GT: 100 Years Later TV Series

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Kenji
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Re: GT: 100 Years Later TV Series

Post by Kenji » Tue Feb 10, 2026 4:21 pm

Zephyr wrote: Tue Feb 10, 2026 2:56 pm Dragon Ball's progression, unlike Pokemon's, is also firmly rooted in Daoist and Buddhist narrative and mythological traditions. Goku getting endlessly stronger demonstrates an understanding of the assignment, so to speak. I get that's not for everyone, but that is and has always been a very major part of what makes Dragon Ball what it is, just as much as wacky irreverent gag humor and problematically-honorable and competitive protagonists. When anyone expresses being turned off by these elements, I'm always amazed at how long they've been able to stick around with DB despite it being what it is. I don't fully get it, but I do respect it.
I can't speak for everyone, but what kept me hooked in Dragon Ball was that it always managed to stay interesting, fresh, and have sort of a message attached to each arc.

Pilaf: "You don't need magic balls to make your wishes come true, they were always at your reach."
20th Budokai: "Don't let your ego get to your head and keep improving, there will always be someone stronger."
Red Ribbon: "Militarization is bad, there is no magic water to make you stronger (please disregard Piccolo), you make yourself stronger through hard work and dedication, and while there's nothing wrong with holding on to your memories, you must do the right thing if that'll make someone else's life better."
21st Budokai: "The older generations have direct impact on the newer generations, and sooner or later, they'll be surpassed for better or for worse."
Piccolo Daimao: There was never a Piccolo arc, it never happened. (I don't like it very much)
Saiyans: "With hard work and dedication, anybody can get to the top."

Where the entire problemetically-honorable and competitive protagonists shit started to happen was around the Saiyans/Namek. And even then, the protagonists were usually a little on the lighter side of the moral scale. Even in the infamous scene where they refuse to stop Gero, Goku throws around the excuse, "Well, this Gero guy didn't even hurt anybody yet, so killing him is... uh...." It was mostly Super that doubled down on the protagonists being horrible amoral pieces of shit thing.

I also tend to not like Freeza/Cell/Boo and the entirety of modern Dragon Ball because whatever message they were planning on having is either a retread of an old one or is very, very badly executed. I think Dragon Ball tried to "pass the torch" at least 5 times in a row during Cell/Boo/GT/Super and never really committed.

I just stick around because despite my distaste for the latter portion of the franchise, there are moments where I see it return to its former glory and have something fresh and interesting to say (GT, Battle of Gods, the Goku Black arc). However, I must be honest and say I'm very displeased that most "stories" it has been producing lately have followed this trend of "Here's new thing, there's barely any story, but everybody got stronger & new flashy transformations, I guess..." (Yes, Daima, I'm looking at you!)

Just my two cents on the topic.

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Re: GT: 100 Years Later TV Series

Post by PrinceVegetto » Wed Feb 11, 2026 12:09 am

JulieYBM wrote: Tue Feb 10, 2026 3:06 pm Make Dragon Ball weirder?

It's time to make Gokuu and friends become women. And be bisexual.

And fight guys who also turn into women and be bisexual.

And hold hands.

And battle each other in insanely cheesecake positions.

And travel to new worlds where people experience emotions other than wanting to fight.
Absolutely!

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Re: GT: 100 Years Later TV Series

Post by PrinceVegetto » Wed Feb 11, 2026 12:15 am

Zephyr wrote: Tue Feb 10, 2026 2:56 pm
PrinceVegetto wrote: Sat Feb 07, 2026 2:36 am I think a new TV series that continues the GT TV special could have potential.

We'd have new heroes emerge without constantly retreading old battles or recycling old villains and people wouldn't miss Goku or Vegeta because Goku Jr and Vegeta Jr are their carbon copies :D
Goku Jr. looks like a carbon copy of Goku, but that's where the similarities end.

On the topic of wanting something that doesn't retread old battles and recycle old villains, I think the GT staff are probably among the last people I'd be trusting to deliver it. Every major conflict in that show was about something from the past coming back. It was an inherently backwards-looking project, despite time moving forward and characters aging in-universe.
Dragon Ball as a franchise is built on legacy. All of Z’s best arcs recontextualize old ideas. GT may have tried to duplicate OG DB in its first arc but after that they really got the ball rolling, so if reusing old ideas for continuity sake automatically makes something uncreative, then Z itself would fail that standard with the Red Ribbon army / Android arc.

The concept for the Shadow Dragons arc where there's finally consequences for the overuse of dragon balls is brilliant. Execution is another story...

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Re: GT: 100 Years Later TV Series

Post by MCDaveG » Wed Feb 11, 2026 4:39 am

This brings me back like 25+ years ago! Damn...
Goku and Vegeta Jr.s were a huge plot twist when I watched GT as it ran on TV, as a kid, one of the biggest draws of anime was that it wasn't that monster of the week format, but continuous story that seemingly never ended.

