Saiga wrote:I like the little joke with "Gohana" continuing on from the original special's "Gokua".
Gokua is his real name from Bojack Unbound
That's what I meant. I forgot the name of the movie and wasn't thinking that DBM has specials as well.
Yeah, so Bojack Unbound gave us Gokua, and it's been pointed out a lot of times in the fandom how strange it is to be one letter off of Goku. So I think Gohana is a little joke based on that.
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RandomGuy96 wrote:This special is boring, and the artwork isn't funny enough to make up for it.
Previous specials haven't exactly proven to be good enough to have high hopes for this one, but still - three pages and that's really enough to declare it 'boring' or not already?
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RandomGuy96 wrote:This special is boring, and the artwork isn't funny enough to make up for it.
Previous specials haven't exactly proven to be good enough to have high hopes for this one, but still - three pages and that's really enough to declare it 'boring' or not already?
I'm mostly talking about the premise and the art, which is all I really need to know for a special like this. The art isn't really good (like the Gast special's art) or so bad that it's entertaining (like the Bojack special's art), and the idea of exploring Bojack's past just doesn't interest me. I'm not sure why Salagir thinks we need to know this, or what this has to do with DBM.
The Monkey King wrote:
RandomGuy96 wrote:
dbgtFO wrote:
Please elaborate as I do not know what you mean by "pushing Vegeta's destruction"
He's probably referring to the Bardock special. Zarbon was the one who first recommended destroying Planet Vegeta because the saiyans were rapidly growing in strength.
It was actually Beerus disguised as Zarbon #StayWoke
Herms wrote:The fact that the ridiculous power inflation is presented so earnestly makes me just roll my eyes and snicker. Like with Freeza, where he starts off over 10 times stronger than all his henchmen except Ginyu (because...well, just because), then we find out he can transform and get even more powerful, and then he reveals he can transform two more times, before finally coming out with the fact that he hasn't even been using anywhere near 50% of his power. Oh, and he can survive in the vacuum of space. All this stuff is just presented as the way Freeza is, without even an attempt at rationalizing it, yet the tone dictates we're supposed to take all this silly grasping at straws as thrilling danger. So I guess I don't really take the power inflation in the Boo arc seriously, but I don't take the power inflation in earlier arcs seriously either, so there's no net loss of seriousness. I think a silly story presented as serious is harder to accept than a silly story presented as silly.
RandomGuy96 wrote:I'm mostly talking about the premise and the art, which is all I really need to know for a special like this. The art isn't really good (like the Gast special's art) or so bad that it's entertaining (like the Bojack special's art), and the idea of exploring Bojack's past just doesn't interest me.
Agreed, especially since this origin story completely ruins the mysticism behind the Hera Clan, so dangerous that the Kaios had to intervene.
RandomGuy96 wrote:I'm not sure why Salagir thinks we need to know this, or what this has to do with DBM.
It's called an intermission or interlude, it's not that Salagir thinks we need to know, it's more of a way to kill time whilst he prepares more plot for the main story or the artist draws more pages. They clearly don't exist for their quality, since it has consistently been sub-par.
RandomGuy96 wrote:I'm mostly talking about the premise and the art, which is all I really need to know for a special like this. The art isn't really good (like the Gast special's art) or so bad that it's entertaining (like the Bojack special's art), and the idea of exploring Bojack's past just doesn't interest me.
Agreed, especially since this origin story completely ruins the mysticism behind the Hera Clan, so dangerous that the Kaios had to intervene.
RandomGuy96 wrote:I'm not sure why Salagir thinks we need to know this, or what this has to do with DBM.
It's called an intermission or interlude, it's not that Salagir thinks we need to know, it's more of a way to kill time whilst he prepares more plot for the main story or the artist draws more pages. They clearly don't exist for their quality, since it has consistently been sub-par.
And it was stated that some of these artists got their own ideas for things, and Saligir doesn't want a hiatus between main stories so he lets them post what they want.
