No, I recognize the humor present in the Ginyu Force. Also, I did not claim that the actions I mentioned make the show more "dark." I'm just sick of everyone visualizing the Ginyu force as a comedy troope whenever the topic of "seriousness" pops up. They aren't jokesters, they are a threat with sprinkles of gag.Akumaito Beam wrote:
Are you really trying to argue that the Ginyu Force wasn't at least partially humorous? The bad guys have been trying to murder the good guys in this series since day 1. I don't understand how that makes the show "dark". Most every children's action cartoon runs on that premise.
Question about Toei's marketing motives
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Re: Question about Toei's marketing motives
Kakacarrottop wrote: That's the problem with the "Dragon Ball" fanbase, it's too divided. There's "FUNimation fanboys", "Kai fanboys", "Ocean fanboys", "Japanese fanboys", we need to stop attacking each other and realize we're all fans of the same thing.
Saiga wrote:Gandalf: Many that live deserve death. And some that die deserve life. Can you give it to them?
Goku: Yes, actually.
Gandalf: Oh. Neat.
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Re: Question about Toei's marketing motives
I agree with you, they aren't there solely for comedy's sake. We're on the same page.Super SaiyaJon wrote: No, I recognize the humor present in the Ginyu Force. Also, I did not claim that the actions I mentioned make the show more "dark." I'm just sick of everyone visualizing the Ginyu force as a comedy troope whenever the topic of "seriousness" pops up. They aren't jokesters, they are a threat with sprinkles of gag.
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Re: Question about Toei's marketing motives
Well that's a relief. It's getting late, so I didn't want to get sucked into the conversation too much
Of course, I also feel the same about Buu. I never got the "comedy" vibe from him, more like the "irony" vibe. Not to mention the "psychopathic, murderous, soulless monster" vibe.
Of course, I also feel the same about Buu. I never got the "comedy" vibe from him, more like the "irony" vibe. Not to mention the "psychopathic, murderous, soulless monster" vibe.
Kakacarrottop wrote: That's the problem with the "Dragon Ball" fanbase, it's too divided. There's "FUNimation fanboys", "Kai fanboys", "Ocean fanboys", "Japanese fanboys", we need to stop attacking each other and realize we're all fans of the same thing.
Saiga wrote:Gandalf: Many that live deserve death. And some that die deserve life. Can you give it to them?
Goku: Yes, actually.
Gandalf: Oh. Neat.
Re: Question about Toei's marketing motives
People have tried to argue that Buu slaughtering all of humanity is a gag.
So I must assume they are sociopaths.
So I must assume they are sociopaths.
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Re: Question about Toei's marketing motives
Toriyama knows how to blend humor and action together incredibly well. I do think the fact that this fat hyper active demon toddler was effortlessly smacking around the people who destroyed the most powerful tyrant in space and the embodiment of perfectness was supposed to be a joke on some level but I do believe he was supposed to pose a legitimate daunting threat at the same time. I actually find Boo's fat and kid forms some of the most interesting villains in the series.Super SaiyaJon wrote:Well that's a relief. It's getting late, so I didn't want to get sucked into the conversation too much![]()
Of course, I also feel the same about Buu. I never got the "comedy" vibe from him, more like the "irony" vibe. Not to mention the "psychopathic, murderous, soulless monster" vibe.
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Re: Question about Toei's marketing motives
I might have found it a bit more humorous if Buu didn't do a ton of messed up shit, like turning entire populations into chocolate and eating them. Or just outright exterminating the human race just to be a smartass toward Piccolo.Akumaito Beam wrote: I do think the fact that this fat hyper active demon toddler was effortlessly smacking around the people who destroyed the most powerful tyrant in space and the embodiment of perfectness was supposed to be a joke on some level but I do believe he was supposed to pose a legitimate daunting threat at the same time. I actually find Boo's fat and kid forms some of the most interesting villains in the series.
I do agree with you on finding Buu one of the most interesting villains. I just wish his backstory was a bit more fleshed out.
