From what I understand, traditional animation is typically done in multiples of frames. For every unique frame, it might be displayed once, twice, three times, or more, depending on factors like time and budget. This process is called animating “on ones,” “on twos,” “on threes,” etc. respectively. For a 30 fps project, animating on ones would produce 30 unique frames; on twos, 15; threes, 10; effectively dividing the amount of work required to complete the project (although producing exponentially choppier animation in the process). Naturally then, for a 24 fps project, you cut the work down to 12 frames on twos, and 8 on threes. So, 24 fps is still less work in the long run, no matter how it’s approached.Olivier Hague wrote:I'm not sure that makes any kind of difference for the animators, actually...
But is the anime really animated at 30 fps? The video is 30 fps, yes, but the actual animation?
Yes, that’s correct. But the original 24 fps was the direct result of shooting to film in the first place, which I presume was standard practice at the time. It could have been shot at 30 fps natively, but it would have used up more stock and thus been more expensive. Financially it must have made more sense to shoot at 24 and telecine it to 30 for broadcast. Not the case anymore. This work was clearly done digitally and so there is no added expense of choosing to “shoot” at higher frame rates. I suspect they simply cut-out the middle man so to speak and designed the project to run at the destination speed from the start.I mean... The TV series was aired at 30 fps (because of the NTSC format), but actually shot at 24 fps, right? Hence the "phantom frames"...
I might be completely wrong about this, but I always thought...
What I mean to say is, OVAs tend to follow the same plot structure and running time as movies anyway, so what precludes an OVA from also being a movie and vice-versa? In this case, the product certainly seems to lack a clear distinction as one thing or another as it has had multiple avenues of exhibition in a very non-traditional sense."Movie formulas"? I'm not sure I follow you...