I was super surprised, excited and wondered at the same time, OK, so where are we going from here on, what will be stories etc.
Bam, epilogue, credits roll. Tearjerking ambiguous ending.
There were some fans back in the day, that did or rather, tried to do the stories for Juniors in RPG maker, Goku and Vegeta had each their own games. I didn't like it, as it felt like those JRPG fan mods from back in the day. Basically a Final Fantasy like with non-dragon ball designs with Goku and Vegeta's sprites slapped in.

When I discovered Daizex (now Kanzenshuu) around 2002, I found out about the TV special. It went even weirder.
It was supposedly aired some time after Baby arc, hence the epilogue didn't came out of nowhere, but the special alongside Trunks and Bardock never aired in Europe alongside the main series. My first encounter and finding out, that Dragon Ball actually has a movie (yeah, singular), was when RTL II in Germany ran trailers for the mashup of Movies 12 and 13 in similar fashion to Digimon The Movie.

Damn, that special was depressing. GT as a whole. Not much was happening in the special itself, besides interesting point in making someone who has strength and everyhing going for them in their genes to be picked on, afraid and basically opposite of Goku, albeit looking like him. And that's where it ends.
I can understand, why Toriyama didn't want to go further if his official reason is true. GT rode on wave setup by series before, but when it came to the point of departing further from the OG story, the depressing stuff was more about what to do with these characters, then their finality. Which brings me to the conclusion, that 100 years later series would be unsuccesful and to an extent, boring one. And unnecesary.

Dragon Ball story was born more as an organic material than plan, lot of the decisions were based on popularity of the property coming from either editors or polls and Toriyama had to dance around it. That's one of the mechanisms already missing in the franchise nowadays, as in proper Bandai fashion, it's not about polls anymore, but about keeping the status quo of what worked (even tho it was more in motion and living), taking that slice and boost it with facelifts to sell more toys, but not much to not break the formula.
100 years later series would have to be a completely new series, with few familiar designs, but different characters, different obstacles, it will have to basically be OG Dragon Ball from beginning and form itself. That's already quite a task, as all the characters, stories and progression with them will be lost. That's why we have both Super and Daima instead of brave new revolution under the Dragon Ball banner.
That's why we have DB Online and maybe AGE Project happening hundreds of years in future, but still revisiting the OG series for the needed connection.

I'd rather have some gap fillings or side stories set around the original story... there are lot of time breaks, but with Super Hero for example, they can branch and run concurently with EOZ as well. When Goku leaves with Uub, where does that leave Goten, Trunks and Pan? With the evolution of Gohan and Piccolo in Super Hero, Earth is no longer doomed without Goku. I am afraid, that with Toriyama's passing, flying that close to the sun of the originals without his input or at least seal of approval is a no go, unless he left some drafts and works adressing that and they might finish them in Tolkien style. In that regard, story set 100 years later sounds more doable, but I can't see it happening for reasons above...

And, we'll kinda have it with Project AGE, whatever that is or will turn out to be.
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Re: GT: 100 Years Later TV Series

Post by Zephyr » Wed Feb 11, 2026 2:34 pm

Kenji wrote: Tue Feb 10, 2026 4:21 pm I can't speak for everyone, but what kept me hooked in Dragon Ball was that it always managed to stay interesting, fresh, and have sort of a message attached to each arc.

Pilaf: "You don't need magic balls to make your wishes come true, they were always at your reach."
20th Budokai: "Don't let your ego get to your head and keep improving, there will always be someone stronger."
Red Ribbon: "Militarization is bad, there is no magic water to make you stronger (please disregard Piccolo), you make yourself stronger through hard work and dedication, and while there's nothing wrong with holding on to your memories, you must do the right thing if that'll make someone else's life better."
21st Budokai: "The older generations have direct impact on the newer generations, and sooner or later, they'll be surpassed for better or for worse."
Piccolo Daimao: There was never a Piccolo arc, it never happened. (I don't like it very much)
Saiyans: "With hard work and dedication, anybody can get to the top."

Where the entire problemetically-honorable and competitive protagonists shit started to happen was around the Saiyans/Namek. And even then, the protagonists were usually a little on the lighter side of the moral scale. Even in the infamous scene where they refuse to stop Gero, Goku throws around the excuse, "Well, this Gero guy didn't even hurt anybody yet, so killing him is... uh...." It was mostly Super that doubled down on the protagonists being horrible amoral pieces of shit thing.

I also tend to not like Freeza/Cell/Boo and the entirety of modern Dragon Ball because whatever message they were planning on having is either a retread of an old one or is very, very badly executed. I think Dragon Ball tried to "pass the torch" at least 5 times in a row during Cell/Boo/GT/Super and never really committed.
Okay yeah, if you don't like the Piccolo, Namek, Cell, or Boo arcs then your position overall makes a lot more sense to me. I don't relate to that, but I get it. I apologize in advance for the lengthy reply here. Not typing any of this to argue or to try and change your mind, but to try and explain what I'm getting out of the story as a whole, including those later arcs that you aren't so big on.