Kakacarrottop wrote: That's the problem with the "Dragon Ball" fanbase, it's too divided. There's "FUNimation fanboys", "Kai fanboys", "Ocean fanboys", "Japanese fanboys", we need to stop attacking each other and realize we're all fans of the same thing.
Saiga wrote:Gandalf: Many that live deserve death. And some that die deserve life. Can you give it to them?
Goku: Yes, actually.
Gandalf: Oh. Neat.
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Re: Question about Toei's marketing motives
Yet again, Rocketman, you never fail to amuse me, and you never cease to keep the conversations interesting.Rocketman wrote:Except there's basically nothing lighthearted about the Saiyan/Namek/Android/Cell arcs, sure.
I don't get why people wanna pretend like Dragonball is a big ol' hugbox.
I agree with you that the Saiyan-Cell arcs were mostly life-or-death combat/drama-focused and the most serious the series ever got. But it's not like it was completely devoid of comedic or light-hearted moments. Especially in the anime, there were scenes or character interactions that broke up the more dramatic scenes. But if you look the majority of the anime (DB/Z) or manga (DragonBall) and look at how it's marketed or how public reception is to DB/Z, they see it as a "fun" show that they grew up on. Especially in Japan.
The atmosphere and overall tone of the series' evokes positive feelings and memories in it's fans. Yes, it's mostly combat and action, but it has an overall upbeat and optimistic tone even when it's at it's darkest. You want to see those characters continue on, through battles, adventures, or even their daily lives. That's where this insistence that DB is a positive and lighter-toned series comes from. It's not like the Devilman manga/OVAs where the entire story is violent and bleak, and there's basically no hope for any of the characters. Though I enjoy that series too...
Just for the record, I think the franchise works best when it's a balance of the lighter and darker elements. That's why the King Piccolo through the Cell arc is my favorite stretch of DragonBall. Just enough fighting and combat to keep the stakes interesting, but just enough levity is included as to not make things overbearing.
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Re: Question about Toei's marketing motives
So it's mostly the same imaginary bullshit that makes people think of Goku as a good father figure.
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Re: Question about Toei's marketing motives
Maybe. Though me thinks that has a lot to do with the FUNimation dub as well.Rocketman wrote:So it's mostly the same imaginary bullshit that makes people think of Goku as a good father figure.
Nothing matters (in a cosmic sense.) Have a good time.
Re: Question about Toei's marketing motives
The old Funimation dub had characters who would mock Goku as a dad actually.
Rocketman wrote:"Shonen" basically means "stupid sentimental shit" anyway, so it's ok to be anti-shonen.
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Re: Question about Toei's marketing motives
So did the original.Kid Buu wrote:The old Funimation dub had characters who would mock Goku as a dad actually.
fadeddreams5 wrote:Goku didn't die in GT. The show sucked him off so much, it was impossible to keep him in the world of the living, so he ascended beyond mortality.DBZGTKOSDH wrote:... Haven't we already gotten these in GT? Goku dies, the DBs go away, and the Namekian DBs most likely won't be used again because of the Evil Dragons.
jjgp1112 wrote: Sat Jul 18, 2020 6:31 am I'm just about done with the concept of reboots and making shows that were products of their time and impactful "new and sexy" and in line with modern tastes and sensibilities. Let stuff stay in their era and give today's kids their own shit to watch.
I always side eye the people who say "Now my kids/today's kids can experience what I did as a child!" Nigga, who gives a fuck about your childhood? You're an adult now and it was at least 15 years ago. Let the kids have their own experience instead of picking at a corpse.
Re: Question about Toei's marketing motives
It did? When?
Rocketman wrote:"Shonen" basically means "stupid sentimental shit" anyway, so it's ok to be anti-shonen.
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Re: Question about Toei's marketing motives
Nappa called Gohan's "old man" cold for not being around, Shu-sai'aku blamed Goku for Gohan "repelling" and kept talking shit about him to Gohan's face (not as much as the dub though), and Cell kept saying how Goku's decision to have Gohan fight him was stupid.Kid Buu wrote:It did? When?
