Post
by penguintruth » Sun May 05, 2013 7:33 pm
There are good death scenes, but not many truly sad death scenes, as death is undercut by the Dragon Balls themselves. I mean, as soon as Bora is brought back to life, that's pretty much it for death in the DB world. Sure, the Dragon Balls still have rules wherein a person might be unable to come back to life, but those rules always seem to have loopholes. I think death probably meant more when the quest for the Dragon Balls took some actual time. I mean, when you can gather the Dragon Balls in a couple of days with minimal effort because you're uber powerful, your best friend's death at the hands of some alien douchebag is just a temporary situation, like being benched in a sports game.
That said, I thought Goku's death in the Cell arc was pretty sad. Sure, he could have come back, but he chose not to. "Uh yeah, I tend to be a magnet for trouble. Probably best I stay dead." This is completely stepped over for the Buu arc, however.
Think, however, about all the people on the DB world that died because they weren't deemed important enough to bring back to life. That's pretty sad, but since we don't know them, not nearly enough. It's like DC's Crisis on Infinite Earths. Billions of people not only died, but ceased to have ever existed to begin with. And yet, most of them we don't care about. The Flash died and it was a big deal, because he's The Flash, not Billy MacEntire of Flintfuck, Michigan, who just kissed a girl for the first time an hour before his universe was pulverized. I hate to say, Stalin had a point. "One death is a tragedy; one million is a statistic."
Kentai wrote:Son Gokuu is a fascinating character anyway, because he is - at face value, anyway - an idiot savant. The victim of violent head trauma as an infant [...] he's a simple bumpkin with a fair share of brain damage who's natural talents to work out what's wrong compensate for his broad lack of common sense. But he's also a fighter, through and through [...] he fight until he has, in no uncertain terms, beaten his enemy on terms they can both acknowledge. He doesn't want to kill anyone, or even prove that he can win... he just wants to know he can. He's an ineffably charming bastard who's manly leanings were really incendental, and yes, the fact that he was voiced by a squeaky woman made the combination perhaps all the more charming.
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