I think the protagonists' moral character throughout the story is reasonably complicated. As early as, and especially in, the Pilaf arc, every main character besides Goku is a scheming bastard in some way or another. I still need to read more of Toriyama's other stuff to really see and appreciate it myself directly, but I've often seen it said (mainly by Cipher) that his stories in general tend to involve a bunch of selfish assholes accidentally making the world a better place. But I wouldn't say that makes them horrible amoral pieces of shit. Some very big mainstream schools of thought in Ethics hold the position that consequences alone determine the moral quality of an action, so I wouldn't be alone there. But even that to the side, like you said, they are clearly on the lighter side of things, and I'd say that applies no matter what story arc we're in. Even in Super. And even in the Pilaf arc: these people (sans Goku) are all using each other, but they still end up saving the world despite that. I think that's fun! That Goku himself will later develop a selfish streak of his own is also something I think is fun. It adds some texture to him, beyond being a simple do-gooder.

As an aside, I don't think Goku's choice to revive Bora is as selfless as it's often painted. Going out of his way to continue his quest and look for the rest of the Dragon Balls and using them to bring Bora back to life were very good things to do. But remember that after the wish is made he leaps into the air and grabs the Four Star Ball before it can fly away. It returns to normal a year later. He did not have to sacrifice his grandfather's memento for the sake of others, and he got to fight more strong guys as a result of this selfless quest. He gets to have his cake and eat it too, something that will pretty much be true for all of his increasingly selfish decisions down the line.

On the topic of that selfish streak, it really starts in the 23rd Tenkaichi Budokai. He gives Piccolo a free hit, stakes be damned, and he restores Piccolo to good health and longs for him to get even stronger. People give all sorts of reasons to justify these actions, and they aren't without merit, but the fact remains that they were risky moves made in part for the sake of good fights, in the present and the future. So, the moral quality of these actions is mixed.

I think it's interesting that the first of these sorts of decisions on Goku's part comes in the first story after he's grown up (something I think Toriyama was trying to pull an inverse of with Gohan after training in the Room of Spirit and Time). I also think it's interesting that Goku's reckless decisions like this tend to escalate alongside his strength. The implication of that, intended or otherwise, is that there is a sort of danger to reaching the top. Is there any real upshot to that? Any useful moral lesson for the reader to glean? I'm not sure, but I do think it is a fun way to subvert and pervert Roshi's lesson from the 21st Tenkaichi Budokai, that surely there is always a bigger fish out there.

What happens when someone who thrives on testing themselves runs out of ways to test themselves? They start inviting their own tests. This results in Goku developing into a more morally grey character than the pure child he was in the Pilaf arc, where he was pretty much the only one not manipulating everyone else for his own selfish desires. But even then, he's still a good dude. Again, I think that's fun. The ending with Oob works for me because Goku is now taking on as a pupil someone who rivals him in power: the final antagonist he faced, someone he couldn't even truly beat on his own. In a sense, he has a definitive healthy outlet for that endless drive (credit to Cipher and Nejishiki for this read). I think this is important for maintaining that moral greyness in Goku, while also keeping the overall lighthearted message of DB, that shit's gonna be okay in the end.

I do think there is some more stuff you could do with that besides simply escalating Goku's recklessness. I've seen some pine for something that reminds me a lot of Berserk or Vinland Saga, where the protagonist has a big revelation partway through the story that they've been living their life very wrong up until that point, and they spend the rest of their life trying to amend it. I think that's a good type of story, but I personally don't think that's a very interesting model for Goku to follow. What I do think would be interesting is more an examination of moral character itself, and the implications of actions on said character. Goku can ride Kinto-Un and survive Devilman's attack because he is "pure of heart". What does that actually mean, though? What I'm calling "problemetically-honorable and competitive", that moral greyness to Goku's character as he grows up and gets stronger, is what, I'm pretty sure, Toriyama meant when he said there was an element of "poison" to Goku. And, well, I would love to know how that interacts with the purity of his heart, if at all. Goku can still ride Kinto-Un in the Saiyan arc, despite all of the stuff he did for Piccolo. Could he still ride it after Namek? After the Cell arc? In Super? What does it mean if he can? What does it mean if he can't?