Piccolo even shouting at him for making Gohan fight Cell and gave him an eye-opening lashing.
fadeddreams5 wrote:Goku didn't die in GT. The show sucked him off so much, it was impossible to keep him in the world of the living, so he ascended beyond mortality.DBZGTKOSDH wrote:... Haven't we already gotten these in GT? Goku dies, the DBs go away, and the Namekian DBs most likely won't be used again because of the Evil Dragons.
jjgp1112 wrote: Sat Jul 18, 2020 6:31 am I'm just about done with the concept of reboots and making shows that were products of their time and impactful "new and sexy" and in line with modern tastes and sensibilities. Let stuff stay in their era and give today's kids their own shit to watch.
I always side eye the people who say "Now my kids/today's kids can experience what I did as a child!" Nigga, who gives a fuck about your childhood? You're an adult now and it was at least 15 years ago. Let the kids have their own experience instead of picking at a corpse.
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Re: Question about Toei's marketing motives
What I'm not understanding here is...why does it have to be one or the other? From where I sit, what makes Dragon Ball so much fun is the combination of both of those things, the serious stuff and the goofy stuff. Dragon Ball manages to do both so well intertwined with each other, without ever going too far in either direction. It manages to be humor-filled, it rarely misses the opportunity for a joke, but it doesn't go the way of Dr. Slump or Looney Tunes or what have you. It manages to be action-filled, and keep things serious when it needs to be serious, but it never turns into Berserk, or...I dunno, Blade Runner.
In fact, that's part of the appeal of most shonen in general, at least for me. Dragon Ball in particular does it really, really well however.
In fact, that's part of the appeal of most shonen in general, at least for me. Dragon Ball in particular does it really, really well however.
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Re: Question about Toei's marketing motives
While there are indeed many artists/directors/producers who are passionate about their work, television in general is produced to make money. The more people Toei can get to watch their show, the better. Young, old, it doesn't matter. If you watch it, they're happy. Don't be ashamed. It's not for kids. It's not for adults. It's for anyone who will watch it and give us ratings/money.
A lot of money just so happens to come from merchandise sales, and companies know that children are the absolute BEST demographic for that. They want everything. Gimme gimme gimme. It's why there's such an emphasis on appealing to children. It was the same in the 80s and 90s when the original shows were airing. It's the same with any family-friendly company. Disney knows that everybody, regardless of age, loves their films. Every demographic is important to them. But children bring in the big money. You've got to go after the young, impressionable ones. It's just business. If you had to stop liking something just because the highest target demographic is children, you wouldn't be allowed to like ANYTHING cool.
Dragon Ball has lighthearted moments. It has dark moments. It can get violent. Sometimes it's surprising how violent it did get. When something's popular, the creators are usually allowed to take some risks. That doesn't mean Dragon Ball's not still a family show. The Hell's Angels fit perfectly in a universe where a pet monkey named Bubbles exists. They were never out of place. It doesn't mean the show still can't get serious. The series just has a wide emotional spectrum. Comedy works. Drama works. It's a good thing. This constant insistence that everything look "mature" is one of the most childish things to do.
A lot of money just so happens to come from merchandise sales, and companies know that children are the absolute BEST demographic for that. They want everything. Gimme gimme gimme. It's why there's such an emphasis on appealing to children. It was the same in the 80s and 90s when the original shows were airing. It's the same with any family-friendly company. Disney knows that everybody, regardless of age, loves their films. Every demographic is important to them. But children bring in the big money. You've got to go after the young, impressionable ones. It's just business. If you had to stop liking something just because the highest target demographic is children, you wouldn't be allowed to like ANYTHING cool.
