Please tell me there's more to the picture than just that. And send me a link.
DNA wrote:Not only I refuse to put tags for sexy males, I'll now devote myself to finding and posting them, so great job on bringing that issue to my attention.
I for one don't mind because most of them are fucking hilarious. Especially the Piccolo ones.
This will never not be my sig:
VegettoEX wrote:"Snoop Lion" is just a character he's playing for his reggae album and documentary. Him saying that it's his new name is all part of the character.
DNA wrote:Not only I refuse to put tags for sexy males, I'll now devote myself to finding and posting them, so great job on bringing that issue to my attention.
My proposition was to put all of the images in spoiler tags - regardless of whether the picture shows a man or a woman. And I still think that it would make the site much easier to navigate.
Sun-Wukong wrote:Please tell me there's more to the picture than just that.
I agree that separating the guy art from the girl art here would be redundant, and in some ways kind of offensive. It's easy enough to scroll past the guy pictures if you don't wanna see them, and as has been said, some of them are cool if just for the art alone. That buff Roshi picture is awesome IMO (though I am thankful he's not 'in the buff' as it were. ).
However, my cries for more art of Erasa remain. Erasa art, it has to exist, but I can't find anything.
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Pretty sure it's part of a doujinshi series called Dragon Ball H. Those have been on the internet for years, so you should have no issue finding it.
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Herms wrote:Really, you could translate either title either way and nobody would care. But God would know.
Why Dragon Ball Consistency in something such as power levels matter!
Spoiler:
Doctor. wrote:I've explained before, I'll just paraphrase myself.
Power levels establish tension and drama. People who care about them (well, people who care about them in a narrative) don't care about the big numbers or the fancy explosions. If you have character A who's so much above character B, who's the main character, you're gonna be left wondering how in the hell character B, the character we're supposed to care and root for, is going to escape the situation or overcome the odds. It makes us emotionally invested.
If character B doesn't escape the situation in a believable way that's consistent with previous events, then that emotional investment is gone. It was pointless tension, pointless drama made just to suck in the viewer. It has no critical value whatsoever. The audience is left believing that the author can just create whatever scenarios he wants and what happens to the characters is decided by whatever the author wants to happen, regardless of the events that happened in the story. Which, in fairness, is what happens, but the audience wants to be fooled. The audience wants to know that the world they're following has rules. That the world they're invested in isn't going to bend to external factors that are irrelevant to them.
An author can do whatever he wants with the characters, that's not false. But the author should also have the responsibility to make sure it fits in cohesively with the other events in the narrative he has created.