RandomGuy96 wrote:I'm mostly talking about the premise and the art, which is all I really need to know for a special like this. The art isn't really good (like the Gast special's art) or so bad that it's entertaining (like the Bojack special's art), and the idea of exploring Bojack's past just doesn't interest me.
Agreed, especially since this origin story completely ruins the mysticism behind the Hera Clan, so dangerous that the Kaios had to intervene.
RandomGuy96 wrote:I'm not sure why Salagir thinks we need to know this, or what this has to do with DBM.
It's called an intermission or interlude, it's not that Salagir thinks we need to know, it's more of a way to kill time whilst he prepares more plot for the main story or the artist draws more pages. They clearly don't exist for their quality, since it has consistently been sub-par.
And it was stated that some of these artists got their own ideas for things, and Saligir doesn't want a hiatus between main stories so he lets them post what they want.
And now you're twisting the meaning of my words. I didn't say that the specials were done without Salagir's supervision. I said two things:
1. The specials we see are those that are complete - done by motivated artists. And many DBM artists want only to draw special chapters concerning their favourite characters.
2. Sometimes the artist wants to develop some part of a story (like giving it more pages or more depth) or (s)he already has done some work on it (the main example being the Italian duo that had started making their own u13 special without even mentioning it to Salagir). Then Salagir analyzes it and gives the artist a bit of free reign. But that doesn't mean that Salagir "lets them post what they want" - he can accomodate their ideas and will but in the end it's all very strictly supervised.
Tzigi wrote:
And now you're twisting the meaning of my words. I didn't say that the specials were done without Salagir's supervision. I said two things:
1. The specials we see are those that are complete - done by motivated artists. And many DBM artists want only to draw special chapters concerning their favourite characters.
2. Sometimes the artist wants to develop some part of a story (like giving it more pages or more depth) or (s)he already has done some work on it (the main example being the Italian duo that had started making their own u13 special without even mentioning it to Salagir). Then Salagir analyzes it and gives the artist a bit of free reign. But that doesn't mean that Salagir "lets them post what they want" - he can accomodate their ideas and will but in the end it's all very strictly supervised.
I never said that Saligir allows artists to post what they want without supervision. I just said he allows artists to post what they want
many DBM artists want only to draw special chapters concerning their favourite characters
You said that. They only draw specials on their favorite characters. Saligir isn't telling them to draw their non favorites, so yeah, they post what they want-and what they want is their favorite character's story told. I never said it was unsupervised, but this artist decided a Bojack backstory fanfiction that has nothing to do with alternate universes is more interesting than ANYTHING ELSE. Just because Saligir may give the okay or supervise the work, doesn't mean he is not bending to the artist's pens to prevent a hiatus.
Tzigi wrote: many DBM artists want only to draw special chapters concerning their favourite characters
You said that. They only draw specials on their favorite characters. Saligir isn't telling them to draw their non favorites, so yeah, they post what they want-and what they want is their favorite character's story told. I never said it was unsupervised, but this artist decided a Bojack backstory fanfiction that has nothing to do with alternate universes is more interesting than ANYTHING ELSE. Just because Saligir may give the okay or supervise the work, doesn't mean he is not bending to the artist's pens to prevent a hiatus.
But it doesn't mean that they write the story! And, what's even more important, you never know whether a story is done because an artist wanted it and convinced Salagir or because Salagir wanted it and found an artist whose preferences happened to match the needs of the story. And claiming that "this artist decided a Bojack backstory fanfiction that has nothing to do with alternate universes is more interesting than ANYTHING ELSE" is plain wrong. This artist may have done many more chapters and Salagir may have decided to publish this specific one. Or maybe the artist thought that he could draw Bojack best of all DB characters or he wanted to draw anything and Salagir assigned this special chapter to him. There are many possibilities and using my words to claim something that in essence is "Salagir doesn't care about specials so he lets the artists publish shitty stories in order to stall for time for the main story" is a personal insult to me.
