Discussion regarding the entirety of the franchise in a general (meta) sense, including such aspects as: production, trends, merchandise, fan culture, and more.
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Mayuri Kurotsuchi wrote:"In this world, nothing perfect exists. It may be a cliche after all but it's the way things are. That's precisely why ordinary men pursue the concept of perfection, it's infatuation. But ultimately I have to ask myself "What is the true meaning of being perfect?" and the answer I came up with was nothing. Not one thing. The truth of the matter is I despise perfection! If something is truly perfect, that's IT! The bottom line becomes there is no room for imagination! No space for intelligence or ability or improvement! Do you understand? To men of science like us, perfection is a dead end, a condition of hopelessness. Always strive to be better than anything that came before you but not perfect! Scientist's agonize over the attempt to achieve perfection! That's the kind of creatures we are! We take joy in trying to exceed our grasp, in trying to reach for something that in the end, we have to admit may in fact be unreachable!"
"But..but i refused to sign paper for allowing them to use my name, who would forge my.....GODDAMMIT NAPPA!!!"
My Twitter: @kamil198811
Bulma fan
Thanks to Discotek:
Magic Knight Rayearth get DVD release in 2015 and Blu-Ray release on 2016
Saint Seiya: The Lost Canvas get DVD release in 2015
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
The battle that takes the audience away from actual tournament fights.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.
