ABED wrote: Sun Jan 04, 2026 8:21 pm
JulieYBM wrote: Sun Jan 04, 2026 8:13 pm
ABED wrote: Sun Jan 04, 2026 7:44 pm
But they are written with the knowledge they'll be broken in two in subsequent airings and are structured as such.
In re-airings, yeah, but that doesn't necessarily mean that they weren't ideally made to be seen together as a single episode. It's why home video releases usually use the proper 90-minute master.
It's really funny that this has come up, since
Shaddy and me were watching the
Twin Peaks Pilot this morning lol. That think is 94 minutes long without commercials or the International Cuts's non-canon scenes.
I get what you mean, but when you watch those episodes at home, you'll see there's a clean break, even if it's just a cliffhanger that works as an act break or cliffhanger for the next episode. It's also why many Pilots/finales that are double length are also listed as 2 episodes on the DVDs and that's even if they play as one on the home video releases. Regardless, shows meant to air on either cable or broadcast even if longer tended to have a far greater degree of structure. If I was a betting man, I'd wager that the reason so many episodes are getting longer instead of just breaking them into smaller units is due to contractual and pay issues. Some of these episodes should be 2, but even if it's the same amount of screen time, people would have to be paid for 2 instead of 1. It's conjecture, but I don't think I'm going out on a limb.
Given how the unions are not happy about shows since the move to streaming, I absolutely would not be surprised if there was a move from executives to push for less episodes and more runtime so as to avoid paying out.
Creatively-speaking, though, I want to stress that the issue with these longer episodes is really down to bad production practices, rather than the length itself. The act structure of a series like, say, Star Trek of old or LOST is a wonderful tool, but not necessarily one that needs to be followed precisely.
The reason a two hour episode of Stranger Things drags is because the writing and characterizations is so sparse. Characters just spin their wheels for the entire series because The Duffer Bros don't have densely written arcs for the characters. A proper writer's room could help mitigate that, but Stranger Things is part of the new wave of 'auteur television', which doesn't rely on the salaried writer's room of old (Trek, LOST, older series I haven't watched).
I go back to it a lot, but the first episode of Oshi no Ko is 82 minutes without commercials and adapted the entire first volume of the comic, ten chapters, while still cutting bits of the story out to reframe the story. It's a wildly intriguing establishing episode and when more Dragon Ball television is inevitably made, I'd love to see some experimentation with episode lengths. Daima Episode #1 is already the longest episode of the franchise, but I think that thirty-two minutes could have been used more wisely (the Gokuu and Vegeta sparring scenes are awful and add nothing and the party scenes themselves were really boring comparedto the Gomah scenes).
The Fate series and Re:Zero also do expanded runtimes quite successfully.