Another throughline worth mentioning is the way in which so many evil characters do the same thing as Goku, but from the opposite direction. Where Goku, a good guy, is willing to be maybe a little too accommodating to bad guys for the sake of a good fight (from the perspective of wanting to win and survive at any cost), so many bad guys are likewise willing to be maybe a little too accommodating to good guys for the sake of a good fight (from the perspective of wanting to win and survive at any cost). They, just like Goku, are driven by their egos, which are bound up in proving their martial superiority (to others and themselves). Piccolo goes out of his way to enter a martial arts tournament, basically hoping to humiliate Goku at his own game. Freeza opts out of simply firing at Namek again, because he wants to fight Goku more. Cell allows everyone to train more, so that he can hold a martial arts tournament. Boo, across multiple incarnations, holds off on fully wiping humanity and Earth out, because there will be more strong guys later. In the case of Piccolo and Boo, holding off on simply killing their enemies ends up giving them time to reform. They end up becoming better people, ironically, because they will sacrifice their own self-preservation for a good fight, in the same way that Goku becomes a worse person for exactly the same reason. They mirror each other in a way.
(Goku's selfish desire for a good fight down the line also gives characters like Vegeta, #17, and #18 the chance to reform, but there wasn't a great place in the paragraph to add that)

There's maybe something to be said here, probably by someone much more well-read on the subject, about Yin and Yang in Daoism, and how existence involves a sort of swinging pendulum between the extremes, and how those extremes compliment and create each other, and together they form a sort of balance. Even bad people can reform, and even good people have some "poison" in them. Things are not black and white. Through shared striving in the context of competition, we can all meet in the middle. I believe that is a positive theme and message that Dragon Ball presents, which only truly works if Goku is allowed to become a worse person and make others better as a result, which only gets off the ground with Goku's ever-increasing strength leading to a scarcity of bigger fish and an escalation of recklessness.

Full disclosure, those last two paragraphs only fully dawned on me while writing this post, so even if you don't agree at all with my read here, I appreciate you providing the impetus for me arriving at it.

PrinceVegetto wrote: Wed Feb 11, 2026 12:15 amDragon Ball as a franchise is built on legacy. All of Z’s best arcs recontextualize old ideas. GT may have tried to duplicate OG DB in its first arc but after that they really got the ball rolling, so if reusing old ideas for continuity sake automatically makes something uncreative, then Z itself would fail that standard with the Red Ribbon army / Android arc.

The concept for the Shadow Dragons arc where there's finally consequences for the overuse of dragon balls is brilliant. Execution is another story...
I definitely agree. Dragon Ball has been recontextualizing stuff for the bulk of its existence. Gaffer Tape once pointed out in Dragon Ball Dissection that the Piccolo Daimao arc remixes the Tao Pai Pai portion of the Red Ribbon Army arc. This then gets remixed all throughout the "Z" portion. You can definitely use your legacy as a vehicle for doing new things. You can iterate on the same idea multiple times, polishing and refining it each step of the way.

But I guess my point then is, what's supposed to be the problem with "constantly retreading old battles or recycling old villains" as you describe in the opening post? Why can't the adventures and battles of Goku Jr. and Vegeta Jr. involve a ton of callbacks to Namek and Boo? Why couldn't they face a new iteration of the Crane School? Which stories are actually guilty of retreading and recycling in your eyes, and why is GT (seemingly) off the hook for it?

Where does the tasteful use of legacy end and the lazy rehash begin? Where does the Temu Pilaf arc/Plan to Eradicate the Saiyans Redux arc fall on this spectrum? What about Movie 12 Redux? To be clear, I don't hate any of GT's arcs, and thought the Super 17 arc was a very fun time last rewatch. But I'm just not sure what sets them significantly apart from later Dragon Ball stories, or why anyone should expect that a Goku Jr. series would have been any different.

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Re: GT: 100 Years Later TV Series

Post by Kenji » Wed Feb 11, 2026 3:04 pm

Personally, I'm not against rehashing old ideas as long as they do a good job with executing them.
I know quality is subjective, but I mainly judge the quality of a show based on three things:

1) Its ability to tell a story that actually says something that hasn't been said before
2) Its ability to execute that concept well and convey that message
3) Its ability to keep me entertained and follow along

I keep GT off the hook because despite all the nostalgia baiting, all the creepy pedophilia and sexist shit they do with Pan, all the wasted characters they throw out the window, all the missed potential, they do stick the landing on a few messages and stories Dragon Ball hadn't told before. Being considerate of your friends' feelings, consequences to your actions, the morality of revenge, caring about your family and longing for them after they're gone. I don't care if it's "Anti-Toriyama," GT despite all problems sticks the landing on those three points for me, hence why I leave it off the hook.

I don't leave things like the Z Movies, most of Super and Daima, or Plan to Eradicate the Saiyans off the hook simply because there is no story past a surface level callback to something. Nobody questions the morality of what's happening, why it's happening and nobody grows from the whole experience in Plan to Eradicate the Saiyans, for example. In GT, Pan, Giru, Goku, Baby and numerous others all grow as characters, there is a stark difference in the story's execution and the conveying of the messages they wanted to convey the first time.

