel/Palestine, just to name a FEW examples) while also simultaneously being as birdbrained stupid, idiotic, and shallow as all get out. And they were FAR from unique in this regard in terms of the overall mainstream media landscape both back then and today at present.
Political does not always equal "deep" guys. Political in this context just means "something in the work that is reflective towards something tangible to real life". You know... that thing that art and stories are supposed to exist for in the first place.
I'm not making a joke or snarky comment here: I think genuinely, sincerely, there are a horrifying LOT of people on this forum (and fandom overall) who seem to legitimately not understand the basic-most dictionary definition of the word "politics" and all the various contexts in which it is used or is applicable.
Guys... this is remedial, grade school education stuff here. These are concepts you're supposed to understand by somewhere within grades K through 5th. School wasn't supposed to just be the place you go as kids to eat crayons and swap Yu Gi Oh! cards: you were primarily supposed to learn
precisely this kind of shit there.
English 101? History 101? Social Studies? Anyone? Anyone? Bueller? Bueller?
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Kunzait's Wuxia Thread
Journey to the West, chapter 26 wrote:The strong man will meet someone stronger still:
Come to naught at last he surely will!
Zephyr wrote:And that's to say nothing of how pretty much impossible it is to capture what made the original run of the series so great. I'm in the generation of fans that started with Toonami, so I totally empathize with the feeling of having "missed the party", experiencing disappointment, and wanting to experience it myself. But I can't, that's how life is. Time is a bitch. The party is over. Kageyama, Kikuchi, and Maeda are off the sauce now; Yanami almost OD'd; Yamamoto got arrested; Toriyama's not going to light trash cans on fire and hang from the chandelier anymore. We can't get the band back together, and even if we could, everyone's either old, in poor health, or calmed way the fuck down. Best we're going to get, and are getting, is a party that's almost entirely devoid of the magic that made the original one so awesome that we even want more.
Kamiccolo9 wrote:It grinds my gears that people get "outraged" over any of this stuff. It's a fucking cartoon. If you are that determined to be angry about something, get off the internet and make a stand for something that actually matters.
Rocketman wrote:"Shonen" basically means "stupid sentimental shit" anyway, so it's ok to be anti-shonen.