Dragon Ball has lighthearted moments. It has dark moments. It can get violent. Sometimes it's surprising how violent it did get. When something's popular, the creators are usually allowed to take some risks. That doesn't mean Dragon Ball's not still a family show. The Hell's Angels fit perfectly in a universe where a pet monkey named Bubbles exists. They were never out of place. It doesn't mean the show still can't get serious. The series just has a wide emotional spectrum. Comedy works. Drama works. It's a good thing. This constant insistence that everything look "mature" is one of the most childish things to do.
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Re: Question about Toei's marketing motives
I can see were the OP is coming from here. I will say that although I loved BoG overall I found the Pilaf stuff a bit TOO childish and out of place. I had absolutely no problem with Pilaf and his gang before this. I thought they were always really funny in DB and enjoyed seeing them again in GT. I was even looking forward to seeing them in BoG, but ended up not liking how they were handled in it. The rest of the movie was great, but the stuff with Pilaf and co. running around Bulma's house stuck out like a sore thumb.
Yes Dragonball is aimed at kids. But it was already a great kids show as it was without lowering the target audience further. I'm fine with it focusing on comedy and being upbeat, but putting stuff in there for toddlers sort of clashes with the more serious side of it. Take BoG for example. The serious/action scenes still felt like the same good old Dragonball. And some of the comedy scenes like Vegeta's antics also worked really well. But others like the ones I've already mentioned felt like they were going out of there way to reach an even younger audience.
It's almost like they're going in a similar direction to Pokemon, which focuses even more on its younger audience and less on the importance of the greater story in recent years.
Those are my thoughts on it anyway.
Yes Dragonball is aimed at kids. But it was already a great kids show as it was without lowering the target audience further. I'm fine with it focusing on comedy and being upbeat, but putting stuff in there for toddlers sort of clashes with the more serious side of it. Take BoG for example. The serious/action scenes still felt like the same good old Dragonball. And some of the comedy scenes like Vegeta's antics also worked really well. But others like the ones I've already mentioned felt like they were going out of there way to reach an even younger audience.
It's almost like they're going in a similar direction to Pokemon, which focuses even more on its younger audience and less on the importance of the greater story in recent years.
Those are my thoughts on it anyway.
Re: Question about Toei's marketing motives
Where's this big bad magic land where people "in the real world" look down on you for watching Dragon Ball? When I was in high school, shit even college, whenever Dragon Ball would randomly come up in a class, it'd lead to an extremely long conversation among a bunch of people reminiscing about how awesome it was. Usually girls would roll their eyes but there were quite a few who would join in, too.
Yamcha: Do you remember the spell to release him - do you know all the words?
Bulma: Of course! I'm not gonna pull a Frieza and screw it up!
Master Roshi: Bulma, I think Frieza failed because he wore too many clothes!
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Bulma: Of course! I'm not gonna pull a Frieza and screw it up!
Master Roshi: Bulma, I think Frieza failed because he wore too many clothes!
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Re: Question about Toei's marketing motives
Those are some good points but.....who is Shu-sai'aku?DBZAOTA482 wrote:Nappa called Gohan's "old man" cold for not being around, Shu-sai'aku blamed Goku for Gohan "repelling" and kept talking shit about him to Gohan's face (not as much as the dub though), and Cell kept saying how Goku's decision to have Gohan fight him was stupid.Kid Buu wrote:It did? When?
Piccolo even shouting at him for making Gohan fight Cell and gave him an eye-opening lashing.
Rocketman wrote:"Shonen" basically means "stupid sentimental shit" anyway, so it's ok to be anti-shonen.
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Re: Question about Toei's marketing motives
Mr. Shū, Gohan's filler tutor.
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Re: Question about Toei's marketing motives
Oh right.
I have to wonder if Goku being a deadbeat father was an intentional characterization, or if it just resulted indirectly from Toriyama making shit up as he went along, and then he just went with it.
I have to wonder if Goku being a deadbeat father was an intentional characterization, or if it just resulted indirectly from Toriyama making shit up as he went along, and then he just went with it.
Rocketman wrote:"Shonen" basically means "stupid sentimental shit" anyway, so it's ok to be anti-shonen.