On the topic of the protagonists' morality: I'll just leave it clear I am not against the protagonists being portrayed as morally grey if that is executed well. By all means, explore Goku's morality, explore how his actions impact others, have him reflect on said morality, have him grow and change from that. The problem is: That doesn't happen, or at least, doesn't happen in a very satisfactory manner. Take the Tournament of Power for example: The exploring of Goku's morality, the very premise of the arc, is immediately dropped with the revelation that Zeno was always planning to erase the universes in the first place. Goku's entire speech of "I'm not a superhero, I just care about my friends" comes off as lame and forced, because he at no point demonstrates with his actions he's doing what he can to win the tournament and protect them, but rather just looking for another good fight, abandoning Gohan's plan to go fight at the very first moment he's able to. At the end of the show, nothing changed, nobody grew, no morality needed to be questioned. And all of that is on top of the show being a boring dragged out spectacle-fest, to the point I fell asleep and questioned myself often what am I doing with my precious time left on Earth.

Again, quality is subjective, and a person can easily feel the same towards GT, or any other portion of the franchise for that matter.
This is just my experience and perspective here, please don't take it as objective.

At the end of the day, it all boils down to what story they're trying to tell, its execution, and its ability to keep me entertained.
I am really not that knowledgeable in the broader inspirations for the franchise like Wuxia, so I can't give an opinion about that.
I just treat Dragon Ball like any other show, not as a "Toriyama's usual work" if that makes any sense.

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Re: GT: 100 Years Later TV Series

Post by Zephyr » Wed Feb 11, 2026 4:08 pm

Kenji wrote: Wed Feb 11, 2026 3:04 pmI just treat Dragon Ball like any other show, not as a "Toriyama's usual work" if that makes any sense.
No, definitely. There's something to be said for a work being able to stand purely on its own merits without reference to anything else. I do not begrudge anyone for evaluating any work of art or media on those terms. It is how most people engage with these things, it's how I engage with most of what I engage with, and that's only normal. There's only so much time in the day and in our lives. I'm watching through Star Trek and Buffy the Vampire Slayer right now, and I'm definitely not evaluating those based on their influences, their genre, or what have you. Just, "am I enjoying this while I'm watching it? Why or why not?"

Dragon Ball is just one of those works that I've been a huge fan of for so long, that I am driven to delve ever deeper down the rabbit hole regarding its production, its craft, its influences, etc. It's the only reason I switched from watching the show in English to watching it in Japanese to begin with, after joining here. I want to know more about it. I want to know more about how it was made. I want to know why it was made the way it was. Knowing and understanding how it's riffing on prior stuff genuinely enriches my enjoyment of it. As you learn more about a work and where it is situated within the wider tapestry of creative endeavors, your views on it and what jumps out at you while reading or watching it irrevocably change. If you haven't yet encountered a work that pulls you in like that, I hope you one day find it. It is genuinely exhilarating.

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Re: GT: 100 Years Later TV Series

Post by BernardoCairo » Wed Feb 11, 2026 5:10 pm

Kenji wrote: Tue Feb 10, 2026 4:21 pmI also tend to not like Freeza/Cell/Boo and the entirety of modern Dragon Ball because whatever message they were planning on having is either a retread of an old one or is very, very badly executed. I think Dragon Ball tried to "pass the torch" at least 5 times in a row during Cell/Boo/GT/Super and never really committed.
I think it’s kind of pointless to mash Freeza, Cell, and Boo together with modern Dragon Ball, especially Freeza. That arc was executed so well and really works as the true finale to the story that began in the Saiyajin Saga. The clash of ideologies between Goku and Freeza feels fundamentally different from Goku and Vegeta. It is the culmination of Goku’s character up to that point.
The Android arc builds on that by revisiting ideas introduced on Namek in a new light. It brings in the father and son dynamic with Goku and Gohan, and Vegeta and Trunks, as part of the path toward mastering Super Saiyajin. I disagree with the idea that Dragon Ball is just about flashy transformations and callbacks, and that is especially true for these arcs. They were setting trends, not copying them. The transformations, including the grade forms, felt like natural developments tied to training, martial arts, and the themes of surpassing limits.
I also do not think these stories pushed the passing the torch idea that hard. Namek definitely did not. The Android arc leaned into it with Gohan and Trunks being positioned as protectors of their worlds, but Goku returning for the final arc makes sense to me. Dragon Ball is ultimately the story of his life. Closing things out with Vegeta and having the people he met on the planet he saved lend him their energy is one of the most powerful moments in the series.
I prefer the earlier arcs overall, but these are still original and well executed, especially compared to Super and GT. Those series often revisit the same ideas, sometimes effectively, sometimes not, but rarely with the same thematic weight or narrative build up as Namek and the Android saga (especially GT I think).
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Re: GT: 100 Years Later TV Series