Tzigi wrote:But it doesn't mean that they write the story! And, what's even more important, you never know whether a story is done because an artist wanted it and convinced Salagir or because Salagir wanted it and found an artist whose preferences happened to match the needs of the story. And claiming that "this artist decided a Bojack backstory fanfiction that has nothing to do with alternate universes is more interesting than ANYTHING ELSE" is plain wrong. This artist may have done many more chapters and Salagir may have decided to publish this specific one. Or maybe the artist thought that he could draw Bojack best of all DB characters or he wanted to draw anything and Salagir assigned this special chapter to him. There are many possibilities and using my words to claim something that in essence is "Salagir doesn't care about specials so he lets the artists publish shitty stories in order to stall for time for the main story" is a personal insult to me.
Not sure why it insults you specifically, but I apologize for insulting you. Disregard what I said before, I was incorrect in my last few posts on the subject.
So far, this special has caught my interest more than the past ones. I'm not sure why. Maybe its just that Bojack's past is such uncharted territory, and I'm curious to see someone at least try to give these colorless villains some background and development. Trope-heavy stories don't bother me as long as they're pulled off well, so I'm willing to buy into the super solider background. In hindsight, I would prefer an explanation for their powers that involved a bit more mysticism, but I think a technological explanation is a fair interpretation. The artwork itself looks nice enough, especially the facial designs -though the deficit of colors other than white and the minimal shading puts me off a bit.
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Augenis wrote:The power level view into the series has trained a significant portion of the fan base into real life stereotypical members of the Freeza empire, where each and every individual is reduced to a floating number above their heads and any sudden changes to said number are met with shock and confusion.
Yeah, we are experimenting on dangerous criminals to enhance their powers, what could possibly go wrong?
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Okay, these scientists are complete morons. I was hoping the special would at least try to come up with a logical explanation for why they would rely on criminals for their experiment, but I guess stupidity is all we will get.
Like I said before, the artists is good at drawing faces and characters, but his or her backgrounds need serious work.
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Augenis wrote:The power level view into the series has trained a significant portion of the fan base into real life stereotypical members of the Freeza empire, where each and every individual is reduced to a floating number above their heads and any sudden changes to said number are met with shock and confusion.
Okay, these scientists are complete morons. I was hoping the special would at least try to come up with a logical explanation for why they would rely on criminals for their experiment, but I guess stupidity is all we will get.
Like I said before, the artists is good at drawing faces and characters, but his or her backgrounds need serious work.
Because experiments like that are terribly dangerous and will most likely kill you rather than have any positive results, and, as such, volunteers are very hard to come by?
Its true that the special doesn't spell that out for us, but it seems obvious. That's why the volunteers have noble backgrounds like military or firemen. Bujiin even has a "?" mark on his stats to, most likely, shows us that, even though he is listed as a volunteer, he is most likely is not, and was taken advantage of since he is an orphan.
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Kunzait_83 wrote:And if you're upset because all this new material completely invalidates the tabletop RPG rulebook-sized statistical system and flowchart for the characters' "canonical Power Levels" that you'd been working on painstakingly for the last bunch of years now... well I don't think there's a kind, non-blunt way of saying this, but that's 100% entirely your own misguided fault for buying so deeply into all this nonsensical garbage in the first place. And that you also have IMMENSELY skewed and comically backwards priorities in what you think is most important and needed to make a good Dragon Ball story.
Zephyr wrote:Goodness, they wrote idiotic drivel in a children's cartoon meant to advertise toys!? Again!? For the ninetieth episode in a row!? Somebody stop the presses! We have to voice our concern over these Super important issues!
Kamiccolo9 wrote:Fair enough, I concede. Sean Schemmel probably has some kind of hidden talent. Maybe he is an expert at Minesweeper. You're right; calling him "talentless" wasn't fair.
Michsi wrote: Mon Jul 04, 2022 11:29 amIn Super Piccolo got yelled off the stage by Vegeta in the U6 Tournament arc and lost to Jiminy Cricket in the ToP , he deserved 15 new transformations with his theme song played by Metallica in the background.