I really love pretty much all BGMs in this arc, but let's name a few of them that have a special place for me, using
Kenisu's extraordinary BGM recap titles (but I'll also specify when was the moment we heard it).
- The Folks on Mount Paozu: heard when Gohan is first seen riding Kinto-Un and landing to Satan City, and also at the end of the first episode when Goten is introduced. Has a great feeling of "blue sky" everyday life, I'm sure you could pretty much use this BGM in your life when you go to school or to work beneath a beautiful, sunny sky. Just another regular day starting in a nice way.
- Videl to the Rescue: heard when Videl flies in her chopper to get on the bus and save people. It dynamically captures the optimistic magic of
Dragon Ball and could totally fit the early
Dragon Ball adventures with Kid Goku.
- Videl Means Business: heard when Videl fights against Great Saiyaman. It's the fast-paced version of
Videl to the Rescue, with a bit of a video game mini-game feel to it. Again, there's something very optimistic about that "come on, let's do this!" track.
- Up and Coming: heard when Goten and Trunks enter the ring together. This is a very short instance for that track, but the little we hear is the very depiction of good times in a true friendship.
- Kaioshin's Theme: heard when the heroes first see Kaio Shin and Kibito. Some find this theme eerie, like something threatening, but I don't perceive that feeling at all. To me it just brings a sense of perfect mystery with something mystical. Like you're wondering "what exactly is this?" and you just silently watch, being sort of fascinated and trying to define the mysterious and mystical thing you're seeing that seems to belong to another world. For those who know that game, it could work very well in
Final Fantasy VII when Sephiroth, Tifa and Cloud encounter naturally crystalized materia, or when Bugenhagen explains about how the universe work with his holograms.
- Precursor to a Grand Adventure (Part 2): heard for recaps ever since episode 106. It's epic and you feel the seriousness of the situation, there's no joking around, action is on and the stakes are high.
Since the two recap tracks were used back to back in
Battle of Gods' special edition,
Kenisu considers both of them as being the same track, which is why I specified "Part 2" (the serious one) as opposed to "Part 1" (the relaxed one heard in previous recaps).
- Enough is Enough: heard when Gohan loses it as Videl gets tortured, but also when Kaio Shin explains about Majin Boo and Babidi's backstory. Simply meant for epic moments, when something decisive happens or is being said. Epic, epic, epic.
- The Terrible Majin Boo: heard when Gohan is dying on the ground while Kaio Shin takes off to follow Yamu and Spopovitch (also heard during part of Kaio Shin's briefing on Majin Boo and Babidi). There's something decisive and somewhat tragic in that track, and even a bit of twisted darkness when the violin's keys go high - low - high - low... Something serious and fateful is happening.
- Budding Affection: heard when Videl accepts to leave Gohan to his mission, learning all the truth about him and what truly happened at the Cell Game. A very beautiful, touching track, which will no doubt be used when the time comes for Vegeta to make the ultimate sacrifice.
- Fighting the Apocalypse: heard when Puipui gets his butt kicked by Vegeta, but also when Vegeta's possession process reaches its climax. Epic and feels like something extremely important which could change destiny is taking place.
Those are my 10 favorite "absolutely super-awesome" tracks, with the other tracks only being "absolutely awesome".