Post by JulieYBM » Wed Feb 11, 2026 5:17 pm

The focus of the anime on centering Gohan as the new protagonist—so much so that his name was going to be in the title of the second series—really helps frame the Namek arc within that context of "The torch is being passed." Perhaps that that wasn't the direct intention of Toriyama for his comic, but his comic isn't the center of the mass-market media machine for the franchise, the animated series is, and merchandising partners want to sell that new kid, Gohan, more so than the adult, Gokuu.
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Re: GT: 100 Years Later TV Series

Post by BernardoCairo » Wed Feb 11, 2026 5:28 pm

Regardless of Toriyama's intention, it's clear, even in the anime, that Goku remains the protagonist throughout the Saiyajin and Namek arcs. This is evident in every aspect, from his training to the two main villains (who are reflections of Goku in one way or another). I think it's fair to say that the story was building up Gohan to have an important role in the future, and it did so very well over three arcs. However, it was only during the Android arc that this storyline truly took center stage (with the plot involving the Saiyajins and their bonds with their children).
The proposal to name the second anime series after Gohan was misleading, which is why it was ultimately rejected, giving way to Toriyama's choice of "Z".
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Re: GT: 100 Years Later TV Series

Post by PrinceVegetto » Wed Feb 11, 2026 5:41 pm

Zephyr wrote: Wed Feb 11, 2026 2:34 pm
PrinceVegetto wrote: Wed Feb 11, 2026 12:15 amDragon Ball as a franchise is built on legacy. All of Z’s best arcs recontextualize old ideas. GT may have tried to duplicate OG DB in its first arc but after that they really got the ball rolling, so if reusing old ideas for continuity sake automatically makes something uncreative, then Z itself would fail that standard with the Red Ribbon army / Android arc.

The concept for the Shadow Dragons arc where there's finally consequences for the overuse of dragon balls is brilliant. Execution is another story...
I definitely agree. Dragon Ball has been recontextualizing stuff for the bulk of its existence. Gaffer Tape once pointed out in Dragon Ball Dissection that the Piccolo Daimao arc remixes the Tao Pai Pai portion of the Red Ribbon Army arc. This then gets remixed all throughout the "Z" portion. You can definitely use your legacy as a vehicle for doing new things. You can iterate on the same idea multiple times, polishing and refining it each step of the way.

But I guess my point then is, what's supposed to be the problem with "constantly retreading old battles or recycling old villains" as you describe in the opening post? Why can't the adventures and battles of Goku Jr. and Vegeta Jr. involve a ton of callbacks to Namek and Boo? Why couldn't they face a new iteration of the Crane School? Which stories are actually guilty of retreading and recycling in your eyes, and why is GT (seemingly) off the hook for it?

Where does the tasteful use of legacy end and the lazy rehash begin? Where does the Temu Pilaf arc/Plan to Eradicate the Saiyans Redux arc fall on this spectrum? What about Movie 12 Redux? To be clear, I don't hate any of GT's arcs, and thought the Super 17 arc was a very fun time last rewatch. But I'm just not sure what sets them significantly apart from later Dragon Ball stories, or why anyone should expect that a Goku Jr. series would have been any different.
That’s fair, and I think we’re actually closer in position than it looks.

When I say “retreading old battles or recycling old villains”, I’m not talking about surface-level callbacks. I’m talking about stories that reuse the form of an arc without doing anything new with the idea behind it.

Namek - like survival, Buu-style chaos, Crane School rivalries — all of that can absolutely work for Goku Jr. and Vegeta Jr.... if the conflict forces new questions or changes the characters in new ways

Where I give GT more leeway isn’t because it avoids nostalgia but because in a few arcs it actually uses legacy to create legitimate stakes and doesn't rely too much on comfort.

The Shadow Dragons arc is essentially a waaaayyyy overdue bill coming to the frontline.

Baby is the manifestation of revenge from a wiped-out race due to the Saiyans.

Even Pan’s role (messy execution aside) is about growth, responsibility, and learning what being strong actually means.

So for me there's these main differences:
• Tasteful legacy: Old ideas used to create new consequences, new dilemmas, or new growth.
• Lazy rehash: Old ideas used mainly to trigger recognition, with no shift in meaning, stakes, or character.

So a Goku Jr. series could be full of callbacks, but more importantly, it’d be nice if it focused on:
• What does life as a hero for Goku Jr and Vegeta Jr look like while living in the shadow of their legendary ancestors?
• How has Earth evolved since the dragon balls disappeared (and then reappeared)?
• What new challenges and unexplored lore await the new generation?

All that aside, to me, it feels like Toyotarou is done with the 10 year time period we've been stuck in for over a decade with Super... so I hope we can finally move beyond this 10 year bubble Super’s lived in forever where there are 0 stakes because of EoZ.

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Re: GT: 100 Years Later TV Series

Post by WittyUsername » Wed Feb 11, 2026 9:30 pm

Honestly, the GT epilogue is probably the last facet of the franchise that’s ever likely to be revisited. If they ever were to do a distant sequel to Dragon Ball, it’s a lot more likely that they’d adapt DBO.

