Rory wrote: Thu Jul 24, 2025 3:03 pm
I will always prefer the original version of Bardock - The story is so dramatically powerful and has always shaken me to my core. The fact that he never truly changed - it was too late for change, and this power he was given was a curse. I love that he accomplished absolutely nothing. For Dragon ball that's such a disturbing and relatable fear.
That being said - I think there's a lot to enjoy about your interpretation. As I get older I feel I'm becoming more sentimental, and the idea of "It's too late for me, but not for you" does carry a lot of weight to me now. Maybe I don't love that it's Bardock, but it's a story worth telling.
Hopefully this comes across legibly:
I think what makes Bardock hit so hard for me in
Dragon Ball Super is that I've been where he is in the sense of just being really tired of everything he's ever tried to live for and as. I've grown up—ostensibly—and been through a lot of shit. I can look back and go, "God, I wish I had done things differently" over a sizable portion of my life. It was enough to completely upend my life by coming out of the closet, after all. So, I feel like I can look at Bardock in that movie and go, "Yeah, this is a really real feeling that Bardock is experiencing and hits as a lot more relatable in that respect of wanting to keep going and live a better life."
Basically, estrogen would have fixed Bardock.
Okay, okay, that and I just think in general, at my age, I'm not really looking for—for lack of a better term—'faux-edginess' in my stories. Like, ain't nothing edgier than being trans and bi, so I don't really need big, cold ideas like, "the Saiyans are all just pure evil and Bardock's fate is a cruel joke, for he would never be able to change no matter what" or whatever. It's been a few years since I watched the original TV special, lol. Both Bardocks die—not an issues for me, given their misdeeds—but I think what I find more interesting is that sort of peace that Bardock comes to with himself that's present in the movie. I'm not sure how much of this was something that Toriyama was even conscious of when writing the script—or if maybe Director Nagamine Tatsuya changed the script himself while storyboarding—but I think the Bardock elements there really click well.
Additonally, I don't subscribe to the idea that nobody can change or should be arbitrarily denied the opportunity to try and change. The Bardock of
Dragon Ball Super won't ever make his mistakes go away, but I do kind of wonder what kind of story one might come up with if Bardock was mysteriously plucked away from his death and given the opportunity to live a life after those realizations he made and after sending that toddler of his off to try something new with his life.
Rory wrote: Thu Jul 24, 2025 3:03 pmI wasn't aware he was a fan of tokusatsu, that's genuinely cool to know! I'd say if he's well versed enough in Japanese entertainment to be a fan of tokusatsu, that almost solidifies my feeling that this take on the character is at least an acknowledgement.
Yeah,
Gunn's apparently quite into Kamen Rider, for instance. When I was watching
Peacemaker, I could not help but feel like The Vigilante's suit had some degree of Kamen Rider influence, given how sleak it looks.
