Do you want DB to stick to old-school BGM or more modern?

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TheGmGoken
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Do you want DB to stick to old-school BGM or more modern?

Post by TheGmGoken » Sun Jul 28, 2013 11:01 pm

I honestly want a mix of the two. Yes a little more modern can do wonders but throw in some old school as well. It will blend well if you do it correctly.

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Re: Do you want DB to stick to old-school BGM or more modern

Post by Black_Liger » Mon Jul 29, 2013 8:02 pm

I like both Takaki's style and Sumitomo's style. if we sticked to the old school bgm forever like some people suggest we would be on an unending loop of the same music. It would become monotonous sooner or later. I support recording new music for every special or movie they make.
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Re: Do you want DB to stick to old-school BGM or more modern

Post by dbzfan7 » Tue Jul 30, 2013 1:52 am

I'm up for new. If I want the old I'll seek it out.
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Re: Do you want DB to stick to old-school BGM or more modern

Post by cRookie_Monster » Tue Jul 30, 2013 2:41 pm

Working on the King Piccolo theme and watching old DB episodes has really made me think about the potential there is for more dramatic music in DB. I get visions of rescoring entire episodes with a more modern style. The happy and comedic stuff I probably wouldn't touch...but you'll see what I mean when I upload the new theme in about a weeks time.
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Re: Do you want DB to stick to old-school BGM or more modern

Post by Insertclevername » Tue Jul 30, 2013 5:02 pm

I'm fine with a balance. I'll still always see the Kikuchi score as the true BMG for Dragon Ball & Dragon Ball Z.
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Re: Do you want DB to stick to old-school BGM or more modern

Post by Dr. Machismo » Wed Jul 31, 2013 6:28 am

I miss Bruce Faulconer. :(
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Re: Do you want DB to stick to old-school BGM or more modern

Post by Gonstead » Wed Jul 31, 2013 6:38 pm

Dr. Machismo wrote:I miss Bruce Faulconer. :(
Correction - You miss "Faulconer Productions", since not all of the dub score was composed by Faulconer himself.

cRookie_Monster, a member on this site was one of those who worked on the score.
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