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Re: GT: 100 Years Later TV Series

Post by Kenji » Thu Feb 12, 2026 9:48 am

WittyUsername wrote: Wed Feb 11, 2026 9:30 pm Honestly, the GT epilogue is probably the last facet of the franchise that’s ever likely to be revisited. If they ever were to do a distant sequel to Dragon Ball, it’s a lot more likely that they’d adapt DBO.
I mean, who knows? Boruto and Yashahime were things that happened.
Zephyr wrote: Wed Feb 11, 2026 4:08 pm Dragon Ball is just one of those works that I've been a huge fan of for so long, that I am driven to delve ever deeper down the rabbit hole regarding its production, its craft, its influences, etc. It's the only reason I switched from watching the show in English to watching it in Japanese to begin with, after joining here. I want to know more about it. I want to know more about how it was made. I want to know why it was made the way it was. Knowing and understanding how it's riffing on prior stuff genuinely enriches my enjoyment of it. As you learn more about a work and where it is situated within the wider tapestry of creative endeavors, your views on it and what jumps out at you while reading or watching it irrevocably change. If you haven't yet encountered a work that pulls you in like that, I hope you one day find it. It is genuinely exhilarating.
I do, actually.
For me, it's Jungle Taitei (better known in the West as Kimba The White Lion).
Surface level, it's a dumb Saturday Morning Cartoon about a heroic white lion cub with outdated values and racist caricatures. But if you look deeper, it's actually a complex story about death, nature, war & prejudice, racism, familial relations, human greed, ethics and morality. I unfortunately don't have the same attachment for Dragon Ball, especially since Dragon Ball plays itself a lot less seriously and has a lot less to say about society as a whole, but I do understand where you're coming from.

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Re: GT: 100 Years Later TV Series

Post by Hellspawn28 » Thu Feb 12, 2026 2:13 pm

When you replace the old cast with a new generation, people tend to hate it. People hated Street Figther 3 and Yu-Gi-Oh GX when they came out as an example.
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Re: GT: 100 Years Later TV Series

Post by JulieYBM » Thu Feb 12, 2026 2:15 pm

Hellspawn28 wrote: Thu Feb 12, 2026 2:13 pm When you replace the old cast with a new generation, people tend to hate it. People hated Street Figther 3 and Yu-Gi-Oh GX when they came out as an example.
New Yuugi-Ou series with new protagonists continue to be made, though. Clearly, it was not an unsuccessful move.
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Re: GT: 100 Years Later TV Series

Post by Zephyr » Thu Feb 12, 2026 3:58 pm

Kenji wrote: Thu Feb 12, 2026 9:48 am
Zephyr wrote: Wed Feb 11, 2026 4:08 pmIf you haven't yet encountered a work that pulls you in like that, I hope you one day find it. It is genuinely exhilarating.
I do, actually.
For me, it's Jungle Taitei (better known in the West as Kimba The White Lion).
Surface level, it's a dumb Saturday Morning Cartoon about a heroic white lion cub with outdated values and racist caricatures. But if you look deeper, it's actually a complex story about death, nature, war & prejudice, racism, familial relations, human greed, ethics and morality. I unfortunately don't have the same attachment for Dragon Ball, especially since Dragon Ball plays itself a lot less seriously and has a lot less to say about society as a whole, but I do understand where you're coming from.
Hell yeah, I'm glad to hear it. My attachment to Dragon Ball long predated my direct interest in and engagement with big ideas and issues like that, so the presence/absence of them wasn't really a deciding factor for me. I personally get much more out of those topics by engaging with them more directly, rather than through art (though there is obviously plenty of art that I do love for their handling of those).

I think the degree to which Dragon Ball is unserious in general is something that contributes to my increased enjoyment as an adult analyzing it, and that's because I've come to appreciate it first and foremost as a work of comedy (despite being hooked as a 6 year old by how cool it was). I've loved comedy since I was a kid, and at one point wanted to be a comedian, myself. I love making people laugh, and I love being made to laugh. Dragon Ball starts out extremely comedic before getting more serious, and finally engaging in self-parody of its own seriousness by the end. Structurally speaking, the Boo arc is effectively a "punchline", with Tao Pai Pai through Cell as the "set up", making Dragon Ball's story a "joke" in the best way possible for me. Something so funny became so cool, and that cool stuff then became funny again. That's......very cool, and very funny! And to the extent that Toriyama was procrastinating and cooking shit up at the last minute throughout the story's run, the comic is then almost like a decade-long improvised standup routine. This is to say nothing of the many ways in which Toriyama was parodying and spoofing existing martial arts fiction stories and tropes throughout.

