The Tori-bot wrote:EDIT: Ignore this. >.>
OK. Why?
Vino wrote:Excellent job as always, though I was wondering why you didn't include next episode's new shots like you did with episode 9 review.
I included those in episode 9 because that was the first time we saw any re-animated footage in the next episode preview and the majority of it was re-animated. This time there were only a few, and they'll all be included in the next episode, so I figured they'd be covered then.
Vino wrote:Are you sure that none of Vegeta's powering up scenes were reanimated? I think him going to release his power is new as well, since I can tell by the new wind effect.
I'm not sure what you're talking about, because I included a shot from Vegeta's power up scene and even discussed the new wind effects. You must have missed it.
Kanzentai wrote:Part of the scene where Vegeta powers up and wind whips toward Goku has been re-animated. Interestingly, the wind has been faded and is much more transparent in
DragonBall Kai.
Jordan wrote:Rod wrote:I was just reading Kanzentai's reviews (awesome BTW) I noticed that the widescreen footage has a little bit more image at the sides eve thought it's cropped, how come?
I think the extra part of the image on the sides has always been there. So when they decided to crop it to widescreen, bringing in that part of the image meant they didn't have to take away from the top and bottom quite as much as they would have. I don't know why that part was there to begin with, though. I could be wrong, that's just what I've read about it.
Yes, it's always been there. Episodes were not photographed in a true 4:3 aspect ratio, but a little wider. This was done to ensure that things wouldn't show up on screen that weren't supposed to be there, such as the edge of the cel paint. Here's an example from our "
Animation Process" page on
Kanzentai which will hopefully help clear things up a little.
Here's what the various boxes represent:
Red box - Represents the amount of image that was originally photographed onto 16mm film; this is the original archival footage.
Orange box - Represents the master copy that is made from the 16mm film, which is re-framed to capture a smaller amount of image. This is what you'd see on TV.
Yellow box - Represents the new telecine master used for DVD releases, like the Dragon Boxes.
For
DragonBall Kai, like they did for the Dragon Boxes, they went back and used the original 16mm film (
red box) as their source material. You'll notice that it's much wider than what was originally seen on TV or even on the Dragon Boxes. By using this source they can make it wider and reduce the amount of material cropped from the top and bottom. Although FUNimation didn't have access to the original 16mm film, they basically did the same thing with their widescreen season sets.