Herms wrote:Well, there really isn't anyone at Bird Studio besides Toriyama and his one assistant, Matsuyama, and I've never heard of Matsuyama doing filler character designs. Besides when Toriyama designed filler characters (the confirmed examples of which are gone over
here), they were designed by Nakatsuru, Maeda, and the other main anime staff guys.
I sort of figured the anime staff was responsible for most of the filler designs, so thanks for the specifics.
Maybe this was a case of him sharing designs in a meeting (hey isn't this cool!), or the aforementioned 'here's a bunch of stuff for inspiration' kind of deal. I know that's a bit of a stretch, but it's bizarre to see a design just like Chrono in a crowd of obviously DQ-inspired guys.
I do wonder if he just handed over a bunch of stuff to the anime staff to help get down his style. And then handed over new stuff whenever he changed it. (Like in later Z, where he got to the more angular, 'easier to draw' style.) With all the filler they did, it's a possibility.
Having worked with a lot of Toriyama's recent digital artwork on various projects, if he's the one doing all the inking and coloring even today... I guess he either is still getting used to digital or he just doesn't care too much anymore. If you look at any of the various DQ artworks he's done in the past years, the style has very little line variance and the coloring is done in a very quick photoshop-airbrush style. DQIX for instance:
http://gamersblock.net/gamefluid/wp-con ... -Art-4.png
This is actually a bit better than Dragon Quest Swords which I believe had close to no line variance.
http://images3.wikia.nocookie.net/__cb2 ... urette.jpg ... you can see it especially around where the eyes should taper and how chubby the fingers look. The lines are very quickly done over whatever his original sketches were.
For some reason, I always figured by this point that he had a whip and a Hawaiian shirt and he was slavedriving his family into drawing stuff for him while shouting over a megaphone.