That's not to say I view it merely as a joke, that's just one additional layer to it all. What you described getting out of it is still there, as is my above read of cosmic moral balance and unity through purely-driven competition. This is another way in which knowing more beyond the text itself has expanded what I can see the text is saying to me. Like, my hearing and eyesight have become more sharpened, and I'm able to pick out finer details now. Which, again, not trying to change your mind, we have different motivations here that result in us wanting to better understand different sorts of works; but you reminded me of this additional read I have so I thought it'd be fun to share.

PrinceVegetto wrote: Wed Feb 11, 2026 5:41 pm stuff
Okay yeah I more or less see where you're coming from, though I disagree that taking place during the 10 year timeskip means there are zero stakes. Who lives and who dies isn't the only kind of stake that can exist, and plenty of other characters can learn and grow even if they aren't the primary protagonist. Plus, it's Dragon Ball, a story for children where there are multiple ways to bring people back to life, and with an afterlife where death is basically just moving to another place. Everyone being okay by the end is already pretty much a foregone conclusion, even if we don't truly know that for sure. This isn't, has never been, and never will be something like Game of Thrones, where nobody is really safe unless we've seen them in the future. Now, GT did kill off Boo and Piccolo, but Piccolo didn't really take a permanent exit from the story after that. Plus it's not like Boo was all that integral to the cast anyway; he joined the squad one story arc prior, and wasn't even a main character in the story where he died. Easy low-stakes shake up, if you ask me.

Super, despite taking place in a time period after which we know all of our beloved Dragon Team still live, had plenty of thematic throughlines in its arcs. The Black arc was about holding onto hope even in the face of some of the deepest possible forms of despair. The Tournament of Power was about trust and teamwork, something the massive loner Geran all but spells out to himself (and the viewer) as he is being eliminated by a coordinated effort between Goku, Freeza, and #17.

You don't have to move forward into unseen territory to tell an interesting and fruitful and meaningful story with stakes and themes. That stuff is time period agnostic, I guess you could say. A story set in a time period where we already know a lot about the status quo after the fact could do these things, and it could not. I've been moved by stories I've already read/watched before, despite knowing the ending and the fates of characters. If you watch seasonal TV shows, you probably know that actors sign contracts to do multiple seasons, and so aren't very likely to be abruptly killed off, even if things in any given episode start looking bleak. That doesn't mean we aren't still invested emotionally in what's happening, or that there are zero stakes.

A Goku Jr. story could do these incredible things, but it also could not, and it being a Goku Jr. story would never be the thing that decides that. If you just want a new generation and slice of life stuff for the sake of it, that's totally fine and understandable. But I don't think setting it in a different time period is going to be a smoking gun for getting that. You could still get that, it's just not inherent to the premise. It's far more about who's telling the story, and what kind of story they want to tell.

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Re: GT: 100 Years Later TV Series

Post by The Dark Knight » Thu Feb 12, 2026 5:39 pm

JulieYBM wrote: Thu Feb 12, 2026 2:15 pm
Hellspawn28 wrote: Thu Feb 12, 2026 2:13 pm When you replace the old cast with a new generation, people tend to hate it. People hated Street Figther 3 and Yu-Gi-Oh GX when they came out as an example.
New Yuugi-Ou series with new protagonists continue to be made, though. Clearly, it was not an unsuccessful move.
I think the advantage shows like Yu-Gi-Oh and Digimon have is that they've been doing that since the beginning, while shows like Dragon Ball have not. With that said, Dragon Ball was never intended to be that kind of series, where each one has a new cast of character. However, the adventures of Goku and his friends were also never intended to go on indefinitely like they are now.

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Re: GT: 100 Years Later TV Series

Post by JulieYBM » Thu Feb 12, 2026 5:59 pm

The Dark Knight wrote: Thu Feb 12, 2026 5:39 pm
JulieYBM wrote: Thu Feb 12, 2026 2:15 pm
Hellspawn28 wrote: Thu Feb 12, 2026 2:13 pm When you replace the old cast with a new generation, people tend to hate it. People hated Street Figther 3 and Yu-Gi-Oh GX when they came out as an example.
New Yuugi-Ou series with new protagonists continue to be made, though. Clearly, it was not an unsuccessful move.
I think the advantage shows like Yu-Gi-Oh and Digimon have is that they've been doing that since the beginning, while shows like Dragon Ball have not. With that said, Dragon Ball was never intended to be that kind of series, where each one has a new cast of character. However, the adventures of Goku and his friends were also never intended to go on indefinitely like they are now.
Yuugi-Ou GX came out eight years after the beginning of the original comic in 1996, so it isn't exactly like it was rejected after a near decade of the original work being firmly established. Yuugi-Ou wasn't meant to be the kind of series that renewed itself with a new cast ever three or four years, either, but it still pulled that off. Dragon Ball Heroes was probably meant to be an equivalent of that effect, but they never wound up making a proper animated series starring the Beat character.
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